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KUT and KUTX news and music podcasts for Austin, Texas and beyond

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What the Artemis II liftoff means for the future of space exploration

Control of Artemis II has been handed over to Houston: we’ll hear about the launch and what appears to be a big boost in interest in the space program. But it’s getting a little tight up there above the air: concerns about orbital traffic jams after a second Starlink satellite breaks apart. Texas prisons without air conditioning: a test case over cruel and unusual punishment. Also, a new documentary turns a spotlight on the role of Jewish Women in the story of Texas.

Texas Standard is a listener-supported production of KUT & KUTX Studios in Austin, Texas. You can help make this podcast happen by donating at supportthispodcast.org.

A Central Texas voters’ guide as primary Election Day nears

There are still a few hours left to vote early ahead of Tuesday’s Texas party primaries. We’ll tell you what you need to know before heading to the polls to vote today or Election Day on Tuesday.

We’ll also have closer look at races for two Travis County Commissioner seats and go over what exactly commissioners do.

Also, the federal government is now challenging a court order to repatriate college student Any López Belloza, who was deported after trying to fly to Austin last year.

Huston-Tillotson’s group of jazz musicians with fresh roots on the east side of Austin have already gained national recognition.

And it’s going to get loud at Circuit of the Americas this weekend: NASCAR is in town.

Austin Signal is made possible by listeners like you. You can support our work by making a donation at supportthispodcast.org

Paxton sues more out-of-state providers over abortion pills

Texas Attorney General Ken Paxton files suit against a California doctor and a larger international organization for providing abortion pills to Texans. Paxton’s lawsuit is not the first time he’s gone after out-of-state providers of mifepristone — though so far, he’s had little to show for it.
After the floods in Kerrville, volunteers round what may be a post-flood turning point.
A political scandal involving South Texas Republican Congressman Tony Gonzales is gaining attention. We’ll delve into how it could shake up this election season.
And what’s behind the latest protein craze?

Gun rights debate resurfaces after Minneapolis shooting

Pressure builds inside the Texas detention center in Dilley housing parents and children. What’s behind a protest that erupted there over the weekend?
Second Amendment advocates speak out after licensed gun owner Alex Pretti is killed by Border Patrol agents in Minnesota.
A look at how weight loss drugs are transforming obesity and diabetes care in San Antonio.
Introducing the upstart jazz orchestra at Huston-Tillotson University that’s among the top in the country.
And a North Texas estate sale filled with cat-themed décor and housewares.

The latest on the freeze heading towards Austin

The forecast continues to evolve as an arctic cold front heads towards the Austin area this weekend. Temperatures are forecast to remain below freezing starting Saturday night in Central Texas and could stay that way through Monday. We’ll have the latest forecasts and updates from city officials.

Austin Community College’s free tuition pilot program ballooned to nearly 10,000 students this academic year. We’ll look at the students who are being impacted and the things they’re learning about.

Huston-Tillotson University’s Jazz Orchestra is among the top bands in the country. We’ll hear about their competition last weekend in New York.

Plus, photojournalism collides with original songwriting in the new project “Witness.” We share a special sneak listen.

How the Digital Equity Act helped before funding was cut

Organizations are working to bridge the digital divide in Texas and across the country, but that work has been made more difficult since the Trump administration withheld funds to assist programs aimed at getting underserved people online. Texas Standard’s Shelly Brisbin has more on how these groups and local governments are planning for a future without the financial aid.

Austin FC is partnering with We Are Blood for a community blood drive this week. Learn how you can participate.

And: Antone’s lands a deal to stay in their current digs for the next five decades.

Michael Arizmendi: “Dependence”

Born and raised in Brownsville, TX, new Austinite Michael Arizmendi recently graduated from the esteemed Berklee College of Music in Boston. Principally a trumpeter, Arizmendi studied music production and songwriting, and he blends those skills with a passion for exploring and synthesizing different genres. His debut single “Dependence” blends sultry jazz and hip-hop showcasing both Arizmendi’s years as a jazz musician with his budding career as a lyricist and songwriter, journeying down the road paved by Digable Planets, The Roots, and a bit o’ Paul’s Boutique.

Recycling rare earth elements could power the future

Severe storms brought flash floods, hail and widespread power outages to Central Texas, killing one and hospitalizing two. More than 10,000 are still without power.

Rare earth minerals are being wasted when you toss out an old phone or TV. Research in Texas could change the disposal process.

Texas Tech just won its first-ever game in the Women’s College World Series. We’ll introduce you to star pitcher NiJaree Canady, the first softball player making $1 million a season in NIL deals.

