Archives for April 2020

Wiretree: “Nightlight”

First conceived as a solo outlet for Austinite Kevin Peroni’s songwriting, Wiretree soon branched out as a live quintet who’ve released five full-lengths and one EP since the 2007 debut Bouldin. Wiretree’s indie rock aura pulsates with the electricity of Wilco, The Shins, The Strokes, as well as marginally older acts like The Smiths, Elliot Smith and early-career Nick Lowe. Their steadily re-supplied batch of “unpopular pop” songs, upbeat yet simultaneously rooted in life’s realities, has landed Wiretree festival spots across the US and a one-off in China, not to mention a European tour and featured spots in movies and TV.

Just last Friday Peroni broke out with a brand new single and coinciding music video, one that makes the most of self-isolation and provides some semblance of illumination while we can’t see what the end of this tunnel looks like, “Nightlight”!



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Texas Standard: April 13, 2020

Seemingly endless rows of cars lined up waiting for food in San Antonio: we’ll check out the strain on efforts to feed the hungry in other parts of Texas. Plus, is a tool used to recover memories lost to trauma acceptable for use in police work? An investigative report by the Dallas Morning News raises questions about the use of hypnosis in criminal cases in Texas. Also, life in the federal lockup. Now under lockdown amid growing concerns for the prison population and for staff. And how a pandemic affects a political push to flip the Texas house. Those stories and more today on the Texas Standard:

The 15th Annual Fritz Pollard Awards (Ep. 19, 2020)

This week on In Black America, producer and host John L. Hanson, Jr. presents highlights of the 15th Annual Johnnie L. Cochran, Jr. Salute to Excellence Awards held during Super Bowl LIV week, featuring speakers Roger Goodell, Troy Vincent, and Fritz Pollard Trophy winner Trey Smith.

Stream Pick: Nicole Atkins

It was actually pretty awesome to spot a tweet from Britt Daniel via Spoon with a most enthusiastic exclamation. “I was lucky to get to contribute a small bit to the tracking of this new tune by Nicole Atkins,” he tweeted into the Twitterverse. “This is a hit!”

Hell yes, it is. “Captain” is one of the new swoony croons on Atkins’ forthcoming LP Italian Ice, now set for release May 29th, and a snippet which you hear on today’s AMM (click on the MP3 below, please). Atkins continues her live stream performance series today with Alone We’re Together, Part 3, featuring special guests Oliver Wood (The Wood Brothers), Erika Wennerstrom, and Lilly Hiatt. That’s at 6 p.m. this evening, Saturday April 11th. Get details when you join Atkins’ Patreon or send a donation through Venmo: @Natkinsband.

-Photography by Barbara FG.

Stream Pick: Mayeux and Broussard

All your bases covered in a single weekend, buddy – and new music to boot. Whaaaat?!

Your Austin Music Minute host is proud to present the madness of Mayeux and Broussard, in all their blazing glory, with two new tracks: “I Never Knew Lonely,” with vocals by Brian Broussard, and “Get Back,” with Tate Mayeux on the mic. Snippets of both are on today’s AMM, both are ruling, and you’ll get to check it all out when Broussard plays a solo set Saturday (April 11th) at 11 a.m., and Mayeux does a set Sunday (April 12th) at 8 p.m., on Revelator Coffee Company‘s Facebook Live and Instagram.

The new songs’ official release is April 24th. Get you some.

-Photography by Gloria Goode.

KUT Weekend – April 10th, 2020

This week, Austinites who depend on real-life connections for sobriety find community online. As UT students log on to finish classes from home, some in rural Texas struggle to stay connected. And, we take a look at who’s using public transportation in Austin during the coronavirus pandemic.

Subscribe at https://weekend.kut.org

Texas Standard: April 10, 2020

Despite hundreds of suspected positives for COVID-19 at Texas nursing homes, the state is refusing to release detailed data. Why the secrecy? We’ll take a closer look. Plus, nearly 1 in 3 apartment renters didn’t pay anything to their landlord April 1st. What happens next depends on where you live. Some tips for tenants from an expert. Also eliminating the insanity defense, unconstitutional? You might be surprised by the answer. And our go to expert from UT Health San Antonio answers your COVID-19 questions. All of that and more today on the Texas Standard:

The New Normal

As COVID-19 has spread around the world, it has led to changes many have begun calling the new normal. That was the inspiration for this Typewriter Rodeo poem.

