austin music
Sun June: “Reminded” (Live in Studio 1A)
COVID-19’s omicron variant quickly curbed some of the Live Music Capital’s winter highlights – high profile New Year’s Eve shows, an overflow of talent throughout Free Week, and the long anticipated return of music to KUTX’s beloved Studio 1A. But especially with the recent foggy mornings and freezing temperatures on the horizon, we’re just thankful to share some sultry summer heat from Austin’s Sun June.
Sun June stopped by Studio 1A in early December, right aroundthe same time that the quintet released the deluxe expanded edition of their LP Somewhere. They’re starting off 2022 strong with a multi-month three-leg national tour with support from Daphne Tunes (fronted by featured guitarist Santiago Dietche), a co-headline tour with Katy Kirby, and supporting Shakey Graves, including an appearance on Sunday, February 6th at Empire Control Room alongside Little Mazarn. With uplifting chord structures and earthy arrangements (including Somewhere (Expanded) exclusive “Reminded”) Sun June’s Studio 1A set is absolutely phenomenal.
Could affordable housing save Austin’s music scene?
In the latest episode, you’ll learn how Austin non-profit Foundation Communities helped musician James Shelton find affordable housing the central Austin. And you’ll get a crash course in how affordable housing works from Foundation Communities Executive Director, Walter Moreau.
Read “The Artist Loft: Affordable Housing (for White People)” from the Atlantic
The Whitmore Sisters: “Superficial World of Love”
Anastasia Hera & The Heroes: “Like I Am”
Dena Hope: “Miss U”
TV Temple: “June 3030”
Kydd Jones: “TV On”
Anastasia Hera & The Heroes: “Illusion”
Deer Fellow: “For My Sake”
Pleasure Venom: “Severed Ties”
As the nation marks one year since a high-profile socio-political event,Love Austin Music Month continues with theAustin Music Foundation’s Artist Development Program and one of our city’s most politically outspoken punk bands Pleasure Venom. Fronted by fierce vocalist and unapologetic lyricist Audrey Campbell, Pleasure Venom’s been seeping its way into all the sub-genres of punk rock since their 2016 debut EP Hunt, and landed the group a supporting spot on tour with ’90s rock icons Garbage.
Unfortunately Pleasure Venom’s had to pull their free week shows due to COVID-19, but with an abundance of societal fodder at her disposal, Campbell sure as hell hasn’t stopped writing. ATX Gen Next: Adventures in Person features two new singles from Pleasure Venom(including the pace-shifting”Severed Ties”) that’ll assure you of their dynamic durability and take-no-guff discourse more than a half decade since their start.
Quentin And The Past Lives: “Friends”
As Love Austin Music Month marches on, we continue our coverage of Austin Music Foundation’s Artist Development Program‘s new compilation, ATX Gen Next: Adventures in Person, with Quentin And The Past Lives. Quentin’s eponymous quintet may be a relatively recent endeavor but their high-octane brand of funk-infused pop-rock (polished with plenty of harmonies, dynamic virtuoso vocals, and daring arrangements) has already scored the group sold out shows beginning in Spring of last year.
Quentin And The Past Lives performs tomorrow night at Hotel Vegas as part of free week and you can get amicable with this ATX Gen Next collaborator early with the first of their two new studio singles, “Friends”!
Natalie Price: “Tell Me”
Ben Buck & BoomBaptist: “Gene Wilder”
No one can deny how taxing 2021 was, and though we can’t make any guarantees for 2022, we’d be remiss if we didn’t recognize some gems that made the Winter season a little less bleak. Case in point: two of Austin’s most outspoken hip-hop creators, Ben Buck (who’s had a fruitful solo career as a rapper-beatboxer-producer on top of endeavors with Aux Cutter and Big Wy’s Brass Band) and BoomBaptist (a sample-based producer who’s taken Bandcamp by storm with his Rick James and NBA Jam themed beat tapes in addition to his work as one half of The Vapor Caves).
Both masters of their craft in their own right, these equal-and-opposite personalities collided once again for last year’s The Marquee, a seven-song balance of bops, braggadocio, overall a cavalier conquest of their preferred musical styles. The Marquee is short and sweet, but still packs plenty of firepower from these two B.B.s, enough to get you out of your 2021 stumble and somersault straight into the new year just like “Gene Wilder”!
Patricia Vonne: “Cumbia Navidad”
Like it or not, Christmastime is officially upon us. And with no apologies to the Scrooges, Song of the Day‘s final week of 2021 is dedicated strictly to the seasonal stuff. First up is Austin’s Patricia Vonne, an actress who’s not only had a fruitful relationship with Robert Rodriguez, but is also an award-winning filmmaker, animator, and singer.
Patricia Vonne recently released her LP My Favorite Holiday, featuring ten original tunes and one cover, all recorded with an impressive cast of collaborators and produced by fellow Austinite Rick Del Castillo. It’s a genuinely enthusiastic take on what’s historically been a polarizing genre, and Vonne’s vocal fervor is infectious throughout, especially on the Latin-leaning, Spanish-language “Cumbia Navidad”!
Jac with No K: “Caroline”
How Austin’s housing market helped build the music scene, and how it could destroy it
In the latest episode of Pause/Play, we’re looking at how the housing market helped build Austin’s music scene, and how it could be the thing that destroys it. You’ll hear from Austin artists about how the housing market has changed for them over the years and why some of them have decided to leave. You’ll also learn about the connection between cheap housing and thriving music scenes, musician incomes, and Austin’s housing market from experts Nicky Rowling, Michael Seman, and Audrey McGlinchy.
In this episode you’ll hear from:
Ray Benson of Asleep at the Wheel
Robert A. Kraft
Laura Mendoza from Cosmic Chaos
Gina Chavez
Chinasa Broxton
Listen to the documentary “Back Home to the Armadillo”
A. Sinclair: “Secrets”
Bonus! Music Scenes as Economic Clusters
Here’s another way to think about music scenes — they’re legitimate economic clusters! Don’t know what we mean by that? Well, you can listen to this bonus episode and learn a little economic theory courtesy of Michael Seman, assistant professor in the LEAP Institute for the Arts’ arts management program at Colorado State University.