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March 29, 2023

Small Engine Fire: “Ruin Everything”

Song of the Day

By: Jack Anderson

Between the 30th anniversary of the Waco siege and the tragedy that just occurred on the border, the word “fire” might understandably turn some Texans off right about now. But for those who continue to rock out through the pain of the world’s ongoing, encircling dumpster fire…this one is for you.

It comes courtesy of sanguine sweetheart Ray Garza, whose effortless guitar and calculated vocals have become a staple of Austin outfits like Lola Tried, Space Tan, and his previous passion project, Poly Action. But just as Poly Action was picking up traction at the turn of the decade, the pandemic put an instant damper on PA’s momentum. Like countless others, the isolation and uncertainty of the subsequent lockdown left Garza feeling stuck in a rut. Historically an unapologetic upbeat pop-punk-rock lover, Garza surprised himself when he shed his typical humor-hinged defenses in favor of slower tempos and more fragile subject matters.

Fortunately for us, those tunes haven’t sizzled out into an ash pile. Instead, Garza’s internally-torching originals have rung the bell on his latest endeavor, Small Engine Fire. With Small Engine Fire (which features alum from Space Tan and Bogbody) Garza finds a safe haven to unspool those anxieties and insecurities with quirkily-human indie rock. And following their first-ever live show shortly after Free Week, Small Engine Fire has recently signaled the drop of a debut album sometime this year.

The quartet just lit the wick on that record with a solemn scorcher of a lead single, “Ruin Everything”, a slow-burning indie rock inferno stoked by infectious embers of instrumental interplay and subtle dynamic shifts. So if you’re planning out your weekend, consider showing some support for Small Engine Fire’s single release show 10PM this Sunday at Hotel Vegas followed by A. Sinclair and Rusty Dusty. If not, just toss on some headphones, throw “Ruin Everything” on repeat, and keep watching the world burn, baby.

March 28, 2023

Andy Aylward: “No Surrender”

Song of the Day

By: Jack Anderson

Whether its a stubborn molecule of toxic masculinity, a frank reflection on the fragility of life, or just a brash rock ‘n’ roll stereotype, “getting soft with age” is an oft-repeated adage, especially in the world of music. In the decade-long natural maturation of tastes between one’s preteens and post-grad explorations, there can be an almost parodic adrenaline-and-amp-addicted attitude that prefers to “die young” instead of “grow up”. And while claiming a traditional genre like folk is “hard” in contrast to say…punk rock sounds a bit silly, of course it’s all in the ear of the beholder. For London-born, Washington, D.C.-raised, and Austin-based songwriter Andy Aylward? A steady progression into soft-folk-rock hasn’t curbed any of the observational petulance of his adolescent punk days nor the nihilism of his post-college psychedelic experiences. Now whisked in the relative wisdom of his thirties, Aylward does make a conscious effort to eschew overt pessimism from his originals. But as heard on Andy Aylward’s 2019 solo debut Sometimes Rain, neither interjections of hope nor gallows humor mask the beautifully bleak honesty of his folksy poetry. Riding off a historically wayward relationship with cheap wine, bygone breakups, and the cross-country moves that eventually brought Aylward to Texas, Remember Me Like Birds On The Wind doesn’t relent an inch away from Andy’s intrinsic earnestness. These eight introspective, sparse arrangements were mixed by Fruit Bats/Kevin Morby producer D. James Goodwin for a minimalist affair that features The Cairo Gang’s Emmett Kelly, Stephen “Sweet Baboo” Black, and Captain Beefheart’s J.T. Thomas. Last Friday, ahead of Remember Me‘s April 25th release date, Aylward unleashed the album’s lead single that syncs up J.T. Thomas with trumpet-for-hire Paul Brandenburg for a jaunty jangler that just doesn’t give up, “No Surrender”.

March 27, 2023

Evergreen: “Step”

Song of the Day

By: Jack Anderson

Since our late great radio icon John Aielli passed away, KUTX’s airwaves have largely veered away from classical music. But some of the best things about classical music are its timeless universality, its enduring ability to be adapted, and its ripe potential for renewed relevance post-re-interpolation. That’s also is a big part of what drives Austin multi-instrumentalist/instructor Evergreen, whose traditional cello upbringing and intrinsic understanding of the classical “language” had earned her spots onstage alongside Father John Misty and The Eagles by her mid-twenties.

As with the third stream movement of the 1950s, Evergreen especially seems to enjoy taking a revisionist approach to classic compositions, ditching strict tempo instructions in favor of moment-to-moment nuance, and letting centuries-old leitmotifs bask in new contexts. For her upcoming debut, Delicious Vignettes of Recent American Kind, Evergreen dissembles Antonin Dvořák’s “American String Quartet No. 12” and splits its bits across five infectious neo-classical sketches. That, on top of an ample cast of collaborators, an indie folk original, and a Joni Mitchell cover closing out the album, Delicious Vignettes is pretty much the exact level of classical-inspired eclecticism that Aielli so adored.

Today, before Delicious Vignettes drops on Friday, we took a “Step” closer to the LP with a stripped-down duet between nylon guitarist Chris Melas and percussionist Charles Godfrey. A delightful dance of flamenco rhythms and Latin jazz, “Step” feels like a great way to start Spring.

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