Archives for February 2018

Jack Johnson: The Galveston Giant

As I was watching the Olympics, I began thinking about all the great athletes who have come from Texas and gone on to be the best in the world. Though not an Olympic champion, I thought of one Texan who stood unexpectedly at the pinnacle of his sport for an impressive number of years.

He was born and raised in Galveston. His life seemed defined by an incident that occurred when he was quite young. When he came home from school he would often avoid a bully who had once attacked him in the street. That bully was older and larger so he thought it best to stay out of his way. But Jack’s sister saw this and got angry. She insisted that he fight the bully. “In fact,” Jack remembered, “She pushed me into the fray. There was nothing to do but fight so I put all I had into it… and finally whipped my antagonist.”

Jack’s reputation as a fighter was born. Later, working on the Galveston shipping docks, the vigorous work strengthened his muscles and toughened his body. He learned boxing from the stout men on the docks and began fighting in amateur matches, winning most all of them. This was the 1890s.

When he could learn no more in Galveston, he hopped a train out of there, hoping that would take him to a storybook future. In many ways it did.

Over the next decade, Jack became known in boxing as The Galveston Giant. The son of freed slaves, he worked his way through all the black boxers and some of the white ones, too, to get a shot at the World Heavyweight Champion, James Jeffries.

But Jeffries wouldn’t fight a black man. He claimed it was not something a champion should do. So rather than risk his title, he retired, undefeated.

Tommy Burns became the champion and Johnson chased him all the way to Australia and finally got a match. It would be in Sydney. Burns would get $35,000 and Johnson would get $5,000. Burns’ manager would referee the fight. It went fourteen rounds and it was stopped before Burns got knocked out. Johnson was declared the winner. He wrote in his autobiography, “The little colored boy from Galveston had defeated the world’s champion boxer and, for the first and only time in history, a black man held one of the greatest honors that exists in the field of sports…”

Jack London, the famous novelist, covered the fight for The New York Herald. He wrote, “The fight? There was no fight. No Armenian massacre could compare with the hopeless slaughter that took place today. The fight, if fight it could be called, was like that between a pygmy and a colossus… But one thing now remains. Jim Jeffries must emerge from his alfalfa farm and remove the golden smile from Jack Johnson’s face. Jeff, it’s up to you! The White Man must be rescued.”

And that is where the notion of The Great White Hope came from: Jack London.

The World Heavyweight Champion, Jack Johnson, accepted his victory with a contrasting humility. He recalled: “I did not gloat over the fact that a white man had fallen. My satisfaction was only in that one man had conquered another and that I had been the conqueror… The hunt for a ‘white hope’ began, not only with great earnestness and intenseness, but with ill-concealed bitterness.”

So people started sending telegrams and letters to Jim Jeffries, begging him to come back and take the title from Johnson. He initially repeated what he had said before: “I have said I will never box a colored fighter and I won’t change my mind.”

But money can work magic on prejudice. For the guarantee of $120,000 from promoter Tex Rickard, for the fight and the film rights, Jeffries signed on to what was billed as “The Fight of the Century.” It was held in Reno, Nevada, on July 4, 1910. It was well over 100 degrees at fight time – 2:30 in the afternoon under a cloudless sky. Johnson said the “…red hot sun poured down on our heads. The great crowd was burning to a crisp.”

The betting was heavily in favor of Jeffries – about 2 to 1. A reporter from Palestine, Texas, wrote that when Johnson was asked how he felt about that, he said, “I know I’m the short ender in the betting and I know why. It’s a dark secret, but when the fight starts we’ll be color blind. I’m going in to win.” And he did. He knocked out Jeffries in the 15th round.

Johnson said, “Whatever possible doubt may have existed as to my claim to the championship, was wiped out.”

Jack London agreed. He had called out for the great white hope himself and wrote that

Johnson had decisively defeated the white champion. London doubted that Jeffries, even in his prime, could have defeated this “amazing negro (boxer) from Texas.” He said he knocked down the man who had never been knocked down and knocked out the man who had never been knocked out. “Johnson is a wonder,” he concluded. “If ever a man won by nothing more fatiguing than a smile, Johnson won today.”

