Archives for January 2019

Heart and Mind

Lizzie Lehman, songwriter and vocalist of Carry Illinois, treasures the wisdom that tells us life itself is a work in progress. It’s been a touchstone for Lehman throughout her own journey in self-care.  And Work In Progress happens to be the title of Carry Illinois’ most recent EP, a soul-baring work confronting personal truths, exposing one’s insecurities, and deep introspection.

The EP is the follow-up to their 2017 release, Garage Sale, written and recorded as the band did some much-needed healing following the untimely loss of friend and original bassist, John Winsor. It was a struggle paired with oftentimes unbearable emotional aftermath, but Lehman ultimately felt empowered by the urge to move forward.

Carry Illinois is on a fantastic line-up for a show tonight at the Mohawk, 912 Red River, on the inside stage with Bleached Roses and Tyler Jordan & The Negative Space. Doors open at 8 p.m. Recommended.

-Photography by Pooneh Ghana.

Higher Ed: The Biases We Bring To Information And Learning (They’re Complicated)

Many external factors can impact the quality and effectiveness of a learning experience: the teacher; the other students in a class; the school’s resources; even the student’s surroundings and home. But what about the internal factors? In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton discuss the biases learners themselves bring to the information and process.

This episode was inspired by an experience Ed had in the classroom not too long ago. He had given the students a quote with some pretty declarative and forceful language and asked the students to discuss it and try to figure out who said it. As the students puzzled through who the speaker might be, Ed noticed something interesting.

He had given them a quote from Helen Keller, and Ed describes it as a “very strong quote, it was a very forceful quote; it was a quote that was about positivity, but it was strong…..While the conversation was going on, they [the students] themselves gave a gender to the individual,” says Ed. “My students kept saying ‘well, he meant this and he meant that.'”

Ed says gender was not the only metric students used to process and evaluate the quote.

“People thought this must be coming from an individual who is not a force of good in their mind’s eye,” says Ed, referring to the strong language of the quote, “and so therefore said ‘I don’t like the quote that much.’ The moment that some of them discovered that Helen Keller said this, then all of a sudden they looked at it again and said ‘ Oh, well, now I actually get it and I like it.'”

Bias based on perceptions of gender or authorship are just some of what learners bring to the table in and outside of the classroom.  Listen to the full episode to hear more about bias and context and Ed’s provocative question “Is it possible that we can find interesting or good elements in people that maybe we don’t completely agree with, and how does that complicate the discussion or the conversation?”

It is also time for the solution to last week’s puzzler about slicing and dicing. Don’t worry –  it’s a piece of cake!

This episode was recorded on Dec. 4, 2018.

Transdimensional Fiesta

Surely you have your own definition of a mystical experience. Aside from (one obvious choice) the power and brilliance of music, consider including the exhilaration of cake frosting in one’s hair. Something like that.

Perhaps it was more sticky than exhilarating, but chalk it up to a productive day for SMiiLE songwriter and front man Jake Miles, following a video shoot for one of SMiiLE’s new tracks, “Mystical Experience,” featured on today’s Austin Music Minute. That, along with “Someone Who Can Do Both,” make their official debut with SMiiLE’s double-single release party tonight at Cheer Up Charlie’s, 901 Red River. And this is one hell of a bill, darling, featuring PR Newman, Van Mary, and Christelle Miller.

Doors open at 9 p.m. You need to check out all of these artists. Plus, double points to all involved who included the description  “corybantic celebration” in the Facebook invite for this evening’s soirée. Totally recommended.

-Photo courtesy of the artist.

That Need To Bleed

First things first. You know by now your friendly neighborhood Austin Music Minute host is active in clarifying some universal points. Case in point: SINE, the Austin-based rock/electronic outfit extending its figurative outstretched arms toward a beguiling but deadly abyss, is fronted by songwriter, drummer and vocalist Rona Rougeheart. This is where we transcend the now outdated and utterly useless term “female-fronted” band. SINE is, quite simply, a badass band. Period. This one happens to be led by Rougeheart. And, in a recent review comparing Rougeheart’s drumming style to that of The VandalsJosh Freese (nailed it), it should also be clear one is dealing with a dark, rhythmically rich and alluring sound that’s not to be trifled with.

