On this episode we discuss what artists get a pass to “genre bend” and what artists don’t. We also discuss what can Drake do to regain his number one spot in hip-hop. Hip-hop facts include Will Ferrell, Jay-Z, Allen Iverson and more. Fresh’s Unpopular Opinion is that rappers don’t have to do traditional hip-hop media platforms.
Hip Hop
Spite Club w/ Jedi512 and Boots
On this episode we talk with former KUTX Artist of the Month Jedi512 about his newest project “Spite Club” with producer Boots. Hip-hop facts include facts about LL Cool J, Migos, and TLC. Unpopular Opinion with Fresh is about Frank Ocean being underrated.
AI and the Future of Music
AI is a hot topic right now, but how will it impact music? We discuss everything from fake bands getting millions of listens to a legendary producer vouching for the use of AI to lawsuits by major music groups against AI music generation programs.
In the latest episode, we dive into how Austin musicians are using the tool or staying away. Hear from Chinasa Broxton and Carlos Dashawn Daniels Moore of Tribe Mafia, Walker Lukens, Lauren Bruno, Jonny Johnson, Zeale and Erin Walter share their thoughts on the future of AI and music.
Tell us what you think about AI and Music
Pause/Play is a listener-supported production of KUT & KUTX Studios in Austin, Texas.
You can support our work by donating at supportthispodcast.org.
Social Media & Music: Love It, Hate It, or Use It?
Social media has completely changed how musicians share their work and connect with fans — but not everyone is here for the endless scroll. Some artists are over it and have even ditched it altogether.
In this episode, we dive into the love-hate relationship musicians have with social media. Hear from Chinasa Broxton, Carlos Dashawn Daniels Moore of Tribe Mafia, Walker Lukens, Sara L. Houser, and Robert Ellis as they dish on how they do — or don’t — use these platforms to build their careers and stay true to their art.
Did We Give Hip-Hip Away?
On this episode we discuss if the culture of Hip-Hop was too easily given away to streaming services without a fight. We also discuss the pros and cons of using A.I. in hip-hop. Hip-Hop facts this week include Aaliyah, Whitney Houston and Red Hot Chili Peppers. Unpopular Opinion is about about having too much access to celebrities.
DUCKWRTH: “Toxic Romantic”
L.A.’s DUCKWRTH has an adept knack for genre-bending around hip-hop, indie, and electronic music, massaging whatever effect he wants to achieve into his mold. His hip, danceable midtempo grooves have landed him the opening spot on two Billie Eilish tours, his music has been in shows like Insecure and Bel Air, and his song “Start A Riot” with Shaboozey was featured on the widely revered Spider Man: Into the Spider-Verse soundtrack.
DUCKWRTH’s third studio album American F**k Boy is a thoughtfully plotted story that unfolds like a book. Broken down into literal chapters, the voices of notable actors like LaKeith Stanfield give interstitial narration throughout DUCKWRTH’s bear-all odyssey juggling multiple romantic interests, generational trauma, his own self-inflicted patterns leading to toxic relationships. Towards the end, DUCKWRTH describes his ego death necessary to grow, reflect, and move on with a promise to do better.
“Toxic Romantic” kicks off the album with a brilliant display of DUCKWRTH’s groovy midtempo, multi-hyphenate style, punctuating the chaos we’ve been dropped into with a garbled guitar riff and DUCKWRTH calling his pathetic self out with a distorted delivery of the cliché “It’s not you, it’s me. I promise.”
American F*cK Boy is out now on Them Hellas/The Blind Youth.
Ralph McDaniels (Ep. 18, 2025)
This week on In Black America, producer and host John L. Hanson, Jr. speaks with pioneering music video director, DJ and VJ Ralph McDaniels, who in 1983 created Studio 31 Dance Party, a television program presenting recordings of music performances that evolved into the long-running music video program Video Music Box.
Is Jermaine Dupri out of touch?
On this episode we discuss legendary producer/artist Jermaine Dupri’s comments on artists not wanting to be independent. We also discuss the recent Austin Music Awards and some criticisms levied at them from local artists.
Rap Beef Episode III: Revenge of the South (Re-Run)
This episode is a rerun from 10/7.
On the finale of the fellas’ series on rap beefs, Confucius and Fresh head to the south for rows in Texas, Florida, and Louisiana from the late ’80s through the ’00s.
Will Outkast make it into the Rock ‘N Roll Hall of Fame?