The film of the fight was considered an immoral display and banned in many states and cities. Governor Campbell of Texas cited those grounds in saying he would discourage authorities from showing it Texas and would convene the legislature to “promote this end.”

Muhammad Ali, who was often compared to Jack Johnson for his unshakeable confidence and easy-going banter in the ring, had enormous admiration for Jack Johnson. He said, “Jack Johnson was a big inspiration for what he did out of the ring. He was so bold. Jack Johnson was a black man back when white people lynched negroes on weekends. This man was told if you beat a white man we’re going to shoot you from the audience and he said well just go ahead and shoot my black butt cuz I’m going to knock him out. He had to be a bad, bad black man cuz wasn’t no Black Muslims to defend him, no NAACP in 1909 no MOV or any black organizations, no Huey Newton, no Angela Davis, no Malcolm X. He was by himself… He was the greatest. He had to be the greatest.”

My special thanks to my good friend James Dennis who suggested this topic as especially worthy of the Stories from Texas series.

Midcentury: “Warrior” (Live in Studio 1A)

When you hear Austin’s Midcentury, you’d swear their discog was several albums deep. Their sound is developed and carefully crafted in such a way you’d think they share neurons, and the members gel so well together, it feels like you’re listening to a band that’s had it down and together for years…just the sort of perks you enjoy when you are in a band with your buds and you have been playing together for years (in several bands). These righteous dudes stopped by our Studio 1A last week in support of their debut album Modern Nostalgia–an incredibly accurate title. Taking spheres of yacht, indie, and classic rock and funk and orbiting it around a 21st-century center of energy, the danceable grooves are augmented by Bruce Smith, Jr’s deep and carrying vocals and punctuated by the 80’s-inspired sax stylings of Leslie Matthews. Just try to sit still.

“Warrior” appears on Modern Nostalgia, out now. Check out the rest of their Studio 1A here.

-Taylor Wallace// Host, Thursdays 8p-11p & Saturdays 2p-6p; Producer, Eklektikos with John Aielli

Texas Standard: February 20, 2018

86 cents of every dollar donated to state-level campaigns in Texas went to Republicans. We’ll do the numbers. And it’s here: early voting is underway for the Texas primaries. We’ll explore the rules behind where you can cast a ballot and why. And a city on the Texas coast is making plans to become the first new cruise ship port-of-call in about half a century. We’ll talk with the mayor leading the effort. Plus, a big U-S company is changing the way they do healthcare and it’s turning some heads. It may surprise you which company it is. And we’ll also hear from the filmmakers behind a new movie about an event that thrust one Texas city into the national spotlight a few decades ago. Those stories and a whole lot more today on the Texas Standard:

Olden Yolk: “Vital Sign”

Based out of New York (as opposed to Olden York) the up-and-coming four-piece Olden Yolk releases their debut self-titled this Friday. Initially conceived in 2012 by fronting vocalist and instrumentalist Shane Butler as an outlet to channel single songs, visual art as well as touring and releasing albums with the band Quilt but after the release of a split-record with Weyes Blood in 2014, Olden Yolk became the collaborative entity it is today.

Their “dysfolkian” aesthetic is undeniably infectious but words don’t do Olden Yolk’s sound justice – there’s no need to hold out a WHOLE THREE DAYS – get in there with a free download of Olden Yolk‘s lead single “Vital Sign”!

-Jack Anderson (Host Monday-Wednesday 8-11pm, Saturday 6-10am)

Slim Thicker Than a Bowl of Grits (Ep. 5)

Associate Professor in the Department of Psychology at the University of Texas Dr. Germine Awad talks about her study on the way black women view their own body imagery. Slam Poet Champion Ebony Stewart also shares some words on the value of black hair.

