Song of the Day

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January 30, 2020

Ariel Abshire: “It Wasn’t God Who Made Honky Tonk Angels”

By: Jack Anderson

Going all the way back to her childhood, Nederland native Ariel Abshire has had an almost-offensive comfort in and command over classic country. Ariel’s since settled right here in Austin, where she’d already cut her teeth onstage at iconic venues like Broken Spoke and Cactus Café and where she continues to slay it as a singer-songwriter. With a voice reminiscent of Brenda Lee, a flawless sense of pitch, and a lighthearted style of lyrical sarcasm, Abshire’s vocals are instantly evocative of midcentury pop, but lately she’s been crankin’ out tracks that sound more like Katy Perry than Skeeter Davis.

Get ready for some aggressive modern pop, both onstage around town and on Abshire’s upcoming fourth full-length, but don’t be too quick to discredit her country roots, considering she just released an impressive cover of  a Kitty Wells 1952 hit – “It Wasn’t God Who Made Honky Tonk Angels”


Episodes

May 6, 2025

Daily Worker: “Delmar Overload”

Despite only releasing music since 2019, Austin indie rock outfit Daily Worker seems to be taking a page from the Robert Pollard and King Gizzard book of prodigious releases. The group, helmed by Cotton Mather guitarist Harold Whit Williams, has released over a dozen album in just six years. Not surprising when you’re not only a musician, […]

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May 5, 2025

Pendulum Hearts: “Cocaine Cowboy”

Austin duo Pendulum Hearts take over stages with their blend of Western Swing and rockabilly, filled-out by a rotating cast of characters to round out the rhythm section and sprinkle in soloists. The beat of Pendulum Hearts comes from guitarist and vocalist Chase Risinger and fiddle player Tony Perez. They’re sweat-inducing, boot-scooting live shows are […]

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May 2, 2025

Penny & Sparrow: “Ketamine” (ft. Tobe Nwigwe)

UT Austin alums Andy Baxter and Andy Jahnke have been releasing music together as Penny & Sparrow for a decade. Revered for their poetic lyricism and ability to pull off acoustic gems and electronic meditations masterfully on the same album, Penny & Sparrow continue that tradition on their current album Lefty. An ambitious, twenty-song release […]

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May 1, 2025

Melanie MacLaren: “Get It Back”

Nashville indie folk artist Melanie MacLaren has garnered praise for her music all across americana outlets. In just three years, she’s released dozens of songs and several EP’s and live tracks. Her warm, effortless vocals tend to be just one of the many patterns running through her tapestry of many orchestrated layers. Not shying away, […]

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April 29, 2025

M. Ross Perkins: “Spiritual Kick”

Dayton, Ohio’s M. Ross Perkins has an affinity for blending 60’s British Invasion music with the sounds of American pop standards with just enough of a contemporary veneer to let you know the sound is an homage to the time, not a hint to its release date. His third album What’s the Matter, M Ross? […]

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April 28, 2025

Kelly Finnigan: “Keep Me In Mind” (ft. Renaldo Domino)

Last year, Monophonics bandleader Kelly Finnigan released his second solo album A Lover Was Born, a stellar study in psychedelic soul extending cleanly from the classic Monophonics sound. A song that didn’t make it onto the album was “Keep Me In Mind,” a smooth soul bop featuring Chicago soul legend Renaldo Domino. While most of […]

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April 25, 2025

Queen Serene: “In A Rut (I’m Stuck)”

Austin psych-rock group Queen Serene was conceived during COVID when former Naked Tungs guitarist Sarah Ronen began writing her own music following the band’s dissolution, but soon realized she preferred creating in a group. Now the group is filled out with Charlie Cassells, Dave Pohly, and co-songwriter Galceran. Queen Serene’s sophomore album 2 feels out […]

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April 24, 2025

The Bug Club: “Better Than Good” [Live In Studio 1A]

Welch trio The Bug Club have been continuing the traditions of garage rock since 2016. Short, punchy songs with humorous lyrics and catchy hooks bulk out the group’s discography, and under the freewheeling rollicking is an understated seriousness to their musicianship. Aside from the wild wall of sound that makes the trio sound like a […]

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