country

Largest teacher prep program in Texas at risk of losing accreditation

A long awaited report on Maternal Mortality in Texas is now two months delayed and may not be available for the next legislative session. We’ll have the latest. Other stories we’re tracking: amid a statewide teacher shortage, the biggest teacher accreditation program in Texas now facing the possible loss of accreditation. We’ll hear more. And after several local ordinances to decriminalize marijuana pass on the November ballot, a pushback from many local officials. Also a singer from El Paso who’s new release, Frontera, is turning a spotlight on latino voices in country music. Our conversation with Valerie Ponzio, the week in Texas politics with the Texas Tribune and much more today on the Texas Standard:

Daniel Tashian: “Night After Night”

In 2019 I got a big kick out of Kacey Musgraves’ “Album Of The Year” Grammy acceptance speech for Golden Hour; it was so heartwarming to see a future country superstar acknowledge her trustworthy team, whose efforts took a record with little hype or radio recognition all the way to the top. And if you watch that video you can see one of Golden Hour‘s finest contributors, co-writer/co-producer Daniel Tashian tuxedoed front and center. Although you might not have detected Tashian’s behind-the-curtain talents until that televised moment, he’s also written for legends like Lee Ann Womack and Emmylou Harris, sung alongside Patty Griffin and Rita Wilson, and even co-composed a full album with Burt Bacharach.

In terms of strictly solo output, Daniel Tashian started off strong in his late teens with his T-Bone Burnett-produced 1996 debut, Sweetie. And yet, in the subsequent two-and-a-half decades of top-tier collaborations, Tashian’s never taken a complete co-composer approach to his own material…until now. Back when Tashian’s father Barry was a member of Emmylou Harris’ Hot Band, he probably never imagined that his son would eventually team up with fellow former bandmate Paul Kennerly, but 2022’s proven that nothing is truly off the table. As such, today Daniel Tashian announced his next full-length Night After Night, written entirely with his childhood hero Paul Kennerly, and set for release on September 23rd. The album cover makes it seem like Daniel knocked out Night After Night moments after the 2019 Grammys, but rest assured, a ton a patience and planning went into this Americana-country LP. And with a little over a month until release day, it’s easy to nestle right into Night After Night‘s head-noddin’ lead single and title track.

The Western Express: “Honky Tonk Saints”

When you think of Texas music, you think of Willie, you think country. But despite being the one-time home of Armadillo World Headquarters and current harbor to dance halls like Broken Spoke, White Horse, and Little Longhorn Saloon, there’s just not a ton of straight-up country coming out of Austin nowadays. As a matter of fact, the two core players behind today’s feature originally came from Houston. Multi-instrumentalist Phillip Brush and singer-guitarist Stephen Castillo first met through Craigslist in 2018 and quickly hit it off over a mutual love of ’80s/’90s country radio. After cutting their teeth with a few other musicians, Castillo and Brush cut back and capitalized on their interpersonal chemistry by forming The Western Express the following June.

Despite practically zero connections in Austin, The Western Express chugged along with up to twenty gigs a month. Ultimately the duo caught the attention of producer-engineer JT Holt, songwriter David Ramirez, and eventually rockabilly legend John Evans. Recently Evans linked up with The Western Express to produce their debut album Lunatics, Lovers & Poets, a non-stop nine-song direct route to authentic cross-country twang. Its title derives from Willie Nelson’s mid-century radio program, and although the songs were penned solely by Castillo during a 2018 solo trip, the strands to Evans, Brush, and the backing band make for a rounded out group experience. Lunatics, Lovers & Poets drops August 5th, with the lead single’s music video already on the tracks and steadily rolling out. Today we got the first half of that special delivery from The Western Express – the album opener off LL&P that tips its hat to the pioneers of southern style, “Honky Tonk Saints”!