Texas Standard: February 19, 2018

The University of Texas and the Texas Tribune team up to tell us which politicians are ahead on the polls, we’ll have the latest. Also, is OPEC bringing in more members to better control oil prices? We’ll Explore the role of Historically Black Colleges and speak to the film-maker. Plus comfort food has a whole other meaning to families in poverty, we tell you why. And the art of Arturo Torres is putting Garland on the map, we’ll explain. Also, it’s president’s Day! And early voting starts tomorrow, be sure to Wear your red white and blue all week! Those stories and more today on the Texas Standard:

Gina Chavez: “Heaven Knows”

Local bilingual folk-pop figure Gina Chavez is returning with a new EP – one that not only commemorates a significant sonic shift but indeed twelve years of unprecedented love. Already bestowed with nine Austin Music Awards, an NPR Tiny Desk performance and frequent tours as a cultural ambassador with the U.S. State Department, Chavez and her 6-piece band, currently known for their acoustic Latin aural accoutrements, have steamed up their sound with a transition towards smooth pop-peppered soul. That transition is manifested in the upcoming five-track EP Lightbeam – due for release later this summer. Lightbeam features some of Chavez’s most personal lyrics to date, alluding to her journey of falling in love with and eventually marrying another woman as a Catholic Latina living in Texas. Chavez is already booked for performances in Kyrgyzstan and the UK as well as SXSW 2018, but you can enjoy some of the new stuff right now with the recently released single,  “Heaven Knows”.

Jack Anderson (Host Monday-Wednesday 8-11pm, Saturday 6-10am)

Dr. Daina Ramey Berry (Ep. 11, 2018)

This week, In Black America producer and host John L. Hanson, Jr. discusses the business of slavery in the South with Dr. Daina Ramey Berry, Associate Professor of History and African Diaspora Studies at The University of Texas at Austin and author of The Price For Their Pound Of Flesh.

KUT Weekend – February 16, 2018

Austin becomes the first city in Texas to require private employers offer paid sick time. Plus, why is Texas voter turnout so low? And where you can and can not drink a beer on the street in Austin.

Those stories and more in this edition of KUT Weekend!

Subscribe at https://weekend.kut.org

Generations

Cliches notwithstanding, not every old person is wise and kind, nor is every young one thoughtless or callow. Personality and brains, or lack of them, often stick around throughout one’s life. That was the inspiration for this Typewriter Rodeo poem.

Texas Standard: February 16, 2018

Texas educators carry the dual burden of comforting students after yet another school shooting, and coming up with prevention plans. We’ll hear from some of them. Also, sales are flat or even falling in the motorcycle industry. We’ll break down why. And the Houston Astrodome will live on. After years of back and forth a real plan for it’s future, a look at the optimism and skepticism. Also, a new building on the University of Texas campus opens up to the public this weekend. We’ll take you inside what’s not a classroom or an athletic facility but a one-of-it’s-kind art masterpiece. The story behind it. And it’s Friday! That means the Typewriter Rodeo and a wrap up of the big stories this week in Texas Politics. Those stories and more today on the Texas Standard:

Matthew McNeal: “Run”

Eager to kick off the weekend with brand new tunes?! Native Texan Matthew McNeal released his sophomore full-length album Good Luck today – thirty four minutes of analog excellence recorded with Israel Nash’s band right here in the Lone Star State. Good Luck will warm any digitally-produced -drained listener with it’s soft -rock sensibilities. McNeal stops by KUTX’s Studio 1A next Wednesday but get right to it with a free download of “Run”! Good Luck trying not to rock out to this one.

