music

It Was Always There – Vlad Holiday

Episode 3 of the Song Confessional is here! You’ll hear one woman’s confession about her mom’s clandestine profession and the world premiere of the song it inspired, “It was Always There.” Later, you’ll learn all about the Romanian-born, Brooklyn based, lo-fi pop enthusiast, Vlad Holiday, and his boozy approach to producing. In case that wasn’t enough, Zac and Walker have a lively discussion about marijuana and trauma afterward!

If you enjoyed this episode, please tell a friend and find us on the socials @songconfessional. If the spirit moves you, subscribe, give us a rating, and review.

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Trailer: Song Confessional

On the Song Confessional Podcast, today’s top bands and songwriters turn anonymous stories into new original songs. Each episode features the “confession” that inspires the original song, the song premiere, and an interview with the songwriter.

Premieres Nov. 8th.

Follow us and find us on the socials @songconfessional and after you give us a listen, leave us a review!

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Another World – Holiday Sidewinder

Episode 2 of the Song Confessional Podcast is here! In it, you’ll hear an interview with Australian, synth-pop wunderkind, Holiday Sidewinder, the world premiere of the song “Another World”, and the skydiving horror story that inspired this babushka-approved bop. You’ll also find out how Holiday got that fantastic name of hers and how she and producer, Jim Eno, made the music feel as ‘Soviet’ as the story itself.

Give it a listen, find it on the socials @songconfessional and if you feel like showing us a little more love, leave us a review! Don’t forget to subscribe!

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Don’t Let me Die in Waco – Croy & The Boys

Welcome to the Song Confessional Podcast Episode 1! In our inaugural episode, you’ll hear the world premiere of “Don’t Let Me Die in Waco” from the ‘woke’ outlaw cowboy outfit, Croy and the Boys, and an anonymous ‘confession’ involving a Greyhound bus, binge drinking, Febreze, and death that inspired it. You’ll also hear head songwriter Bad Boy Croy’s thoughts on songwriting, outlaw country, the current state of the Austin music scene, and one of the most optimistic takes on sports fandom in America.

Give it a listen, find us on the socials @songconfessional and if you’re feeling frisky, leave use a review! Don’t forget to subscribe!

 

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Texas Standard: November 15, 2019

A show of resilience in El Paso: for the first time doors re open at the site of the August mass shooting at a WalMart, we’ll have the latest. Also, the Supreme Court hands a rare victory to plaintiffs trying to hold gunmakers liable in mass shooting cases. And how to make democracy better? Smarter ballots. We’ll hear one professor’s big idea. Plus the week that was in Texas politics from the Texas Tribune and a whole lot more today on the Texas Standard:

Texas Standard: October 22, 2019

Huge political news in the Lone Star state as one of the most powerful politicians in Texas government says he won’t seek reelection amid scandal. We’ll have the latest on House speaker Dennis Bonnens decision. Also, the Texas city once hyped as greenest in the nation is now suing to get out of its solar power deal. We’ll have the latest. And ex Baylor coach Art Briles returns to football, in a place even some locals were surprised to find him. Plus, how do so-called red flag gun laws work in real life situations? Those stories and more today on the Texas Standard:

Jazz & The Art of Movement

Where do we consider being at home? When do we feel that we belong in a place and how quickly can we become dispossessed? In its essence, jazz traces various migrations – some arbitrary, some forced, and some chosen – and beyond appropriation and broad-stroke caricature, reveal difficult truths of identity, well-being, and honest relationship.

Through the artistry of Miles, Monk, and Mingus, both critique and imagination of the American melting pot will be explored – lessons crucial to our current navigation of the difficulties of migration, refugees, and asylum-seeking in our land. What is native land – and beyond the symbols demanding our loyalty, what consistently makes America, great?

Listen back to Views and Brew: Jazz and The Art of Movement recorded live at the historic Cactus Cafe in Austin, Texas, with Rabbi and Jazz Historian Neil Blumofe in conversation with Rebecca McInroy. Featuring: Michael Malone, saxophone; Andre Hayward, trombone; Red Young, piano; Scott Laningham, drums.

Trailer: The Breaks

Hosts Confucius and Fresh are here to let everyone know about Austin’s vibrant hip-hop and R&B scenes. They’re fun, bold, informed and making it clear that “The Live Music Capital of the World” has a lot more going on than Stevie Ray, Willie, Spoon and other great artists.