Daniel Fears: “No Substitutions” [PREMIERE]

Houston-born Daniel Fears first formalized his trombone chops at UT before further refining them at Yale, studying iconic classical composers and extracurricularly exposing himself to timeless acts like Stevie Wonder and contemporaries Emily King, James Blake, and Frank Ocean.

Having flexed his embouchure around the Austin scene the past few years with Ley Line, Wild Child, The Bishops (to name just a few), Fears is finally giving voice to the tunes occupying his headspace with a new self-titled solo project. For his debut album Canopy, Fears has enlisted the help of Grammy Nominee Moses Elias, allowing the vocalist to go all in during the studio sessions. Canopy is out in mid-May but today Daniel Fears has given us a glimpse with an exemplary precursor and standalone R&B single, setting the bar for Fears’ smooth singing and ear for undying grooves, “No Substitutions”!


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Stream Pick: Curtis McMurtry

Add this extraordinary listen to your quarantine soundtrack, if you please. Curtis McMurtry‘s exquisite The Hornet’s Nest is one for those souls facing their most heart-aching thoughts. And a beautiful (and most underrated) LP it is, glimmering in all the skyrocketing highs and devastating lows, the palpitations and unfulfilled desires, that make and break the heart.

This evening, Thursday April 9th, McMurtry is joined by Diana Burgess for a live stream performance on Instagram and Facebook at 8 p.m. Central. And donations can be made at PayPal, curtismcmurtry@gmail.com, and
Venmo, @Curtis-McMurtry.

-Photo courtesy of the artist.

Why Bonnie: “Athlete”

Half a decade back, then-recent bachelor’s recipient and budding vocalist Blair Howerton began performing her previously unheard material alongside her lifelong best friend and classically-trained pianist Kendall Powell. Soon with the addition of guitarist Sam Houdek and bassist Chance Williams, Why Bonnie had become an easily recognizable name in the Austin scene, winning over listeners (and landing a touring spot with KUTX favorite Snail Mail) with their irresistible, fuzzy guitar pop, always kept airtight by Howerton’s sanguine singing.

Tomorrow the Austin quartet follows up their 2018 debut In Water with Voice Box, an EP christened in the name of unabashed expression as a reflection on Howerton’s own hurdles with finding a balance between outward emotionality and ongoing suppression. We’re only hours away from unlocking all Voice Box has to offer, but especially for all the folks mentally wrapping their minds around what’s deemed “essential work”, enjoy the record’s second single, “Athlete”!


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Texas Standard: April 9, 2020

It’s too early to know how deep or wide, but we’re almost certainly in a recession. New jobless claims today underscore the gut punch to the economy. The Comptroller Glenn Hegar recalculates the impact of COVID-19 and its impact on our bottom line. Also, tech expert Omar Gallaga on getting and keeping your internet access during a time of heavy use. And speaking of: hot tip for movie streaming. An almost forgotten Texas film that inspired a certain festival called Sundance. Those stories and more today on the Texas Standard:

Texas Standard: April 8, 2020

If you’re a nonessential worker and you’re out for a drive, what happens if you get pulled over? The realities of police work during a pandemic. Today, our conversation with the chief of police of the Texas Capitol City on enforcement of stay at home orders, and how police are dialing back some of what they do to keep officers safe.. Also state parks and historic sites now shuttered. We’ll hear from the head of Texas Parks and Wildlife. Plus the boom in urban bear hunts: teddy bears that is. Some practical tips for first time hunters and more today on the Texas Standard:

Things ‘Redneck Dave’ Said to Me on the Drive Across Texas

By W. F. Strong

A while back I had occasion to travel across 400 miles of Texas, about half the state, with my older brother, Redneck Dave. We call him that out of admiration for his unbending and unapologetic devotion to life as he sees it. He loves his nickname, by the way. Wears it proudly.

He is one who is not particularly talkative on long drives, but does share a few observations between long silences. In fact, he’s not very talkative anywhere. Even if six or seven guys are sitting around at the house shootin’ the bull, he’s not likely to say much. He’ll just be in the corner quietly whittling a stick. He doesn’t carve it into anything, he mostly whittles big sticks into little ones and then starts on another stick. Once in a while he’ll look up and share a thought or correct someone on something, and it is then that people pay attention because he’s got a tiny bit of Confucious in him, a tendency to nail down the truth in a way that sticks with you.

