Song of the Day

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May 16, 2023

Among Lynx: “Lola Luna”

By: Jack Anderson

With a keen ear and an ability to recognize and synthesize defining patterns, musicians can realistically recreate any style with a bit of fine-tuning, even if they’re across the globe from their sonic scene of choice. But to escalate regional emulation into innovation without tipping listeners off to your nationality? That takes a special breed.

So naturally, as a global hub for chart-topping pop, Sweden harbors plenty of creators that are well-versed in appetizing multicultural recipes. And while the boldest outputs (at least here in the states) can be traced to Max Martin, ABBA, Ace of Base, Yung Lean, Pete Björn and John, or the late great Avicii, we can’t overlook an extra tempting contemporary piece of Scandinavian taciturnity.

Harnessing a handle that perfectly channels their mysterious, secret-keeping character, Among Lynx and their style of North American roots rock sound like the perfect surrogate score for True Detective. The core duo of vocalist-guitarist-percussionist Eva-Mi Ringqvist and singer-harmonicist Elin Öberg first broke out in 2015 with Among Lynx’s eponymous debut EP and completed their evolution into a fully matured quintet with 2017’s Revolution and 2019’s Movement.

In a moment of kismet, last week I caught Ringvist and Öberg performing at Hole in the Wall ripping stripped-down renditions from the near-dozen set of dreary, desert-friendly originals off Among Lynx’s third full-length Once In A Blue Moon, which came out late February. Hole in the Wall proved to be an ideal environment for Among Lynx’s dusty, low-light drip; they were like a pair of semi-tamed hellcats effortlessly displaying their discipline for us Lone Star-fiending losers. All self deprecation aside, each phase of Blue Moon performed on the front stage really pounced on the Hole and Among Lynx’s proven cinematic potential. So if you’d like to turn your favorite dive bar into an awesomely melancholic acid Western, or just love Among Lynx’s mythically masterful take on America’s rustic roots, perhaps us Austinites can howl loud enough for the whole five-piece to return sometime after their ongoing tour back in Scandinavia. In the mean time, toss the telescope out and strap on the headphones for one of Blue Moon‘s brilliantly bleakest illuminations, “Lola Luna”.


April 19, 2024

Melotheory: “Breathe”

When you have roommates, at least good ones you get along with, group activities naturally arise around the house. For most folks, it’s watching TV, recreational smoking and drinking, or maybe the occasional board game. For musicians, however, having a practice space within eyeshot of your bedroom door is too good of a scenario to […]


April 17, 2024

Rhythm&Truth and Sakari: “Bring It All Back”

We won’t say that successful collaborations should mandate a solo artist’s trajectory. But if something built together leaves people wanting more, it’s not a bad idea to get back together and sate those desires, right? Because what’s unachievable on the individual level often just needs to get catalyzed by some good collabo chemistry. So let’s […]


April 17, 2024

Myia Thornton: “Never Good 4 Me”

Unlike the legendary machines of Stax and Motown who relied on a ton of well oiled cogs to make any R&B singer into a star, these days the new blood has to do everything themselves, talent agent or not. And while not everyone can be Prince or D’Angelo in terms of multi-instrumental discipline, bringing something […]


April 15, 2024

Felt Out: “Crash Inside It”

When we last geeked out over Austin’s Felt Out, we broke down their foundation as that of auto-tune innovators on the cutting edge of alt-pop. And following the first anniversary of their second full-length Until I’m Light, that’s clearly still the case for these multi-instrumentalist-producers. They still sound like a next generation Imogen Heap. Their […]


April 15, 2024

Tone Royal: “Alone” (feat. Daddy NAT)

When rappers claim to be “the best on the mic”, they’re talking about verbal skills, not their technical prowess with any specific equipment. Clearly that’s the case, since you’ll see those same people spend a whole set cupping the SM58 ’cause it turns out their mic technique actually sucks. But in terms of intimate familiarity […]


April 12, 2024

Tagua Tagua: “4AM (Acústico)”

Feliz sexta! Today we’re talking about Tagua Tagua, the passion project of São Paulo songwriter-producer Felipe Puperi. Now, Brazil is an enormous country, full of fervent creators; it takes a ton of traction to get towards the top. But in the seven years since Puperi launched off, Tagua Tagua’s become one of the nation’s most […]


April 10, 2024

Faaris: “Taken Not Given”

As our ever-evolving hip-hop scene steadily expands, so does the representation of nations, cultures, and identities from its contributors. And for some truly refreshing cross-cultural flavors that have made their way into the ATX hip-hop melting pot, look no further than Faaris. Brought up in a Pakistani household right here in Austin, Faaris brings a […]


April 9, 2024

Adam Sultan: “The Great Divide”

They say, “write what you know”. And in music, if you know something well enough to perfect its performance, that usually means you’ve absorbed the material enough to build upon it and make it your own. So let’s talk about Austin’s Adam Sultan. Sultan started off a singer-guitarist in the ’90s with Poi Dog Pondering […]