What Elvis Presley Owed West Texas

By W.F. Strong

It is my belief that Texas was largely responsible for launching Elvis Presley’s phenomenal career. Texas, perhaps as much as Tennessee, gave him a vital push onto the national stage and empowered his rise to the eventual undisputed title of “The king of rock and roll.”

Now, I’m not claiming that he became the timeless icon of popular culture that he became, solely because of Texas. Given his super-charged charisma, even if he’d first toured in Northern Siberia, he still would have melted teenage hearts and attracted a massive following. Fame would have found him anyway. But that’s not how it happened. Elvis himself once said, “I owe a lot to Texas; they’re the ones who put me over the top. I’ve covered a lot of territory; mostly in West Texas. That’s where my records are hottest: down in San Angelo, Lubbock, Midland and Amarillo.”

In fact, when Elvis began touring in the mid-1950s, 86 of his first 200 concerts were in Texas. These were not all in the big cities, either. To be sure, he hit Houston and Dallas and San Antonio, but he mostly traveled to smaller towns. He went to Gladewater in East Texas and Sweetwater in West Texas. He played Paris – Texas that is – and out west he played Odessa. Most of his concert dates were in West Texas: El Paso, Lubbock, Amarillo, Alpine, Midland, Abilene, Wichita Falls, Brekenridge, San Angelo, Stephenville and Big Spring. These were not one-time stops either. He played in Midland and Odessa and Lubbock several times in his first years of stardom.

And it was touring in West Texas that introduced Elvis to some of the greatest musicians of his age. Buddy Holly opened for Elvis in Lubbock in 1955. Buddy was a high school senior. Elvis was 20. They bonded in mutual admiration of their outsized talents. Buddy would open for Elvis two more times that year. When Buddy died tragically just four years later, Elvis couldn’t attend his funeral because he was in the Army, stationed in Germany. But he did send a huge wreath of yellow roses in a loving tribute to the great Texan.

Elvis played in Odessa and Midland several times in 1955 and 1956. Once in Midland, at a show featuring Johnny Cash, Elvis and Johnny met a slightly younger, 19-year-old, Roy Orbison and advised him on launching his singing career. Cash was the old man of the group, at 23. Wouldn’t you have loved to have been backstage in Midland seeing those three future legends huddled together? Later in life someone asked Cash why he played a guitar so hard. And he said that he didn’t play all that hard, but Elvis sure did.

One thing that Elvis achieved that neither of the other two did was to create a fanbase of screaming, unruly girls. He sometimes begged them to settle down so people could hear the music.

His biographer, Bobbie Ann Mason, said, “He was brimming with sexual energy and the stage allowed him to give that energy free, exuberant play.”

Yes, the girls adored Elvis, but the boyfriends they climbed over to reach him were not great fans. They did not understand how this man driving a pink Cadillac and wearing the bright colors of a peacock could whip their girlfriends into such a lustful frenzy. To add to the insult, their girlfriends rushed to buy the Elvis lipsticks that were for sale at the concerts; Tender Pink and Cruel Red. Elvis was dismayed that so many of the boys didn’t like him, because he considered himself “just one of the guys.”

After 1956, Elvis moved slowly away from Texas, drifting toward Las Vegas where audiences came to him instead of him driving all night in a pink Cadillac to make his next show. Hollywood, too, came knocking. So he would never again return to Texas with anywhere near the frequency he did in the early years of his growing fame. The year he died, he held his last Texas concerts: one in Abilene and the final one in Austin on March 28, 1977.

Two books that were helpful in researching this story are “Last Train to Memphis: The Rise of Elvis Presley” by Peter Guralnick, and “Elvis Presley: A Life (A Penguin Life)” by Bobbie Ann Mason.

Texas Standard: June 7, 2019

Politically radioactive: a popular plan to protect domestic violence survivors gets the governor’s veto. The reason? Nuclear waste. We’ll have the backstory. Also summer’s here, does that mean your kids will lose a lot of what they’ve learned? Probably not, says a Texas researcher who’s bucking the conventional wisdom… we’ll hear why. And from San Benito all the way to the Big Apple and the Billboard top 10: our conversation with Charlie Crockett. Plus the week in Texas politics with the Texas Tribune and a whole lot more today on the Texas Standard:

This Song: Thea Wood on “Bad Reputation” by Joan Jett

Writer and entrepreneur Thea Wood describes how hearing Joan Jett’s “Bad Reputation” while watching the documentary of the same name  reignited her passion for music and inspired her to make a huge change in her life.  Listen as she explains how that experience led her to create the “Backstage Chats With Women in Music” podcast as well as the the Backstage Chats Foundation  which seeks to “eliminate gender disparity in modern music by amplifying the voices of women in music and accelerating their careers through grants and scholarships.”

