Rabbi Neil Blumofe

Wes Montgomery (6.14.15)

Wes Montgomery was born “John Leslie Montgomery” in Indianapolis, Indiana in 1923. From humble beginnings in the Midwest, he went on to become one of the all time leading jazz guitar players, taking after luminaries like Django Reinhardt and Charlie Christian.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about how the unassuming nature of Montgomery allows us to see that revolution and innovation are all around us each day. In the ordinariness of his playing, Montgomery was dangerous. Threatening to the status quo of, not only the everyday, but the avant-garde as well.

Rudresh Mahanthappa (5.10.15)

Rudresh Mahanthappa is an American jazz alto saxophonist and composer. Much of his music fuses the western improvisational approach to jazz, with sacred music from India, to expand the understanding of what it means to be in a present moment intercontinentally.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about what Mahanthappa’s work and style, can teach us about how we understand the process of becoming, as we live in this world.

Strange Fruit (4.19.15)

“Strange Fruit” is a song, made famous by Billie Holiday, who would often sing it to close her shows when she would perform, discouraging applause from the audience when she sang it. Holiday had a difficult time recording the song, but upon the urging of her friends at Commodore Records, she recorded it for the first time on April 20th, 1939. She was harassed by the FBI and other authorities for singing it, but refused to stop.

Originally written as a poem in 1937 by Abel Meeropol, to protest against American racism and the lynching of African Americans in the south just after the turn of the century, it remains a stark reminder of America’s scars of slavery, bigotry, discrimination, and hatred.

Holiday’s legacy is directly connected to “Strange Fruit”, and Nina Simone said of the song, that it was about the ugliest song she had ever heard, and would later marvel. “Ugly in the sense that it is violent and tears at the guts of what white people have done to my people in this country.”

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about what the lamentation of “Strange Fruit” can teach us today, about injustice, humanity, protest, and peace.

Herbie Hancock (4.12.15)

Herbie Hancock is an American pianist, and composer who’s musical collaborations span the breadth of everyone from Clark Terry and Miles Davis, to Joni Mitchell and Kanye West. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about what the life and work of Herbie Hancock can teach us about dedication, inspiration and the power of change.

Dexter Gordon (3.29.15)

Dexter Gordon was an American jazz saxophone player, who helped to cement the bebop style post Charlie Parker and others. He spent most of his career playing, composing and recording in Europe, as it was a more, “harmonious” place to live and create.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about what the life and legacy of Dexter Gordan can teach us about exploration, diversity, and acceptance.

Charles Lloyd (3.15.15)

Charles Lloyd is an American musician who’s primary instrument is the tenor saxophone. He’s recorded with greats like Miles Davis, The Doors, The Beach Boys and most recently Jason Moran. He brings diversity and passion to each performance, and adds his own voice to divergent genres.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about what the versatility and presence of Lloyd’s work can teach us about how to approach the newness of each day.

Lee Konitz (1.1.15)

Lee Konitz is an American jazz composer and alto saxophonist, who continues to build space for evolving styles and techniques in his work on the alto-sax. Inspired by Benny Goodman, Konitz carved out a sound that was, at times, contrary to prevailing ideas of what was “cool” in jazz in the shadow of Charlie Parker.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about the importance of Konitz’s life and work, and what his dedication to his craft can teach us about re-inventing our days and selves as we live.

Blues And The Abstract Truth (2.22.15)

Blues and the Abstract Truth the triumph of band leader, arranger, and saxophonist Oliver Nelson. It helped to define the sound of an era with the classic “Stolen Moments”, but also assembled an all-star cast of musicians including: Eric Dolphy; Bill Evans; Paul Chambers; and Roy Haynes.

In this edition of Liner Notes Rabbi and jazz historian Neil Blumofe talks about the significance of this seminal record, and what it means to explore truths through abstraction.

King Curtis (2.15.15)

King Curtis was an American saxophonist, who played not only jazz, but R&B, rock n’ roll, and funk as well. His style was powerful and poignant, allowing moments to fully expand and develop. Unfortunately Curtis died young, murdered at the age of 37. In this installment of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about what the life and legacy of King Curtis can teach us today.

