Song of the Day

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September 30, 2021

Asleep at the Wheel: “Take Me Back to Tulsa” (feat. George Strait and Willie Nelson)

By: Jack Anderson

In less than 24 hours ACL Fest 2021 will officially begin and who better to help put things in gear than western swing icons Asleep At The Wheel? Three years after their inception in Paw Paw, West Virginia, Ray Benson steered The Wheel down here to Austin where they went on to give the final performance at the Armadillo World Headquarters and have been rolling strong ever since.

Commemorating their colossal milestone of 50 years together, Asleep At The Wheel’s LP Half a Hundred Yearcomes out tomorrow, proving that it’ll take way more than five decades for The Wheel to even consider careening off course. And mere hours after the record drops, Asleep At The Wheel takes the Honda stage, 1PM at ACL Fest, so get acquainted with AATW early with one of two new collaborative singles off Half a Hundred Years, featuring ACL 2021 headliner George Strait (who plays the same evening) and previous headliner Willie Nelson, “Take Me Back to Tulsa”!


Episodes

August 25, 2026

Jade Bird: “Lottery” [The Hole Story]

The Hole Story is powered by Austin Beerworks British singer-songwriter Jade Bird broke through in the U.S. in 2018 with “Lottery.” In this episode, she looks back at that song with a very different perspective, talks about the relationships and experiences behind her writing, and performs songs including music from her album, Who Wants to Talk […]

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August 24, 2026

Wynonna: “Am I Missing Out”

Country music legend Wynonna Judd is back with her first album in over a decade. On The Hard Truth, she collaborates with artists like Iron & Wine, the War & Treaty, and Patterson Hood. And despite her music never shying away from darker, personal themes, Judd says this new album may be her most honest. […]

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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