It’s been a nerve-wracking journey, but Rougeheart is poised to unleash her latest creation. The pulsating frequency and grooves of SINE’s debut album INSOMNIÆ create an irresistible ominous undercurrent of unsettling moods, unraveling into depravity. What’s about to happen?

Something wicked this way comes. SINE presents their album release listening party tonight at Elyisum, 705 Red River, featuring DJ sets by AusuraSunil, (of KOOP’s Darkest Before Dawn), dark-eternal badass Curse Mackey, and the magnificent Candy Whiplash. Night fiends, gather at 9:30 p.m.

And you will dance. So recommended.

-Photo/art by Rona Rougeheart.

Long Distance Fan

Do you sometimes feel like a strawberry in a sea of burnt orange? Or a golden nugget in a crowd of blue and silver? That was the inspiration for this Typewriter Rodeo poem.

Texas Standard: January 11, 2019

Day 21 of a government shutdown. The end in sight? Short answer, no. But a freshman congressman from Texas remains optimistic. We’ll hear why. Also, you wanna build that wall Mr.Trump? Texas will get ‘er done. That appeared to be the message from Lt. Gov Dan Patrick when the president visited south Texas yesterday. Was that a serious suggestion? If so who pays for that and with what exactly? We’ll take a closer look. And a new space race of sorts: now its quantum computing. Plus the week in Texas politics and a whole lot more today on the Texas Standard:

Citizen Cope: “Justice”

Typically for Song of the Day we like to shine the spotlight on the little guy, but this one was too good to pass up! D.C.’s Clarence Greenwood, AKA Citizen Cope is back with his first new material in six years.

Greenwood’s blend of folk, soul, hip hop and blues has earned Citizen Cope fans across the globe and on March 1st he shares his newest album, Heroin and Helicopters. That release date is also when Citizen Cope kicks off a full band US tour, including a stop at our very own ACL Live at the Moody Theater in April. For today let Greenwood serve up the album’s lead single, one that has all the essential elements for a perfect Citizen Cope track, “Justice”!

Photo: Michael Sterling Eaton

KUT Weekend – January 11, 2019

Despite outsized risks, transgender Texans are not protected by the state’s hate crime law. Plus, the city of Austin races to regulate scooters. Why is MoPac traffic so much worse southbound in the afternoon than northbound in the morning? Those stories and more in this edition of KUT Weekend!

Subscribe at https://weekend.kut.org

Acquaintances in the Wild

We’re used to seeing certain people in one context, but why do we get so thrown off when we see them elsewhere? How do cultural differences in collectivism and individualism shape the way we may perceive people in a variety of settings?

On this edition of Two Guys on Your HeadDr. Art Markman and Dr. Bob Duke discuss acquaintances in the wild.

Swan Dive

Your friendly neighborhood Austin Music Minute has your Thursday evening sorted. Swing by the Swan Dive for another great mix of talent on the bill:

-Starting out the evening at 8:30 p.m. is Otis Wilkins, the more stripped-down solo project of hard-shredding Otis the Destroyer front man Taylor Wilkins.

-Making her way from Beaumont, lo-fi folk-pop songwriter Ariel Bush unhinges 21st century psyche-psych from her release, Alter Me.

-Only one way to go; “To the Stars.” Rounding out the night, it’s Austin pop-rockers The Big Fix.

It’s all tonight at the Swan Dive, 615 Red River at E. 7th. Check ’em out.

-Photography by Kate Blaising.

Texas Standard: January 10, 2019

Here’s the good news Texas: an 8% bigger budget. But the state’s top money cruncher has a warning. Even as economic growth means more money for Texas coffers, Texas Comptroller Glenn Hegar’s raising a yellow flag for state lawmakers, we’ll hear why. Also, President Trump Takes his border wall fight to south Texas today, but will it make a difference? We’ll take a look. And on a lighter note: Done with your resolutions for 2019? Clay Smith and the team at Kirkus reviews weigh in on some trends at the bookstore they’d like to see disappear in the New Year. All that and then some today on the Texas Standard:

Rob Baird: “Ain’t Going Back to You”

Inspired by the likes of Lucinda Williams and James McMurtry, Austin artist Rob Baird is back with a brand new album! Baird’s last solo effort was 2015’s Wrong Side of the River and his upcoming fourth record was created with the help of his closest collaborators. Baird’s decade-long bond with his fellow players has allowed for previously unheard sincerity and honesty in these compositions, and impressively disciplined performances to match.