Joe Sample (2.7.15)

Joe Sample was an American composer, pianist and keyboard player, and one of the founding members of The Jazz Crusaders. A native Texan, Sample who began his career in the style of Art Blakey and The Jazz Messengers, and went on to collaborate with, not only Miles Davis, but also Steely Dan, and Eric Clapton.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about what it means to find truth in spirit and soul rather than in genre, and how Sample’s legacy can teach us to allow for unfamiliar narratives to inform our sense of exploration within tradition.

Benny Golson (1.25.15)

Benny Golson is an American jazz saxophonist, composer and arranger who made his name with greats like John Coltrane, Art Blakey, and Lionel Hampton. Yet, perhaps his best known and recognized composition was for his friend, jazz trumpeter and legend Clifford Brown, who was taken at the age of 25 in a car accident. Golson wrote, “I Remember Clifford”, in the wake of his passing, and you can hear much of Brown’s rich and smooth texture throughout Golson’s piece.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, talks about the life and work of Benny Golson. He explores what it means to memorialize loved ones who have passed before us, as their lives and souls remain vivid within us, even though their bodies are no longer here.

Tina Marsh (1.18.15)

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about the life and legacy of Austin-based composer and artist Tina Marsh.

Celebration (12.20.14)

In this edition of Liner Notes Rabbi and jazz historian Neil Blumofe discusses Jazz and The Art of Celebration.

December is a month of festivities, parties, and traditions, yet for many of us it is a time when the spotlight it pointed at how isolated we may feel without our loved ones, our homes, or our families around us. In these moments of solitude it is important to remember and celebrate what we do have. The precious lives we are given to live, however sad or difficult they seem in these moments.

The universal sound and momentum of jazz, gives us a soundtrack by which we can follow the rhythms of our heart and our soul. Allowing us to celebrate our lives anew with each note and honor the wonderment of this universe.

Clark Terry (12.14.14)

Clark Terry is an American born bebop trumpeter and pioneer of the flugelhorn. Born in the Midwest in 1920 he began his career under the guidance of legends like Louis Armstrong, Duke Ellington and Count Basie, and went on to educate generations of musicians including Miles Davis, Wynton Marsalis and even Austin’s own Ephraim Owens.

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about how precious the life and work of Clark Terry is, as he plays the role, not only of a great musician, but as a hinge that links us to the past, present and future of jazz and America.

Dave Brubeck (12.7.14)

Dave Brubeck was an American jazz pianist and composer who helped to bring jazz to a mainstream audience, during very turbulent days in America’s history. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe discusses how listening to Brubeck’s music provides us with an opportunity to make change and fight injustices by finding our own voice.

Willie “The Lion” Smith (11.23.14)

Willie “The Lion” Smith defined what it meant to be a stride, jazz piano player in 20th century America. As an and African-American Jew, Smith approached the magnitude of WWI, and the early 1900s with a kaleidoscope of perspectives. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe, explores what the life, music, and legacy of Smith can teach us today.

John Hendricks (11.16.14)

Jon Hendricks is an American jazz singer who is considered to be the poet laureate of jazz. He inspired, and continues to speak to, greats like Bobby McFerrin and even Thelonious Monk. In this edition of Liner Notes, Rabbi and jazz historian Neil Bulmofe, explores the way in which, as a singer, Hendricks’ discipline and skill is a remarkable example of the importance of self-care. When we see our body and soul as the “instrument” through which we can make the music of our life, we hold it dear, as Hendrick’s continues to do.

Don Byron (11.9.14)

Don Byron is an American composer and multi-instrumentalist, rooted in jazz. However, his stylistic influences range from heavy metal to klezmer and more. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe explores what it means to go beyond the idea of “avant-garde” and remain inspired and open to all elements of musical expression in this post-post modern era.

Alice Coltrane (10.26.14)

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about the life and music of the great Alice Coltrane.