Texas Standard: March 01, 2022

We’re tracking primary day in Texas as voters head to the polls on this first day of March. Also, the effects of a new policy by Governor Abbott to classify gender affirming medical treatment for transgender kids as child abuse. And, what the Russian invasion of Ukraine could mean for continued cooperation in space. Plus, a conversation with country music’s Carson McHone. These stories and more today on the Texas Standard:

Harry & Emmy: “Starseeds”

Bassist-guitarist-vocalist Harrison Anderson was a fairly common sight around town in the mid-2010s, performing with Austin groups SMiiLE and Dreamboat, and has since grown into a confident and charismatic solo act. As for singer-guitarist Emily Whetstone, she’s also enjoyed some stripped-down sets outside of her fronting/chief-songwriting role in Van Mary, whose track “Hug” has been a KUTX rotation favorite since it dropped. Well, after one fateful night of karaoke duets, these two star-crossed collaborators discovered an undeniable chemistry between them, and their eponymous duoHarry & Emmy was born.

Harry & Emmy ditch theBud Light pop-countrycommercialism in favor of some old-fashionedwell-whiskey twang. It’s as if the prime-era voices ofKitty Wells and George Strait stitched themselves together across the decades and harmonized without even trying. Their natural gravitation towards midcentury-style classic country has made for a rowdy residency at Hole in the Wall over the past weeks, but that’s all been a warm-up to Harry & Emmy’sfree indoor show 8PM tonight at Radio Coffee & Beer along with Batty Jr.. So don’t be cruel to Harry & Emmy as they mark the occasion with their first-ever studio single release, “Starseeds”.

Calder Allen: “Bend of the River” (ACL Fest Pop-Up)

As the grandson of Lubbock-raised creative polymath Terry Allen, singer-guitarist Calder Allen has been raised with a set of songwriting sensibilities that few have been privy to. But despite that huge leg-up heritage-wise, Allen only made his live band debut just a couple weeks ago with Charlie Sexton during the first Sunday of ACL Fest.

Calder unleashed a batch of previously-unheard Americana originals, leaving the Tito’s Handmade Vodka Stage thirsty for much more from this poet extraordinaire beyond ACL. So while we all eagerly await to hear Calder Allen again, appreciate the fact that this up-and-comer doesn’t need a backing band to give a great performance, as evidenced by a stripped-down rendition of his earliest compositions, “Bend of the River”!

The Tender Things: “You’ll Be Gone”

The forecast calls for sunny, clear skies so it’ll be a perfect weekend to appreciate The Tender Things. Frontman Jesse Ebaugh’s experiences with bluegrass and blues rock groups in Northern Kentucky laid the groundwork for this “hippie country” outfit, which was formed here in Austin only a few years ago after Ebaugh resigned from Heartless Bastards.

The Tender Things’ gritty, retro-Appalachian style first appeared on their 2017 eponymous debut and took an even darker turn with last year’s How You Make a Fool. So if you’re the type to enjoy ACL’s early afternoons, be sure to enjoy The Tender Things 1PM this Saturday at the Tito’s Handmade Vodka stage and if you won’t be there…well, “You’ll Be Gone”.

The Texas Olympics

The Olympics — as we were all just reminded — are a fantastic display of athleticism of all sorts. For many of us, watching the games is a reminder of just how we could never do that thing that we’re watching other people do.

But watching got commentator W-F Strong thinking there’s quite a lot Texans seem to be pretty good at. And he thinks maybe there should be a competition that would be open to all while taking advantage of our state’s unique geography.

Travis Linville: “I Saw You”

Known mainly to many as the guitarist for Hayes Carll‘s touring band but having rounded out his resume through countless studio collaborations, live shows, and with his budding solo discography, Travis Linville‘s covered a ton of territory in his career. This frequently sought-after session guitarist released the Sun or Moon EP nearly a full decade back, and continued to spread his country-rock wings with 2014’s Out On the Wire, his 2017 full-length Up Ahead, and most recently on the 2020 record Sounds of the Street.

On Friday Travis Linville imprints his masterful presence once again with the LP I’m Still Here, cooked up with a dream team of contributors and produced by fellow Broken Arrow artist and longtime fan JD McPherson for nine intoxicating originals (and a Willie Nelson cover featuring Hayes Carll) that toe the line between indie, country, rock, and beyond, including the piano-driven Tulsa-sound-evoking “I Saw You”!