Listen to this episode of This Song

Check out the “Backstage Chats With Women in Music” podcast

Check out the Backstage Chats Foundation

Listen to Songs from this episode of This Song

 

Texas Standard: May 17, 2019

Even after evidence of Russian attempts to hack U.S. politics, campaigns for 2020 are turning down cybersecurity help. Is that a smart move? We’ll take a look. Also, a new immigration reform plan. Todd Gillman of the Dallas Morning News tells us why Democrats say its dead on arrival. Plus, skyrocketing insulin prices? For a Texas congressman this one’s personal. Joaquin Castro tells us what he’s planning to do about it. And U.S. military veterans, more and more of them denied U.S. citizenship. We’ll hear what’s happening. Plus the week in politics with the Texas Tribune and so much more today on the Texas Standard:

Texas Standard: May 13, 2019

Tick tock… the clock is winding down on the Texas Legislative session. But there’s a lot left to be done. We’ll have the latest on what affects you from under the dome. Also, the big business of toy guns. So realistic, police can’t tell the difference. And that’s had deadly consequences. And if you take the back roads through rural parts of Texas, you’ll see towns dotted with dance halls. Many have been shuttered or lost to time, but there’s a renewed effort to get them swinging again. Plus, efforts to highlight and reframe the story of the Alamo keep bumping up against other important parts of Texas history. We’ll have the latest on that and a whole lot more today on the Texas Standard:

Sound Design

Join KUT’s Rebecca McInroy along with KUT’s senior producer Michael Lee, Composer Sam Lipman, and sound designer Carolina Perez, to talk about editing sound for picture or podcast, the ethics of production, and how to build on powerful stories using sound.

This Song: Allison Moorer

Allison Moorer just released a new book and record, both titled “Blood.” Both works explore the legacy of her childhood in an abusive, addicted household and examine the impact that her parent’s murder suicide had on her life. In this episode, Moorer describes how “Every Breath You Take”  by the Police gave her a window into an entire other world of music, and helped her define herself apart from her family.

Check out Allison Moorer’s tour dates

Buy Blood

Listen to Songs from this episode of This Song

Texas Standard: February 19, 2019

Two dead and five police officers wounded after a botched drug bust. Now the police chief in the state’s biggest city wants to end no knock raids, we’ll have the latest. Also, drug money and corruption rampant in Mexico, but also bad on this side of the border. We’ll talk to a reporter from the New York Times about how drug money’s greasing the wheels in the Rio Grande Valley. And a struggling elementary school in Odessa and a calculated risk to keep it from getting closed down. Plus The University of Texas tries to recend a PhD and a Texas judge says not so fast. We’ll get schooled on the matter. All those stories and so much more today on the Texas Standard:

Wynton Kelly

Wynton Kelly was a piano prodigy who accompanied legendary performers across hundreds of songs but failed to make it big as a bandleader.

In this edition of Liner Notes, Rabbi and jazz Historian Neil Blumofe walks us through Kelly’s upbringing, aspirations, and why he was often viewed simply as a “first rate sideman”.

Music: “Freddie Freeloader” – Miles Davis [1959]
“Cornbread” – Hal Singer [1948]
“Come Rain or Come Shine”, “Surrey With the Fringe On Top”, “Quiet Village” – Wynton Kelly

The History Of Blue Note

Celebrating its 80th anniversary in 2019, Rabbi and jazz historian Neil Blumofe walks us through the origins of Blue Note Records and how genres like bebop helped to understand the turbulence of the times.

Music: Horace Silver – “Silver’s Serenade”Sidney Bechet – “Early In The Morning”Thelonious Monk – “Thelonious”.

Texas Standard: December 26, 2018

Some observers say the Lone Star State is experiencing a moment: we’re turning it into an hour as we go deep in the art of Texas on a special edition of the Texas Standard. From a major face lift at Houston’s museum of fine arts to a renaissance of Texas music spreading far and wide beyond the stereotypical frontiers, a famous film director returning to his roots, a photographer giving us a new perspective of our home state from a mile in the sky, to kids in the valley turning their lives into verse…we’re getting creative on this special edition of the Texas Standard: