landscape

What the cold wrought

Texas is still picking up the pieces from another devastating February freeze. Some of the primary victims this round were trees big and small. That was the inspiration for this Typewriter Rodeo poem.

Texas Standard: August 28, 2019

As fall approaches the political season heats up: and a shift in the role of Texas in one of the most consequential election seasons in modern memory. Coming up a conversation with Gromer Jeffers, political writer for the Dallas Morning News, on why the Texas factor in the 2020 election year goes way beyond the presidential race. Also the homeless crisis in San Francisco: most of those homeless are Texans, says California’s governor. Politifact takes a closer look. And an especially wooly war for survival in the Trans Pecos. Those stories and a whole lot more today on the Texas Standard:

Texas Standard: April 25, 2019

A 3 year old found alone at the border, his name and a phone number written on his shoes. An anomaly? Hardly. This instance turning a spotlight on a tragedy more common than many might imagine. So reports Manny Fernandez of the New York Times, and we’ll talk with him. Also, the Texas based Boy Scouts of America facing growing allegations of sexual abuse, we’ll have the latest. Plus, Texas leads the nation in traffic deaths, so what do lawmakers plan to do about it? Those stories and so much more today on the Texas Standard:

Picturing Texas

Over the past decade I’ve seen more breathtakingly beautiful photographs of Texas than I saw in all the decades before, combined. This is thanks to social media where many photographers share their exquisite work online daily. I’ve made it a point to befriend these great visual artists so I can enjoy Texas in all its resplendent glory from mountain to sea, from high plains to the tropics. I will share with you the names of some of my favorites so that you can see Texas through their gifted eyes. Now this is just MY list, work I’ve come to know somewhat at random. Many of your favorites I will no doubt miss, but perhaps you can add mine to your list of favorites, and you can add yours to mine at the end of this commentary.

In no particular order, here we go.

Wyman Meinzer is the official State Photographer of Texas. He was given this honorary title by the 1997 Texas Legislature at the request of Governor George W. Bush. They wanted to recognize his extraordinary body of work that captures the varied landscapes of Texas and the people who work the land. I love his titles: Between Heaven and Texas, Windmill Tales, and Horses to Ride, Cattle to Cut – among the more than 20 books he has published.

They say he has “traveled to every corner of this great state… in search of the first and last rays of sunlight in its magnificent sweep across the Texas landscape.” Find him at www.wymanmeinzer.com

Jeff Lynch left his heart in West Texas. His photographs of the soft cotton clouds floating above the Davis Mountains on a summer’s day, or his pics of the shadows of those clouds roaming across the vast vistas of West Texas, will make you fall in love with that region just as he has.

See his work at Jeff Lynch Photography on Facebook and Instagram.

Carol M. Highsmith is what I call a photographic philanthropist. She has donated her entire body of U.S. photographs (including hundreds of Texas photos) to an online collection viewable anytime for free at the Library of Congress website. You can search her Texas Lyda Hill collection with simple words like “longhorns,” “cowboys,” or “Big Tex.” Her photographs are downloadable and royalty free. She is a visual documentarian. Her Texas work celebrates landscapes, cityscapes, small-town life, and the diverse cultures of the Lone Star State. Here is her web Library of Congress address:   https://www.loc.gov/collections/carol-m-highsmith/about-this-collection/

My favorite coastal photographer is John Martell. He says, “Texas is a photographer’s paradise.” Every day, it seems, from his base of operations in Rockport, he posts an awe-inspiring photo of a sunrise or sunset over Aransas bay. He says, “Texas is a rich treasure trove for nature lovers. As a photographer I want to capture the essence of these jewels. That always seems to be about the light, which translates into sunrises and sunsets.”

Find him on Facebook at https://www.facebook.com/JohnMartellPhotography/

Tim McKenna is to me the consummate photographer of Big Bend. In fact, he was commissioned to provide all the photos for the 2018 Big Bend National Park calendar. He can make a cactus flower in the desert look as delicate as a Tyler rose. He puts you in the moment of being bathed in the pink hues of an Emory Peak sunrise or enjoying the soft grey light of the desert after a rain – so real, you’d swear you can smell the musky tones of the damp creosote bushes around you. His work assures you that the desert is a place of infinite life. When he was a young man he hunted with a rifle. Now, he hunts with a camera. You can find him here: https://www.facebook.com/tim.mckenna.31

Larry White loves trains and old cars and trucks and hill country wildflowers. His photographs of a freight train rumbling through ancient East Texas forests or old trucks sitting in forgotten fields will stir your heart in new ways. His photograph of white horses grazing silently at sunrise in a field of bluebonnets is one of his best. No one is better at photographing wildflowers than Larry White. I think he was born with a camera in his hand.

