Song of the Day

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June 9, 2023

Black Sheep Optimists: “Questions and Lies”

By: Jack Anderson

Our Saturday night specialty show The Breaks does a great job of highlighting Austin hip-hop. But naturally, stuff is bound to slip through the cracks, especially when it comes to events before broadcast. That brings us to Austin three-piece Black Sheep Optimists, who’ve been bending genre norms since the start of the pandemic. The trio dropped their debut EP Book One in that uncertain summer of 2020, a four-track tour de force of trunk-rattling ’90s-style beats, rapid-fire rhymes that seamlessly tie braggadocio and introspection together, and two top-tier collaborations from right here in our local community – with KUTX favorites Kalu James and Jackie Venson.

Subsequent BSO singles have veered into more modern sonic territory, with a higher level of production to match their earnest ugly-duckling-turned-alpha-underdog aesthetic. But the spirit of collaboration is still alive and well, as heard on last September’s joint with Kaylin Karr “Lost Boys” and a new single that just came out today. For the latter, the fellas have teamed up with certified Austin shredder Matt Muehling for a four-and-a-half-minute mad dash ahead of BSO’s upcoming sophomore record Book 2.

So shear into the weekend with “Questions and Lies” and take part in the Black Sheep Optimists’ flock this evening at The Hive off Menchaca if you can. “Q&L”‘s live instrumentation gives its looping drum break a ton of extra weight, deft flirtations with vocal effects pump up the already-lurid lyrics, the chorus is nothing short of epic, and Muehling’s nimble guitar work will have you making some serious stank face throughout. Just don’t flatline til the tune’s over.


Episodes

January 16, 2023

Fantastic Negrito: “Highest Bidder” (Acoustic)

Happy Martin Luther King, Jr. Day! In commemoration of nonviolent protest, overcoming societal struggles, community engagement, and voicing our dreams, today we’re putting the focus on Fantastic Negrito. Born just 74 days before Dr. King’s assassination, Xavier Dphrepaulezz spent his teens witnessing Black oppression firsthand while selling drugs and toting guns in Oakland at the […]

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January 12, 2023

Why Bonnie: “Apple Tree”

After enough time in a live music hub such as ours, one of the most satisfying things to see is when local acts join forces, hit the road together, and take the nation by storm. Want to bear witness yourself this weekend? You’re in luck! As part of our 10th Birthday Concert Series, this Sunday […]

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January 11, 2023

Alex Gaw: “Something Behind”

It’s not really an industry secret that some of the very best songwriters are the most patient ones, the ones who soak up a ton of pre-existing stuff before ever playing their first note. And needless to say, if you’re close to the Live Music Capital of the World, you and your creative sponge are […]

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January 10, 2023

Sugar Purr: “Other Heart”

As we hit double digit days in the new year, it’s worth mentioning that in the past week and a half alone, a bevy of superb songs have already sweetened the deal for 2023. And there’s proof in the purring! Roughly one year after premiering a triplet of live performance videos on YouTube, Austin quartet […]

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January 9, 2023

Best Fern: “Before I Go”

I’ve talked plenty before about my affinity for ambient music. So when those healing frequencies are made more accessible through pop production techniques, it’s absolutely an attention-getter. And if there’s one pair from North of the Border you ought to keep on your ambient pop radar, it’s unmistakably Best Fern. Built from the ground up […]

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January 6, 2023

Barb: “Liar”

We hint quite a bit about the significance of risky pivots. Of course, as casual listener-observers, we usually only see the success stories, not the hurdles to get there. But when someone does pull it off, it’s incredibly satisfying to see (and hear). Which brings us to Barb. Born Barbara Klavin, this Austinite spent her […]

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January 5, 2023

Lost Weekend: “Soft, Summer Rain”

For much of the English-speaking world, the genre we call “New Wave” can be pretty easily categorized. However it’s worth noting that this late ’70s/early ’80s post-punk pop movement wasn’t actually the original “new wave”. That title goes to the little ’60s Brazilian post-samba sensation known as “Bossa nova“. Of course, the very best Bossa […]

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