Plus: How about a little music? We’ll start with the Huston-Tillotson Jazz Orchestra, a relatively new group with big plans. And a lot of Americans used to have a piano in their homes – how and why that’s changed.

Okonski: “October” [PREMIERE]

Okonski is another beautiful project born from the Durand Jones & Indications house with pianist Steve Okonski at the helm with support from fellow Indications Aaron Frazer and Michael Montgomery on drums and bass. Together the trio takes all of the jazz elements of Durand Jones & the Indications and puts them front and center, letting the songs take as little or as much structure as he (or perhaps the keys themselves?) please. After nearly two years, Okonski returns to us like a wanderer returning to their village, wiser, more lived, and with Homer-level volumes of tales.

The new single from Okonski’s upcoming sophomore album Entrance Music evokes Willie’s arrangement of Irving Berlin’s “Blue Skies.” It’s laid back, beautiful, and effortless. And with a small, solid melody paired with the rhythm section as an anchor, Okonski is free to play and flourish around it, briefly returning to home base before taking off yet again like another chapter of the wanderer’s tale.

YouTube cleaning sensation AuriKatariina heads to Texas

Texas Attorney General Ken Paxton has filed a lawsuit claiming a New York doctor illegally prescribed abortion pills to a Texas resident.

A state plan to provide incentives for affordable housing: A Houston Chronicle investigation finds little affordable housing being built – and taxpayers holding the bag.

Two Texas families take legal action against an AI chatbot, alleging it served up sexual and self-harming content to kids.

Finnish cleaning star AuriKatariina, with 3.4 million YouTube subscribers and billions of views, is on the hunt for Texas’ dirtiest house to clean.

And: The New York Times sparks a controversy over the use of “y’all.”  Texas Monthly would like a word.

Ramiro Pinheiro & Rodrigo Balduino: “Moon River”

No matter how much of an “instant classic” it may have been when it first dropped, after a half century of air play, most people feel like they’ve heard certain songs ad nauseam. That is until you hear a fresh take on it. And we’re not just talking about slapping some drums or a new verse on it and calling it a remix. No, we’re talking about someone from a different cultural background who, without ever having been bogged down by it the way we were, is able to breathe new life into tunes that’ve been around for more than half a century.

Enter Ramiro Pinheiro, a singer-guitarist-composer hailing out of São Paulo. Pinheiro calls Barcelona home these days, but as chamas of Brazilian tradition – be it jazz, bossa, or samba – still burn through his fingers and onto pretty much anything he touches, no matter the music’s origin. Case in point: his second collaborative single of the year “Moon River”.

Recorded alongside fellow Paulistano Rodrigo Balduino, this version of “Moon River” isn’t just a ripple off that mid-’60s flood of Western pop renditions in a bossa nova style. No, there’s intimate honesty to the raw recording of this Breakfast at Tiffany’s triumph that channels the delicate acoustic passion of Jobim or Gilberto, string squeaks, breaths, close quarters instrumentation, and all. And even without translating Johnny Mercer’s lyrics into Portuguese, Pinheiro’s accent alone enchants with an exotic charm, gracing this Henry Mancini mainstay with a new set of legs that’ll last another fifty years, at least.

Suzanna Choffel: “Get Out”

Austin-based singer-songwriter Suzanna Choffel brings relateable emotion and vibrant energy to her latest single, “Get Out,” off her upcoming album Bird By Bird. Known for her genre-blending sound and raw lyricism, Choffel uses this track to dive into the pressures of her modern life—parenthood, relationships, and career struggles—all while trying to maintain a sense of self.

But, “Get Out” doesn’t stray away from what Suzanna Choffel has always aimed to emulate. In fact, like any insightfully charged musician, her journey as an artist has always been tied to her personal life. Since her last album, Hello Goodbye, recorded while she was pregnant with her first daughter, Choffel’s experiences now as a mother of two have reshaped her perspective on songwriting. Balancing family, a music career, and hosting her own radio show on Sun Radio in Austin, she brings a matured yet still playful sound to Bird By Bird.

And often with big changes like these, sometimes a break from routine is needed. Knowing this, Choffel reached out to longtime collaborator Davíd Garza to help produce the record, who recruited a dynamic rhythm section featuring drummer Amy Wood and bassist Sebastian Steinberg, known for his work on Fiona Apple’s GRAMMY award-winning album, Fetch the Bolt Cutters.  Not to mention, the album also features a dash of Austin with guest performances from local friends Adrian Quesada, Carrie Rodriguez, and Elias Haslanger.

The collaboration brings a driving, percussive intensity to “Get Out” while somehow still maintaining a graceful balance with her folksy highs and lows. To bring more of a personal touch to the album, Garza, who’s also a new father, suggested turning the song’s final chorus into more of a celebratory moment capturing the cathartic release that “Get Out” represents.

