Song of the Day

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April 13, 2023

Feeling Small: “One-Eyed Paradise”

By: Jack Anderson

The first time I met Chase Weinacht was back in high school. Let’s call it 2008. He and fellow Marmalakes co-founder/frontman Josh Halpern dropped by band practice. Despite their infinitely superior songwriting and performance skills (and assumedly awareness of such), I’ll never forget how humble and supportive they both were. And still are. Fast forward to 2019. Chase, Casie Luong, and I were Artist Instructors for Mother Falcon Music Lab. As Casie and I essentially lectured on how to create a podcast, Chase just sat back there behind the campers and soaked it in. Like the biggest, most curious kid in the classroom, for another charming moment of humility. And if you’ve ever seen Chase perform, you know that he’s not only one of Austin’s most talented songwriters, but also one of the most graciously unassertive. Which is why you might not have heard about his new project, Feeling Small. Based on the band’s debut single, Feeling Small seems to be a reflection on our overall insignificance in the grand scheme of things, a blissful sense of nihilism. Even though Weinacht could tackle such subject matter in a solo setting, he’s surrounded himself with some of his best friends, who also happen to be a few of Austin’s most prolific: Why Bonnie’s Sam Houdek on bass, The Stacks/Good Looks frontman Jake Ames on lead electric, Frozen Orange/Lomelda/Daphne Tunes contributor Andrew Stevens on bari guitar and percussion, and Estuary expert ear John Michael Landon handling sampler, synth, and production duties. That first tune, “One-Eyed Paradise”, is a series of little snapshots, like smash cuts that exemplify the beauty of moments that may seem minuscule at first. A soft shaker crescendo starts off this short-and-sweet stoner confessional (complete with lyrics about breakfast edibles and expensive pens) that ends up sounding like Mac DeMarco took a chill pill on top of his natural lackadaisical character. Huge bonus points for that one-of-a-kind Estuary sense of acoustic space, tight instrumental interplay, and a shift of focus away from the weight of life’s abundant anxieties.

Episodes

October 30, 2026

lluvii: “junii (llámame)” [KUTX Live At ACL Fest 2026]

As we round fourth base on October, we’re giving it up one more time for our Artist of the Month lluvii. The Latin pop/psych group made their ACL Fest debut at the beginning of the month, and they stopped by our backstage tent to delight us with a live version of the song we’ve been […]

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October 29, 2026

Serena Sun: “Tell Me… Please”

Happy early halloween, and what’s scarier than growing up? Vancouver based, Serena Sun takes a silky, honest look at releasing the pressures of having her own fate in her hands. This is a sneak peak of this track set to be released tomorrow.

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October 28, 2026

Masahiro Okamura: “A Wonderful World Of Death”

Tokyo-based singer-songwriter Masahiro Okamura explores the idea of finding peace in death on “A Wonderful World of Death,” a dreamy blend of dream pop and indie electronic. Featuring strings from Brooklyn-based violinist Pete Lanctot, the track is the focus song from Okamura’s debut album, Foehn

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October 27, 2026

Devon Gilfillian: “Time” [Live In Studio 1A]

We’ve been hitting that new Devon Gillfilian album Time Will Tell pretty hard this year and for good reason: it’s catchy, soulful, and sometimes downright cinematic. When he came through Studio 1A earlier this month and his touring pianist Jay Blaylock was already poised at our Steinway, our Assistant Program Director Deidre Gott had a […]

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October 22, 2026

Sophie Seng: “Marionette”

Halloween is 9 days away (but who’s counting?) and today’s Song of the Day, “Marionette,” will certainly put you in the mood. Sophie Seng, Austin-based singer and saxophonist, tells the story of the struggle for freedom and its subsequent constraints through the perspective of a marionette puppet. The vivid imagery of a marionette finding its […]

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October 21, 2026

Materializer: “Unwind”

Nashville duo Materializer take listeners on a seven-minute-plus journey with “Unwind,” a heavy, psychedelic track that knows when to pull back and when to hit hard. Built around shifting guitars, hypnotic drones, and melodic vocals, the song moves between brooding tension and explosive riffs without losing its sense of atmosphere.

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October 20, 2026

Chief Cleopatra: “Waves”

Former KUTX Artist of the Month Chief Cleopatra is back with their first single in two years. Following in the footsteps of 2024’s pop-forward “Cold Dancer,” the group continues to toss aside their laurels, instead pushing deeper into more experimental territory in their most collaborative song to date. “Waves” is a pinnacle of art-pop, evoking […]

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October 19, 2026

Late Wife: “Body”

Since we last touched base here with Austin’s Late Wife, the band have been riding that “cream rising to the top” high. They’ve opened for …And You Will Know Us By the Trail of Dead, performed at this year’s Tiny Desk Concert tour’s Austin stop, and they’ve been spinning around the KUTX airwaves, all leading-up […]

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