When I travel with him, which is rare because he doesn’t much care to travel, he is different from most riders because he doesn’t have a phone to distract him. He just looks out the window and watches the world go by, seeing things the average person would miss–because they’d be scrolling through their phone–or because the things that fascinate him wouldn’t even register in most of our minds. It’s like having your personal color commentator along for the ride.

So I made a note of a few things Redneck Dave said on our drive across Texas. They are these:

“Let’s take the FM roads as much as we can. Stay off the Interstates. I don’t want to be looking at the butt-ends of 18 wheelers all the way.”

“I’d like to meet the guy that built that fence. Always liked a man who could build a good fence. We’d get along, him and me. Look at that. He’s got eight inch round posts ever’ forty feet set in Quickrete and t-posts every ten foot in between. King Ranch fencing.  Straight as a West Texas highway and tight as a banker. That wudn’t stretched with a come-along, I’ll tell you that for sure. That was done with a tractor. Can’t get a fence like that that tight with just a come-along.”

“They built all these expressway bypasses around these little towns. Terrible thing. A bypass will save a man with a bad heart, but it’ll kill a town. Sad to see it come to this. These little towns is what made Texas Texas. Hell, where do you think the talent and know how in them big cities come from? It came from these little towns. They’re killin’ off the farm teams.”

“You’re drivin.’ You can’t look, but there’s a beautiful Brahman Bull back there about 200 yards in that pasture. Must be a trouble-maker. Appears to be pastured all alone,  separated from the herd.”

“That’s hell of a big pothole you just hit. I think you had to aim for half a mile to get lined up right.”

“These big ole windmills they have. What’s that? Turbines they call ‘em? Yeah. Well, to me they’re just windmills on steroids. I’m not against ‘em for what they do, but they sure do ugly up the place. Do they need so many? Looks like greed won out over pretty.”

“Heads up. You got a big freight truck comin’ up behind you doin’ 90. Ever notice that as you get close to a big city, about 40 miles out, everybody drives faster? The closer to your destination, faster you drive. Not true for old people though. They’re all closer to their final destination in life, and they drive slower. You’d think teenagers would drive slow, given all the time they have, and old people would be in a hurry, but it’s the opposite.”

“That was a good lunch. Used to they’d give you a glass of ice water before you sat down. Now you have to buy it–for three bucks. Not even Texas water. Comes from Japan or one of them snowy countries in Europe. ”

“I’m gonna have to see a man about a horse pretty soon. No, I don’t want to go to no rest stop. Eight-hundred people in those places. Might as well take a number. Just pull over there by that fence. I prefer the rancho grande. No line, no waiting. And I always go on the road side of the fence. Government land.”

“You need to lose weight. Here’s my diet for you. Work more than you sit. Don’t eat if you ain’t hungry. Big meal at noon. No second helpings. No eating after supper, which is at 7.”

“Thanks for the ride, brother. I’ll get on down there to see you soon. Just have to wait a while. DPS ain’t real happy with me right now. Supposedly I owe them some money. Best I’m not out on the public highways just now and sadly there ain’t enough dirt roads to reach you. When they settle down I’ll come see ya.”

Redneck Dave is always a delight. I’m sure most Texas families have one of their own, or wish they did.

Zeshan B: “Nausheen”

As a first-generation Indian-American fluent in Italian, Urdu, and English with proficiency in Punjabi and Spanish, Chicago native Zeshan Bagewadi AKA Zeshan B has a way more comfortable grasp on culture at large than your average soul singer. Zeshan B first broke out in 2017 with Vetted, his brilliantly re-packaged collection of American soul standards that topped iTunes’ World Music chart and debuted in Billboard’s Top 10 World Music Albums. Since then he’s performed for both Jimmy Carter and Barack Obama, has played alongside hip hop heavyweights like Mos Def and A Tribe Called Quest, and has had no problem conquering the Kennedy Center and the Apollo.

Continuing to fuse his formative South Asian traditions with the realities of urban Chicago, this multi-instrumentalist has just announced his first ever album of original music, Melismatic, taking Zeshan B beyond someone who just evokes the talent and anthemic encouragement of Gaye or Redding and into an uplifting vehicle entirely of his own creation. Following up the infectious contemporary civil rights-inspired “Brown Power”, Zeshan B’s shared another new single from Melismatic (out mid-May), one that puts the spotlight on gender equality and whose concision and weight are almost evocative of Citizen Cope, “Nausheen”!