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August 2, 2023

The Bright Light Social Hour: “Lifers Only”

By: Jack Anderson

Since the release of their 2010 eponymous debut, whose tracks have racked up millions of streams, The Bright Light Social Hour has become a big part of Austin’s – and by extension – KUTX’s musical character. Even after all these years (and a lineup change that keeps the core duo of Jackie O’Brien and Curtis Roush intact), this quintet continues to innovate and inspire awe within the indie-psych sphere. To the point that it seems like Bright Light Social Hour’s time to shine could easily span several more decades. That “in for the long haul” momentum’s helped the band out on a far-reaching North American tour lasting through November, one that extends to both Canada and Mexico, and includes a stop at the Mohawk along with Good Looks on September 30th as part of KUTX’s 10th Birthday Concert Series. The occasion? TBLSH’s fifth full-length, Emergency Leisure, out today. Flirting with elements of French disco, experimentalism, and a whole slew of intense emotions, Emergency Leisure marks the start of an auspicious new era for this five-piece, albeit atop the familiar “Texan trippy” formulas we’ve fallen for with each preceding LP. And just like its title implies, Emergency Leisure is a potent dose of cosmic R&R for your ear drums, so if you’re dire need of a vacation but don’t have the bandwidth, by the time you get to “Lifers Only” you’ll feel like a whole load’s been lifted off. Despite its monotonic robot intro, there’s a ton of human heart in this effects-drenched progressive piece of endurance. And right around the two minute mark, TBLSH pulls the rug out with poignant Pink Floyd vibes – further proof of what the late great John Aielli described as a “sweet but sinister” style, a perfect description of Bright Light’s sibylline vibe.

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August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

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August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

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August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

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August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

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August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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August 1, 2025

Celestine Gravely: “Kill the Heather”

Despite having a name that sounds like it belongs to a member of the Cramps, Austin’s Celestine Gravely‘s brand of rock is more attuned to the likes of Patti Smith and PJ Harvey, balancing the sounds of those eras and the power of their vocals with her own stamp of songwriting. You’ve got it all […]

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