Melissa Carper: “Makin’ Memories”

Although she’s right here in Austin, upright bassist/singer-songwriter Melissa Carper has maintained a wealth of wanderlust across her career. It’s brought Carper some big opportunities, like founding her eponymous trio The Carper Family and subsequently landing a spot on Prairie Home Companion, all the while allowing her to brush up on her own tastes and soak up everything she can from jazz legends to mid-century folk and beyond.

On “Daddy” Carper’s latest endeavor, the boldly-titled Daddy’s Country Gold, Melissa sheds the pressure of bass performance to focus solely on vocals and production, allowing this auteur to blur her already-bucolic pallet of Western Swing and Country from contemporary to classic. The result is a twelve-song, vintage-capturing masterpiece of rustic styles, and you can dive right into the nostalgic sentimentality with the album opener for Daddy’s Country Gold, “Makin’ Memories”!

Cosmic Convoy: “Up For Grabs”

You’re no doubt looking for some new music to complement the new year, but without trying to get nostalgic over 2020 (how could you?) we’re actually going to spend the next couple days looking back at some stuff you might’ve missed. Enter Cosmic Convoy, an Austin-based quartet founded over a mutual love of vintage genres, whether it be it outlaw country, ’60s R&B-soul, or classic rock. The four began playing covers back in 2017 but have finally passed the limen and progressed into writing and performing their own tunes.

In November of last year Cosmic Convoy saddled up with their debut EP, Together Again for the First Time, channeling the likes of Townes Van Zandt, Son Volt, and Gram Parsons across six songs. We’re hoping that this is just the first entry into these fellas’ discography, so climb aboard the Cosmic Convoy with one of Together Again‘s boldest, “Up For Grabs”!

Texas: A State That Loves Its Flag

By W.F. Strong

If you were ever to start a new country, one of the first tasks you’d have to undertake would be to design a flag. Are you really a country if you don’t have a flag to advertise your existence – a flag that can fly atop skyscrapers, state houses, schools and ships at sea? Now cities and even corporations have flags, as do organizations and social movements.

I’m proud to tell you that according to Ted Kaye, one of the world’s leading vexillologists – a fancy word for one who studies flags – the Texas flag is the best-selling of all the state flags. It also rates almost perfect in artistic design. That’s the conclusion of one landmark study by the North American Vexillological Association (try saying that after three beers at sea). The study rated all national, state and territorial flags of North America and found that only New Mexico’s flag had just a smidgen of a better design.

Ted Kaye says these are the five rules of good design.: first, keep it simple – so simple a child can draw it from memory. Use meaningful symbolism. Use two to three basic colors – no more than three. No lettering. No words. The design should speak for itself. Do you hear it saying Lone Star State? Yep. And finally, your design should be distinctive. I know what you’re thinking – the Chilean flag. There are accidental similarities, but there is no evidence at all that the Chilean design influenced ours.

Not only is the Texas flag the best-selling state flag, it is also displayed more in all its forms than any other state flag.

Drive down any neighborhood street in Texas and you will see the flag flying proudly in the Texas breeze on 30 and 40 foot poles in many a yard.  It’s displayed from wall mounts on porches or over garages. You will see it over car dealerships and on top of skyscrapers in cities. In the countryside, you’ll see it at the entrance to farms and ranches, perhaps with the Stars and Stripes next to it.

It’s at the beach, fluttering and snapping smartly behind four-wheel-drive pickups. Or on boats and at makeshift campsites and even over children’s forts in the woods. It’s found in dorm rooms and in shopping malls. It’s everywhere.

And when it’s not in cloth form, you will find it displayed in many a medium.  It’s painted on barns. You can’t drive very far in rural Texas without seeing a barn flag. I’ve never seen a Nebraska barn flag. I see many a Texas flag painted on gates, too. Beautiful. Never seen a Michigan flag gate, either. And though it’s not the same, I’d like to point out that we’re the only state with our own toast. There’s no Oregon toast. There’s no Florida-shaped waffle maker either.