Fresh and Confucius discuss whether Outkast has a legitimate chance at making the Rock ‘N Roll Hall of Fame. The pair also breakdown Kendrick Lamar’s halftime show and their thoughts on it.
Geto Gala: “Homerun Derby” (Live In Studio 1A)
As Love Austin Music Month marches on, I’d like to revisit one of my favorite Studio 1A sessions from 2024 and celebrate a new victory. Geto Gala, the rockstar hip-hop duo of Jake Lloyd and Deezie Brown were our November 2024 Artist of the Month, and they headlined our Free Week Show a few weeks ago at Stubb’s Indoors. Hot of the release of Major League at the end of last year, they were part of the 2024 Sonic Guild class and were awarded $10,000 this past Saturday at the 11th Annual Sonic Guild Ball. Which means big things are coming next.
To celebrate this huge victory for one of our favorite artists at KUTX, and to show you what you’re missing in case you haven’t yet seen Geto Gala live, here’s one from their November Studio 1A Session.
Geto Gala plays a SIMS Foundation benefit show Saturday, February 9th at Antone’s with NOLO and Semihelix.
Sweet Limb: “Good For You”
Hip-hop, like any genre, can serve many purposes: not only can it grip your soul with stories of regular people trying to make a living in their country that’s been institutionally designed to work against them, but it can also grip your soul in a soft way, with a mantra: a meditation on a promise. And it’ll make you feel real good.
Austin quartet Sweet Limb brings hip-hop back to its core: talented creatives who realize they’re at their best when creating together. Blending inspirations from your favorite poetic 90s hip-hop groups to Stevie Wonder, “Good For You” is almost like a prayer. A steamy, sensual proclamation to just be good to your beloved. The piano melody really falls in line with the rest of the rhythm section, driving the backbeat while Chris Robinson’s smooth vocals lay out for you the acts of service that come with his love. Trust me, you’ll be directing the music video shot-for-shot in your head during this beauty.
Orca Dork: “Sleepy Pilot”
Time to dust off the ol’ Audiosurf game from your college days and get ready for your newest beat-driven meditation. Brother’s Franklin and Graham Pittman are Orca Dork, an Austin-based experimental instrumental duo who have spent the last ten years working on their debut, hip-hop inspired album Experiments With Found Objects. And yes, it can take a decade to properly pull-off an all-samples album: just ask the Avalanches.
“Sleepy Pilot” has a gorgeous, shimmery flow to its foundation, dotted with slightly distorted vocal clips from early film and television. Like the title implies, the song glides you across the astral plane at a moving-yet-meditative pace, so you can just sit back, engage the autopilot, and let it happen.
“Sleepy Pilot” is from Orca Dork’s debut album Experiments With Found Objects, out now.
Schmiddy: “Nebula” (ft. Andyah)
Austin beatmaker Blake Schmidt has released a string of instrumental mixtapes under the moniker Schmiddy for the last three years, all the while working towards something more comprehensive. Schmiddy’s background in composing for short films in college for grades to composing hip-hop tracks for fun has led him to last Friday: the release of Schmiddy’s debut album Lightning In A Bottle. The album is not only a showcase of Schmiddy’s brand of beatmaking and production, but of his talent for sourcing and matching the right vocal talent for each track and creating something true to his background: cinematic.
“Nebula” features Nairobi-based artist Andyah as vocalist and co-writer. Her vocals are light but rich, working in tandem to the movement of Schmiddy’s groove. Think of a camera slowly panning down a bolt of layered red velvet with an intoxicating fire burning in the background. And it’s that right kind of spicy that makes you want to sensually slow dance, even if just to yourself in the mirror.
Muzeke: “New Man”
Like it or not, we are in the home stretch for 2024. So don’t be too surprised when you start hearing everyone talk about their lofty New Year’s resolutions in the coming weeks. But if you yourself need some extra solidarity to help turn a new leaf and hit the ground running in 2025, we’ve got just the thing for you.
We’re talking about Austin’s Muzeke – the La Fayette-born-and-boiled singer-songwriter (and former Uncommon People frontman) that’s full of R&B, soul, rap, and alternative flavors. Beginning on a couple of collaborations with MILD Inconveniencé and continuing with another two pairs of solo tracks across last year and 2024, Muzeke’s mashup of melodic vocal lines and confessional lyrics always makes for a smooth (albeit, often poignant) listen.