You can hear ten years worth of songwriting embodied in ten new Rob Baird tracks on After All, out tomorrow. Just for today though, get a glimpse at one of the album’s tipping points from After All, “Ain’t Going Back to You”!

Photo: Eryn Brooke

Michael Gibson (Ep. 5, 2019)

On this week’s program, producer and host John L. Hanson, Jr. speaks with Michael Gibson, co-founder and Chairman of Clear View Group, LLC, an Austin, Texas – based African American investment firm that owns Ebony Magazine and Jetmag.com.

Texas Standard: January 9, 2019

No emergency declaration yet. After the president makes an oval office pitch for his border wall, what if anything has changed? We’ll take a closer look. Also, on the morning after the presidential address on the border wall, the states’ top three officials try to send a message to Texans: they’re a united front when it comes to education. We’ll have a live report. Meanwhile the government shutdown continues into day 19. We’ll look at how it’s hitting home for Texans already hit by Hurricane Harvey. And the search for life as we don’t know it: two Texas researchers helping NASA rethink some cosmic questions. Those stories and more today on the Texas Standard:

Ranch Words In Urban Life

The other day I was trying to pull out on U.S. Route 281, and the traffic was so steady that I had to wait about three minutes for an opening. As I was waiting, my father’s voice came into my head and said, “Somebody left the gate open down there.”

Dad’s been gone 30 years now, but those sorts of metaphors still live in my head, as they do for a lot of us Texans. We may have mostly moved from farms and ranches to cities, but our language is still peppered with these expressions of pastoral life. As T. K. Whipple, the literary historian pointed out, we live in a world our forefathers created, “but within us the wilderness still lingers. What they dreamed, we live, what they lived, we dream.” You cannot have the influences of the frontier or country life disappear in just a generation or two. It hangs on in interesting ways, in our myths and in our language.

One place that we can witness it with some vibrancy is in the farm and ranch expressions or metaphors that survive in our digital age. Here are twelve I’ve rounded up for you.

“I wouldn’t bet the ranch on it.” It’s used to infer the poor likelihood that a given investment or prediction will come true. “Well, yes, Congress might decide to work together for the greater good, but I wouldn’t bet the ranch on it.”

“To mend fences.” It means to make peace. “You might want to mend fences with Jayden. You’re likely to need his friendship one day.”

“Dig in your heels.” When cowboys were branding calves and roped one, they had to pull hard against them and were told to dig in their heels. Now, the phrase is used for any act of taking a tough stance. “We’re diggin’ in our heels on this contract.” Similar to “sticking to our guns.”

“Take the bull by the horns” is a good one. Face your troubles head on. Yet a similar saying warns against careless assertiveness: “Mess with the bull and you get the horns.” That expression was made particularly popular in classic films like The Breakfast Club and Some Kind of Wonderful.

“Don’t have a cow!” Bart Simpson made it world-famous. Of course, he added “man” at the end. It is about anti-empathy. I can’t validate your over-reaction. The earliest known printed use of “don’t have a cow,” according to the Oxford English Dictionary, was found in the Denton Record-Chronicle in 1959. The phrase appeared in quoting someone who said, “He’d ‘have a cow’ if he knew I watched 77 Sunset Strip.” Proud it showed up first in Texas.

“Till the cows come home.” That means a long time, long time. It’s almost as bad as waiting for “pigs to fly.” “Until the cows come home,” perhaps originated in the Scottish highlands. They let cows out to wander lush pastures in the spring and it would be a long time before they would make their way home. It also refers to cows coming home to be milked in the early morning hours.