Yes, the Texas flag is everywhere: t-shirts, swimsuits, towels, bikinis, boots, belt-buckles, earrings and tattoos. We have Texas flag picnic tables, tablecloths and stools. And if it’s not a flag, we have the Texas star as a stand-in, on the side of our houses, hanging on the wall in the kitchen, or on the apron we’re barbecuing with. I have even seen a Texas star barbecue grill cover.

John Steinbeck pointed out that the deep love and commitment Texans have for their state closely approximates that of a religion. Based on the affection we have for our symbols; it seems that we are an extraordinarily devout people. As this is radio I can’t end with the flag, but I can play Willie. You can hear Texas in his voice.

Small Town Festivals

Almost every Texas town has at least one — and they happen almost any time of the year. So, really, it’s always “festival season” in the Lone Star State. That was the inspiration for this Typewriter Rodeo poem.

This Song: Warren Hood on “High Hill” by Uncle Walt’s Band

In the early 70’s Uncle Walt’s Band, the acoustic trio made up of Champ Hood, Walter Hyatt and David Ball came to Austin, TX from Spartanburg, SC. The band brought with them a unique acoustic sound that melded folk, jazz, blues and pop.  Though the music of Uncle Walt’s Band never caught on nationally, it continues to inspire countless Texas musicians like Lyle Lovett and Shawn Colvin.

Listen as Warren Hood, Champ Hood’s son, describes how hearing the song “High Hill” gave him a deep appreciation for the music of Uncle Walt’s Band while helping him process his grief around the loss of his father.

Listen to this episode of This Song

Check out the re-release of “Uncle Walt’s Band”

Check out the Tour Dates for That Carolina Sound

See Warren Hood’s Tour Dates Here

 

Listen to Songs from this episode of This Song

 

Ranch Words In Urban Life

The other day I was trying to pull out on U.S. Route 281, and the traffic was so steady that I had to wait about three minutes for an opening. As I was waiting, my father’s voice came into my head and said, “Somebody left the gate open down there.”

Dad’s been gone 30 years now, but those sorts of metaphors still live in my head, as they do for a lot of us Texans. We may have mostly moved from farms and ranches to cities, but our language is still peppered with these expressions of pastoral life. As T. K. Whipple, the literary historian pointed out, we live in a world our forefathers created, “but within us the wilderness still lingers. What they dreamed, we live, what they lived, we dream.” You cannot have the influences of the frontier or country life disappear in just a generation or two. It hangs on in interesting ways, in our myths and in our language.

One place that we can witness it with some vibrancy is in the farm and ranch expressions or metaphors that survive in our digital age. Here are twelve I’ve rounded up for you.

“I wouldn’t bet the ranch on it.” It’s used to infer the poor likelihood that a given investment or prediction will come true. “Well, yes, Congress might decide to work together for the greater good, but I wouldn’t bet the ranch on it.”

“To mend fences.” It means to make peace. “You might want to mend fences with Jayden. You’re likely to need his friendship one day.”

“Dig in your heels.” When cowboys were branding calves and roped one, they had to pull hard against them and were told to dig in their heels. Now, the phrase is used for any act of taking a tough stance. “We’re diggin’ in our heels on this contract.” Similar to “sticking to our guns.”

“Take the bull by the horns” is a good one. Face your troubles head on. Yet a similar saying warns against careless assertiveness: “Mess with the bull and you get the horns.” That expression was made particularly popular in classic films like The Breakfast Club and Some Kind of Wonderful.

“Don’t have a cow!” Bart Simpson made it world-famous. Of course, he added “man” at the end. It is about anti-empathy. I can’t validate your over-reaction. The earliest known printed use of “don’t have a cow,” according to the Oxford English Dictionary, was found in the Denton Record-Chronicle in 1959. The phrase appeared in quoting someone who said, “He’d ‘have a cow’ if he knew I watched 77 Sunset Strip.” Proud it showed up first in Texas.