So, while Muzeke will most likely spend part of this Thanksgiving week showing his usual gratitude to music as an expressive platform (duh; it’s right there in the moniker), we may bear witness to a slightly altered, more matured person on Muzeke’s debut EP next Spring. How do we know? Well, last Friday Muzeke shared his second single of the year (and the lead off the EP), “New Man”. Chronicling a recent big shift and closing a chapter of past romances, “New Man” also marks the introduction of a more determined individual whose unafraid to get a little aggressive. Not to mention, this Caribbean-inspired instant cuffing season classic might be the hottest ménage à trois of riddim, sensual electric guitar, and vocal seduction this side of the holiday season.
Proposed school curriculum with Bible stories nears vote
A possible government shutdown looming with an Oct. 1 deadline. With the backdrop of elections, how might this story unfold? UT-Austin political science professor Sean Theriault talks about a perennial issue of government funding and where its headed.
Bible stories in the classroom? The Texas Education Agency is getting a lot of feedback and blowback over a new curriculum.
Mando Rayo of the Tacos of Texas podcast introduces us to a James Beard award winner in the Rio Grande Valley named the best chef in Texas.
This Hispanic Heritage Month, a look at some of the artists shaping the sounds of Texas.
Also, the week in politics, Typewriter Rodeo and more.
LARA’ Interview
Austin R&B singer LARA’ joins Confucius and Fresh in conversation on her new album Luvology and her upcoming tour with Rapsody. Then the fellas weigh why R&B isn’t as profitable as hip-hop and Meek Mill’s status as a top tier rapper.
Cha’Keeta B Interview
The fun kicks off this week on an interview with Austin’s Cha’Keeta B to talk women in hip-hop and her upcoming EP Where the Wild Flowers Grow. After that Confucius and Fresh talk about accountability when it comes to violence against women in music, the baffling ambassadorship of Lil Yachty, and more.
Click-Clack: “Welcome To Texas”
By design, the world of hip-hop is full of braggadocious personalities. But even the most prolific boasters can get tripped up by a perfectionist approach. Take for instance Austin rapper-producer-brandmaker Eric Mikulak, better known by his creative handle Click-Clack.
Back in the early 2010s, alongside his role as frontman for rap-rock outfit Karmatron, Click-Clack used to crank out tracks nonstop from his home studio, sometimes writing, producing, and recording up to three tunes from scratch in a night. And the scorpio that he is, there’d typically be a roisterous social media presence before and after each new single release. Of course, as the genre’s evolved over time, Mikulak’s only matured, and it’s safe to say that making hip-hop entirely on his own is no longer a challenge. So while the confidence is rightfully still there, Click-Clack’s shifted focus towards fine-tuned, full-length collaborations with a rolodex of producers from across the globe, and entrusted mixing-mastering duties to other industry pros. As a matter of fact, Click-Clack just shared his second LP of the year, Hypercritical, last Friday.
At just shy of a dozen tunes, Hypercritical offers yet another candid look into Mikulak’s complicated mind, flaws, insecurities, and all. Seven of the eleven enroll at least two outside producers in a sprawling sonic tapestry draped behind Click-Clack’s idiosyncratic verbal formulas, including “Welcome To Texas”, which enlists olly and fr4ud for a two-minute chop-heavy chipmunk soul masterpiece.
Tribe Mafia: “Take Me” (feat. Erik Goca)
It’s beyond satisfying to hear a homegrown Austin artist not just outside the local city limits, but in a piece of media that gets global reach. And while it may be impossible to top White Denim in the official Nintendo Switch trailer, we gotta give it up to Tribe Mafia for their recent induction into the world of film.
Following a formidable debut in 2016, this Austin-based hip-hop/R&B duo’s dropped at least an EP’s worth of singles each year, save for an understandable lull between their March 2020 LP Teepee Gang and last Valentine’s Day’s “Sound of a Heartbreak”. But now, on the other side of the pandemic, Tribe Mafia’s once again in tip-top shape and sharing their gifts at an impressive rate. And it’s not just a matter of quantity over quality; no, these songs could only be sourced from two well-seasoned sonic shaman.
And there’s proof in the pudding! One of Tribe Mafia’s latest and greatest found its way not only into the trailer for My Partner, but as an emotional centerpiece of this groundbreaking queer artistic accomplishment. So even if you haven’t seen My Partner yet, if you take a minute to sit black, close your eyes, and let the Erik Goca-featuring “Take Me” paint a picture behind your eyes, you’ll quickly pick up on its intrinsically provocative cinematic pop character, not unlike Swae Lee and Post Malone’s Spiderverse “Sunflower”.