Alexi 8bit: “You Don’t Have to Be Alone Anymore”

In the world of singers, acting cutesy doesn’t necessarily negate sophistication. Like, we’ve seen a lot of success in going north of mere infantile novelty and co-opting that puppy love naivety in a way that’s accessible to all age groups. And while we can point to a major movement of such with jazz-pop hits from the ’40s through ’60s, it’s especially true post-Ariana Grande’s impact on our modern musical environment.

Just ask Alexi 8bit. This Austin multi-instrumentalist-producer just wrapped up last month with her sophomore EP Softy. Between Alexi’s pink dress, ribbons in hair, and oversized teddy bear on the album artwork and track titles like “Dreaming From My Childhood Bed”…yeah…there’s some extremely girly energy engulfing Softy on first glance. But past that surface level aesthetic, when you actually sit down and listen to this thing, it’s clear that no one other than a grown ass person could accomplish something so mature. I mean you can’t score an ongoing residency at Fairmont Austin’s Room 725 lounge without having ample class, right?

And you don’t have to identify any which way to be moved by Softy‘s five-song selection either. So before you celebrate Pride Month with Alexi and the full 8bit band on Sunday, June 30th at Cheer Up Charlie’s, kick back with the cool keys, expertly-executed vocals, bear-hug-big harmonies, and comforting lyrical company of the Norah Jones-esque “You Don’t Have to Be Alone Anymore”.

I’m not crying; you’re crying.

Atlas Maior: “Jah Ali – Doctor Phono Remix”

You might’ve caught wind of our own Michael Crockett’s retirement announcement, which means his Sunday evening program Global Grooves will grinding to a halt in just a few weeks. It’s a bittersweet end to an era, no doubt, but fortunately there are other potent purveyors of world music right here in the city limits.

Folks like Austin four-piece Atlas Maior, whose masterful melding of international influences with experimental jazz have made them one of the most truly unique acts in ATX over the last decade and a half, with a recent itinerary that speaks for itself. Hot off a month-long tour over in Morocco, Atlas Maior’s back in town and about to tear into the Deluxe Edition of last February’s EP Hadal.

Hadal Deluxe Edition marks Atlas Maior’s first physical vinyl release as a culmination of their past four years of flourishing, and they commemorate the moment tomorrow night with a two-performance live taping (8PM and 10PM, respectively) at one of the quartet’s favorite haunts, Monk’s Jazz Club. And it’s not just a matter of finally getting to hear Hadal on wax; Atlas Maior made sure to include a couple eclectic goodies in the package as well. Side B’s latter half pairs two non-Hadal remixes that both dropped in April 2021, the latter of which, “Jah Ali – Doctor Phono Remix”, exudes exactly the right kind of breezy Middle Eastern energy to keep our heads cool through what’s set to be a scorching summer.

Kassa Overall: “Make My Way Back Home” (KUTX Live at Scholz Garten)

Shoutout to everyone who caught our Scholz Garten live series last week for SXSW, either in person or over the airwaves! But if you didn’t turn out or tune in, don’t fret; we’re taking the next few days to recap some key performances.

Starting off today with Brooklyn’s Kassa Overall. This Grammy nominee is about as expert as it gets when it comes to drumming, yet by stepping behind the mic or into the producer’s chair, Kassa’s not just sequestered to the rhythm section. After landing a real KO on last May’s ANIMALS LP, Kassa Overall came in hot last Thursday at Scholz with his sonic supercollider of jazz and hip-hop.

Starting off at 11AM, the set’s energy was a real pre-noon pick-me-up. Auxiliary percussion, keys, and pair of saxes rounded out these retro arrangements for some truly magical moments, like the band’s rendition of “Make My Way Back Home”. Let’s just hope that Kassa Overall makes their way back to Austin sooner rather than later.

Wrongbird: “Sons of the Desert”

Once you get locked into a flock, life without group benefits sounds like a nightmare. And if you want to break away to steer your own migrations, you might just sacrifice a chunk of your following in the process. Not only that, there’s always the risk of ending up far from where you wanted.

Yet it sure seems like singer-songwriter Eric Baker (formerly of Tomar & the FCs and currently behind keys for Shinyribs) has found the right fit with Wrongbird, which he founded as a solo project more than half a decade back. Since Baker’s early 2018 debut Epitome of the Opposite, Wrongbird’s wings have spread into a core duo with producer-guitarist Michael Blake and eventually the quartet we know today. Wrongbird’s made all the right choices when it comes to what they weave into the nest: strings, horns, backup singers, and anything worth foraging from the ’60s-’70s golden age of art pop. But following their late 2018 EP Who Is Wrongbird?, the band went awfully quiet…up until their big return in 2023 with April’s “Mr. April” and November’s “Western Hero”, the latter of which has already become their most streamed single on Spotify.