“Maverick” is well-known. It is used to brand someone as a non-conformist. It is named after Samuel Maverick, a Texan who allegedly didn’t brand his cattle. That isn’t the entire truth, but that is what many have come to believe, and so that version of the story has stuck.

“All hat and no cattle” is one of my all-time favorites. I used it recently in a conversation with a teenager and he said he had never heard it before and didn’t know what it meant. I explained that it was similar to “all bark and no bite.” He didn’t get that one either. I guess trying to teach ranch metaphors to a teenager is like “herding cats.” In fairness, I didn’t understand his saying that I seemed “salty” either.

“Riding shotgun.” This started as means of naming the guy who rode on the stagecoach next to the driver, generally holding the shotgun to ward off bandits. It’s still being used 150 years later. Even modern teenagers still yell “I got shotgun!” as they run to the truck.

“Hold your horses.” Just wait a minute. Let’s think about this calmly before we jump right in and regret it. “Hold your horses, Jim. I can’t buy your truck until I talk to my wife, first.” I also like that we still measure engine power in “horses” – 400 horsepower.

“I’m on the fence about it.” Taking that new job in the oil patch in Odessa? Not sure. Still on the fence about that.

I guess the most popular metaphor of all from ranch culture is “BS,” meaning “nonsense.” It’s difficult to accurately trace its origins and attempting to do so leads us into a thicket of art form itself.

I used the word recently while giving a talk in the state Capitol building. I was asked afterward if I thought that was an appropriate term to use in such august surroundings. I said, “I imagine the expression has been used more than a few times here in the legislature, and probably, even more often, impressively illustrated.”

Hive Mind

Livvy Bennett is unwavering in her vocals. There’s a wisdom in her tone, compassionate but adamant, as she sings, “It doesn’t seem just to me/to expect exclusivity…” in Mamalarky‘s track “Nonmonogamy.” Listen carefully. It goes beyond eschewing a traditional relationship standard dictated by society, and more into the importance of communication and honesty.

You’ll find that gorgeous track (as well as today’s dreamy AMM selection, “Much Better”) on Mamalarky’s debut EP, Fundamental Thrive Hive. And, following their recent Studio 1A debut on Taylor Wallace‘s show, you can see Mamalarky tonight at Cheer Up Charlie’s, 901 Red River. Another excellent bill to soak up, including sets by more AMM faves Being Dead, Lolita Lynne, and Indoor Creature. The music begins at 9 p.m.

Ah, the affairs of the heart. Very recommended.

-Photo courtesy of the artist.

This Song: KT Tunstall

We got a chance to catch up with Scottish singer/songwriter KT Tunstall shortly after she released, Wax, the second album in a trilogy focused on the soul, body, and mind. On this episode, she tells us how seeing Beck’s Loser on MTV as a kid pushed her to pursue her own music and how his willingness to experiment with styles and genres continues to inspire her.

📸 Piper Ferguson

 

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Charley Crockett: “Good Time Charley’s Got The Blues”

A lot of people claim to be true Texas troubadours, but when you’re literally descended from Davy Crockett, the competition starts to dwindle. Enter Dallas transplant Charley Crockett, whose heritage and personal drive have made him a master interpreter of traditional music. Lineage aside Crockett’s a beast onstage and in the studio, with five full-lengths notched in his belt, including hist late 2018 album, Lil G.L.’s Blue Bonanza.

Lil G.L. features fifteen cover songs from the likes of T-Bone Walker, Jimmy Reed, Austin’s Lavelle White and much more, providing for a blues, soul and country experience equally rooted in the past and present. The Blue Bonanza starts right now with some sultry self-promotion via “Good Time Charley’s Got The Blues”!

Photo: Lyza Renee

Texas Standard: January 8, 2019

It’ll be 140 days unless things get crazy and the Texas lege goes into overtime. In recent years, hot button issues have made for rather explosive headlines coming from the Texas capitol, but the 86th session that starts today could be different. 3 veterans of the Capitol Press Corps tell us what to expect. Also, it’s been called the best Texas history museum most Texans have never heard of, and now it’s in trouble. We’ll hear why. Plus a macro problem for Texas micro brews? We’ll explore that and so much more today on the Texas Standard: