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August 25, 2023

B.R. Lively: “Hope in My Heart”

By: Jack Anderson

With the oppressive heat and an especially tantalizing 24-hour news cycle, it’s worth taking a moment or two to just breath. So while neither we nor the artists we curate can claim to be mindfulness experts, we feel like today’s feature is pretty fitting for anyone in need of a mindset shift. It comes courtesy of Austin multi-instrumentalist-singer-songwriter Bryan Richard Blaylock (better known as B.R. Lively), whose well…livelihood….lies roughly within the boundaries of folk, outlaw country, southern R&B, and jazz. Lyrically Lively derives a lot from literature, but rest assured, his tunes aren’t so high brow that they’re inaccessible to the layperson. Lively first crested over the horizon with his debut Into the Blue in 2017, and tracked a companion piece fast in the aftermath. Well after nearly a half decade of solo touring across the US, Lively’s back in Austin and eager to unleash those counterpart recordings from their hard drive confines. Where Lively considers Into the Blue as an introspective, melancholic inhale, his sophomore follow-up People completes the process of process aural respiration with an exhalation of poignant wisdom, emotional growth, and realistic optimism; a Yin to Into the Blue‘s Yang. Lively takes the stage next Tuesday at High Noon for the People release show alongside Lola and returns the following Tuesday with Brothers of Mercy. But with scant chances of rain between now and then, let’s leverage those aspirations with “Hope in My Heart”. Co-produced by Band of Heathens collaborator Gordy Quist, mixed by Robert Ellis/Khruangbin engineer Steve Christensen, and arranged by string-and-horn visionary Thomas Avery, the sense of space, level of polish, and discipline of performance on this waltz are all nothing short of jaw-dropping. And as auspicious as it is awe-inspiring, “Hope in My Heart” will reward you with the essence of its title whenever the bleakness has got you feeling meek.

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August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

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August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

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August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

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August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

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August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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August 1, 2025

Celestine Gravely: “Kill the Heather”

Despite having a name that sounds like it belongs to a member of the Cramps, Austin’s Celestine Gravely‘s brand of rock is more attuned to the likes of Patti Smith and PJ Harvey, balancing the sounds of those eras and the power of their vocals with her own stamp of songwriting. You’ve got it all […]

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