Clearly Wrongbird’s not interested in letting their still-limited discography dry up, and as such, they’re leading us to an oasis of a new record at some point in 2024. And while there’s no official release date for that sophomore album as of yet, Wrongbird does have a single release show 6:30PM next Wednesday at Vinyl Beauty Bar with Allisen & Wy plus Lady Chops & the Goddamn Jam. And that latest lead single from LP feels like finally reaching a distant mirage, that instead of evaporating upon arrival, gleefully transforms into a full-blown Bourbon Street affair. Because by barreling together Three Stooges dialogue samples, speakeasy-approved horns, tipsy stride piano, trippy guitar, tumbling drums, and swaggering vocals, “Sons of the Desert” effortlessly encapsulates a prohibition-era sense of mischievousness. Just don’t get yourselves into too much trouble with this one, boys…

Ghost Funk Orchestra: “To The Moon!”

Last Fall when we shared our KUTX staff picks for Levitation Fest, I got a chance to gush about one of all-time favorite contemporary projects, Ghost Funk Orchestra. That slick, spectral sound clearly continues to haunt me, because I’ve got yet another chance to gawk at Ghost Funk Orchestra today.

For those who haven’t already been possessed, Ghost Funk Orchestra is the brainchild of NYC multi-instrumentalist/composer/arranger Seth Applebaum. Alongside Applebaum’s outstanding studio crew, Ghost Funk Orchestra raises a whole array of retro sounds back from their original decades-old resting places – exotica, psychedelia, jazz, surf rock – you name it. Well, just like the Apollo program, not long after the last LP, GFO’s already gearing up for their next mission – their fifth full-length, A Trip to the Moon, out February 23rd.

Inspired by the space age arrangements of Quincy Jones and Eddie Palmieri, this fifteen-stage instrumental, interstellar exploration may just rival George Méliès’ groundbreaking 1902 short of the same name in terms of outlandish style. The record’s lead single and title track of sorts, “To The Moon!” almost puts Tower of Power to shame with stereo-spanning, brilliantly-mixed brass that orbits Applebaum’s mission controlling, garage-style guitar. In other words, it doesn’t sound quite like Ghost Funk Orchestra’s completely ditched their dusty sheets for spiffy new spacesuits – and we love to hear it. Between its opening mosaic of authentic NASA transmissions and its descending reverse guitar solo that cues re-entry to our normal lives, we’re expecting A Trip to the Moon to hail in a new generation of “lost cosmonauts” with a one-of-a-kind astral listening experience.

Bonus Episode: HT Jazz Collective

In this bonus episode, Lisa and Rich catch-up with the Huston-Tillotson Jazz Collective after their performance at ACL. They share how Huston-Tillotson has cultivated a space that makes them feel at home, what playing jazz means to them, and what inspires them. 

Alabaster DePlume: “Naked Like Water” (feat. Donna Thompson)

Depending on who you talk to, friends of composers, performers, and producers often present them as “prolific”. Which makes sense. No one wants to admit to sedentary songwriting, right? But when you come across someone with a truly bountiful output, more often than not, they’re not bragging; they’re just dedicated craftspeople who love to create. People like Manchester-born multi-instrumentalist Guy Fairbairn. For the past eleven years he’s been blasting out albums under the handle Alabaster DePlume. Sound-wise this experimental jazz project features Fairbairn on tenor sax, guitar, synth, and vocals and lyrically serves as Fairbairn’s artistic avenue for publishing poetry. When combined, Alabaster DePlume’s discography tenders a sprawling saga of unconventional sounds across six studio albums, plus a remix record and a collection of instrumentals. So with no no depletion of drive in sight for this Londoner, Alabaster DePlume unsurprisingly has yet another new LP coming out soon. That dozen-song endeavor Come With Fierce Grace drops September 8th, and based on the name alone we’re expecting an upper echelon of experimental jazz-folk. This morning, ahead of a maiden month-long U.S. tour, DePlume deployed Come With Fierce Grace‘s final lead single, oen that’s amplified by touring drummer Donna Thompson‘s towering pipes. On “Naked Like Water”, Thompson takes on the role of Lady of the Lake, whose vocals extend Saxcalibur to King Alabaster from a misty, aural Avalon. Rippling with liquid minimalism and leaving little to hide, “Naked Like Water” really lets the reverb and sense of space do a lot of the heavy lifting. In doing so these cleansing waves bare all and drip with ambient avant-garde vulnerability.
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