Jack Anderson (Host, Monday-Wednesday 8-11pm, Saturday 6-10am)

Texas Standard: February 15, 2018

Harris County’s bail system treats the rich differently from the poor. An appeals court affirms that ruling. We’ll have the latest on what’s next and what it could mean for taxpayers. Also, a Texas lawmaker is leading an effort to roll back some requirements aimed at helping the disabled. We’ll explain. Plus, two native Texans are part of a suit that wants the feds to drop marijuana as a schedule 1 drug. What a ruling could mean. And we’ll explore technology as it’s being used in groundbreaking ways at the Olympics. Plus, LBJ did not like his presidential portrait. We’ll tell you why and what he did about it. Those stories and a whole lot more on todays Texas Standard:

Bonnie Montgomery: “No More”

Photo by Michelle Waggoner

The young and talented-beyond-her-years Bonnie Montgomery comes strolling with purpose out of the dust of a small Arkansas town and onto the rising country scene. Her music is of a different time, but her progressive lyrics (don’t worry, she talks about the classic country cases too) offer a refreshing update to the sometimes less-than-savory stories and lines from the outlaw country songs of yesteryear. Inspired by Willie Neslson’s Phases and Stages album and recorded in Dale Watson’s own Ameripolitan Studios right here in Austin, Texas, Montgomery’s sophomore album Forever picks up just where her debut left off, this time forming a concept album about life, the proverbial road, and “the mysticism of West Texas.”

“No More,” is like an outlaw country anthem for the #metoo movement. Implementing pop-country influences from an era more Yoakam than Lynn or Cline, Montgomery tells it like it is with an appropriately sharpened tongue. “You treat me just like trash…I’ve seen this before…I ain’t gonna be your woman no more.” Backed with a catchy arrangement and a satisfying amount of fiddle, this song is the song all the proud country women should be shouting and singing along to over and over and over again.

“No More” appears on Forever, out now via her website.

-Taylor Wallace// Host, Thursdays 8p-11p & Saturdays 2p-6p; Producer, Eklektikos with John Aielli

This Song: Sondre Lerche

Norwegian singer and songwriter Sondre Lerche explores why listening to Fiona Apple’s “I Know” as a teenager brought him to tears and explains how the that song has influenced his work throughout his career.

Lerche is releasing his latest record, Solo Pleasure, on Valentines Day! The  record is an acoustic reworking of his 2017 synth pop gym Pleasure. Listen to the new record here!

Listen to songs from this episode of This Song

Texas Standard: February 14, 2018

Nine Democrats are on the primary ballot for Texas Governor. We’ll introduce you to a handful of those hoping to replace Greg Abbott. Plus a new study reveals that Texans are some of the worst in the country when it comes to voter turnout. We’ll try to answer why. Also, the flu season isn’t over yet but Texas schools hope the worst of it is gone. We’ll check in with a superintendent who shut down his district because of the flu. And the official shape of February must be the heart: unraveling the mysteries this organ still presents to doctors. Plus understanding the all-female species of fish named for the Amazon that lives only on the Texas/Mexico border. Those stories and a whole lot more today on the Texas Standard:

Blushing: “Bound” (Live in Studio 1A)

Despite being made-up of two married couples, the controls of the Blushing machine are (wo)manned by the wives. Kicking it back to 2015, Christina Carmona had a written a number of songs she knew were ready to be brought to life, but she needed a band and more immediately, a singer. Turning to friend Michelle Soto, the two formed a band and began the quest to fill out the instrumentation, which they ended-up finding perfectly in the men who introduced them–their spouses, longtime friends Jake and Noe. Together they recorded Christina’s songs and released their debut EP in 2017. Now, their follow-up EP Weak is much more collaborative, a reflection of time writing and playing together with the people you’re most intimate with.

“Bound” epitomizes the Blushing brand. A dream-pop wind-tunnel that has plenty of drive and momentum, but takes pockets of time to slow down and let the layers air out and feel their way around each other, all with Soto’s lofty vocals serving as the eye of the tunnel. Waxing and waining between the soft pockets are fuzzy storm clouds of layers and layers of shoegazey-tastiness.

“Bound” appears on the EP Weak, out now via Austin Town Hall Records. Check out the rest of Blushing’s Studio 1A here.

-Taylor Wallace// Host, Thursdays 8p-11p & Saturdays 2p-6p; Producer, Eklektikos with John Aielli