Austin Music Minute

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August 23, 2022

Maestro

By: Laurie Gallardo

JaRon Marshall has honed his skills as a musician and producer since he first got his hands on sequencers and DAWs (digital audio workstation) at the age of 14. This shaped the sophisticated composer we hear behind the infectious beats and multi-layered funk/jazz/soul/hip-hop coalescence of The Gold Tapes: Vol. 1-3 and monumental EP The Black Power Tape. Yet Marshall is the first to admit that a majority of the creativity fueling his direction comes from his multiple collaborations with other artists. Vocalist/songwriter James Robinson worked alongside Marshall on The Black Power Tape, while The Gold Tapes LP includes appearances by Iram Reyes, Nnedi Agbaroji, and Adrian Quesada. Speaking of the latter, Marshall’s skills figure prominently as keyboardist and contributing songwriter of Black Pumas. All of it keeps Marshall on his game.

Following a stellar performance at Exploded Drawing‘s recent showcase last week, JaRon Marshall + The Collective have a show coming up tomorrow night, Wednesday August 24, at The Pershing, 2415 E. 4th St. Doors open at 7 p.m.


Episodes

September 21, 2023

Gather Round

If you know, you know. Interestingly, it took a friend originally from Alabama/Tennessee to explain it to your Austin Music Minute host. In addition to any shows presented by Eastside Kings Festival at various locations, Skylark Lounge is the spot to witness incredible blues shows. And it’s the spot where the Austin Blues Society Gathering […]

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September 20, 2023

Faces of ACL

Overwhelming. ACL Fest 2023 is literally only a few weeks – really, days – away. How the hell does the time fly by so quickly? But today’s AMM has details about a special ACL Fest retrospective, from the eye of a wonderful Austin photographer. Perhaps your AMM host’s opinion is slightly skewered for various reasons, […]

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September 19, 2023

HAAM Day 2023

Your AMM host hears a lot of stories from local musicians about HAAM. These are praises shouted from the rooftops. “If it wasn’t for HAAM, I wouldn’t have been able to see a doctor…” “Without HAAM, I wouldn’t have been able to get this dental work I needed…” “If HAAM wasn’t here to help me, […]

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September 18, 2023

…You Who Enter Here

Whether accompanying the marvel and wonder of ‘The Red Balloon,’ complimenting the stunning imagery of Enchanted Rock, or adding an extra jolt of irreverence to a hilarious revised edition of ‘The Return of Draw Egan’, Montopolis delivers a unique storytelling experience with incredible scores by composer Justin Sherburn. This week, the ensemble presents a special […]

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September 16, 2023

Diez Y Seis

It’s a common thing to see a lot of bars and businesses bringing the party on Cinco de Mayo every May. It’s also a bit odd, considering it’s not the biggest celebrated Mexican holiday. May 5 commemorates an 1862 victory against the French in the Battle of Puebla, but a day of much greater importance […]

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September 15, 2023

Worse For Wear

Track by singular track, Alain Paradis edges closer to the 2024 release of a new Holy Wire album. Paradis’ dark synth electro-pop creation from Brooklyn, now a full band in Austin, unveils another sonic piece coursing in an ’80s darkwave/post-punk vein, “Worse For Wear,” an irresistibly upbeat melody drawing you into melancholic brooding over a […]

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September 14, 2023

Catharsis

Bedroom pop project Skateland is the creation of songwriter Dorian Williams II. Earlier this year, KUTX’s February 2023 Artist of the Month released the EP New Wave Revival, as haunted in its melodies and vocals as it is lyrically. It’s not necessarily sadness that dominates the overall arch, but Williams has described creating music as […]

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September 13, 2023

Havoc

It’s understood that certain platforms are commonly utilized for a significant amount of musical exploration, but your AMM host prefers Bandcamp, which is where your aforementioned host had a field day with a bunch of Gus Baldwin releases. Full volume, full throttle, starting in all caps with “LOAN SHARK” and “KILLER OF THE MAN II,” […]

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