“Till the cows come home.” That means a long time, long time. It’s almost as bad as waiting for “pigs to fly.” “Until the cows come home,” perhaps originated in the Scottish highlands. They let cows out to wander lush pastures in the spring and it would be a long time before they would make their way home. It also refers to cows coming home to be milked in the early morning hours.

“Maverick” is well-known. It is used to brand someone as a non-conformist. It is named after Samuel Maverick, a Texan who allegedly didn’t brand his cattle. That isn’t the entire truth, but that is what many have come to believe, and so that version of the story has stuck.

“All hat and no cattle” is one of my all-time favorites. I used it recently in a conversation with a teenager and he said he had never heard it before and didn’t know what it meant. I explained that it was similar to “all bark and no bite.” He didn’t get that one either. I guess trying to teach ranch metaphors to a teenager is like “herding cats.” In fairness, I didn’t understand his saying that I seemed “salty” either.

“Riding shotgun.” This started as means of naming the guy who rode on the stagecoach next to the driver, generally holding the shotgun to ward off bandits. It’s still being used 150 years later. Even modern teenagers still yell “I got shotgun!” as they run to the truck.

“Hold your horses.” Just wait a minute. Let’s think about this calmly before we jump right in and regret it. “Hold your horses, Jim. I can’t buy your truck until I talk to my wife, first.” I also like that we still measure engine power in “horses” – 400 horsepower.

“I’m on the fence about it.” Taking that new job in the oil patch in Odessa? Not sure. Still on the fence about that.

I guess the most popular metaphor of all from ranch culture is “BS,” meaning “nonsense.” It’s difficult to accurately trace its origins and attempting to do so leads us into a thicket of art form itself.

I used the word recently while giving a talk in the state Capitol building. I was asked afterward if I thought that was an appropriate term to use in such august surroundings. I said, “I imagine the expression has been used more than a few times here in the legislature, and probably, even more often, impressively illustrated.”

Getting Out

The Texas Standard asks listeners for poetry requests. This one is for Jess.

Texas Standard: May 25, 2018

The Lt. Governor mocked after the Santa Fe shooting for claiming Texas schools have too many entrances and exits, but is he right? After the Sandy Hook school massacre, the old building was raised and a new more secure building built in its place. One of the experts involved says Texas schools should reconsider their architecture too. And another year another season of glitches for Texas’ standardized public school testing scheme. Now penalties for the company behind the tests, and a reprieve for many students who didn’t pass, we’ll take a look. All that and more today on the Texas Standard:

Texas Standard: May 5, 2017

Repeal and replace? Republicans are halfway there. Next stop the Senate. Who’ll pay the price, literally and politically? Plus in a state notorious for its use of the death penalty, a convicted killer is removed from death row. We’ll hear why, and what it means for capital punishment in Texas and beyond. Also fidgety kids? Some experts are recommending little hand held gadgets called spinners to help with focus. But some teachers say its a fad that’s gone too far. We’ll hear more. And you remember Waylon and Willie, right? Now Waylon’s better half breaks her silence: Jesse Colter on life as a musical outlaw. All of that and so much more today on the Texas Standard:

Texas Standard: March 31, 2017

He said he would blow up NAFTA. But maybe not so much? Border leaders react to a surprise softening of the US position: details today. Plus two countries, one community, and a wall. In south Texas, protestors stake out positions on a bridge. Also changing the rules of engagement: for us forces fighting the war on terror, will it make a difference? A former white house security chief weighs in on a shift in when to pull the trigger. And after the fail on repeal and replace, states find a new health care opening under Obamacare. Will Texas be text to give it a go? Plus the week in Texas politics and a whole lot more, its Texas Standard time:

Threatening To Leave The Country

When elections don’t go your way, you might be tempted to seek out a change of scenery, perhaps a change of citizenship. But it’s important to remember that you are what makes this country so special. So put down your visa application and look around – this can still be your home.