You can find his work at https://www.facebook.com/larrywhitephotography/

Also, www.larrywhitephoto.com

If the stately nature of the King of Beasts, or the grace and beauty of tigers peaks your interest, then David Pine’s work will inspire you. His aim is to depict the essence of an animal in a still shot. “Still photography,” he says, “is the art of capturing a fleeting moment that can express the gamut of emotions not otherwise seen. You want to capture the soul of a creature through its eyes.” Many of his photos come from zoos and rescue zoos in Texas.

https://www.facebook.com/DavidPinePhotography

George McLemore is an incredibly artistic photographer of life in Texas (Texana), but most importantly to me – he has been the visual chronicler of my social circles for several decades now. For most of his life, he has preserved on film and online, the social gatherings and special events for all who have been in his orbit, and he has done it mostly for free. Thirty  years ago we found his covert clicking unnecessary. But now, for many of us, we realize that we would have no record of that time if it weren’t for him. And we are grateful for the treasures he shares with us often from his labyrinth of negatives and digital files. To all the McLemores of the world, I raise my Shiner Bock to them – those visionary souls who recognized the Kodak moments of our lives that we seemed blind to. www.mclemorephotography.com

Time-Traveling With Frederick Law Olmsted

If I could have any wish I would choose to be a time-traveler. Some say time travel will be possible one day, and some say it is the stuff of fairy tales. So, I guess until Elon Musk invents that mythical machine, books will have to do.

Books give us the next best thing. They can help us understand how people lived and thought and talked long ago, especially when the books were written by people who consciously sought to catalog such things in the time they lived. Frederick Law Olmsted left us such a book about his travels through Texas in the 1850s. It’s called “A Journey Through Texas: Or a Saddle-Trip on the Southwestern Frontier.” With his brother, he traveled several thousand miles around Texas, on horseback, chronicling his experiences for The New York Times – today, we’d call him a blogger. His book is a gem, an absolute treasure, a priceless time-sensitive ethnography. It is more than a snapshot; it is an intricate mural of Texas and Texans a decade after becoming a state, while the entire country headed toward civil war.

Before I share a few of his observations, let me tell you who he was. He was a farmer and eventually he became the most famous landscape architect in America. He designed Central Park in New York and Niagara Falls State Park, as well as the grounds of the U.S. Capitol and the White House. A contemporary said of Olmsted, “He paints with lakes and wooded slopes; with lawns and banks and forest-covered hills; with mountainsides and ocean views.” These achievements would come later but they give us an idea of his rare aesthetic sense and farmer practicality when he came to Texas.

He arrived in Nacogdoches in January of 1853 and then meandered on horseback all over Texas. He explored the Piney Woods, the Hill Country, the Coastal Plains, Southwest Texas and even rode a ways into Mexico.

Frederick Law Olmsted wrote often of the famous Texas northers because he was several times caught out in open country with sudden fierce winds and rapid drops in temperature. He wrote that a norther hit them on the prairie west of the Brazos. The wind kicked up mightily and the temperature dropped 12 degrees in 12 minutes, from 67 to 55. He wrote, “In five minutes, we had all got our overcoats on and were bending against [the wind] in our saddles.” By 6 p.m. that evening it was 40 degrees; the next morning it was 25. Olmsted said he couldn’t get his horse shoed that day because the blacksmith said he wouldn’t work as long as the “damned norther lasted.” The Bastrop paper wasn’t published that day either because, the editor explained, the “printing office was on the north side of the house.” Seems reasonable.

When he arrived in Austin, population 3,000, Olmsted stayed at what was supposed to be the best hotel, but found it dirty and the food inedible. He was also dismayed that there was not one bookstore in town. Nice to see that 170 years later those shortcomings have been impressively remedied.

He loved Neu-Branfels – loved with a capital L. The German communities and natural magnificence of the lands along the Guadalupe River were so impressive to him that he almost stayed in Texas. He was enchanted by the springtime wildflowers in the Hill Country and he fully embraced the German saying that “the sky is nearer in Texas.”

Riding out west to Eagle Pass, he killed an enormous six-foot rattlesnake. A man came by and told him he had just killed an even bigger one up the road a ways. Olmsted worried in the daytime that his horse would get bit, and at night he worried that a rattler would snuggle up with him in his bedroll. On this part of his journey he saw his first horny toads and so loved the little creatures that he shipped some back home to New York where he kept them as exotic pets for a couple of years.

In San Antonio, it was the river he fell in love with. “We are so struck by its beauty,” he wrote. “It is of a rich blue and pure as crystal, flowing rapidly but noiselessly over pebbles and between reedy banks.” But it was still the Wild West. He wrote of the near weekly gunfights in the plaza. “As the actors are under … excitement, their aim is not apt to be of the most careful and sure; consequently, it is, not seldom, the passers-by who suffer.”

Though Olmsted didn’t arrive in the south as a staunch abolitionist, he saw the contrast between slave-based economies and those that relied on paid labor, and found the latter far more successful. He said that a monopoly on cotton and devotion to a one-crop economy left no room for the progress that only economic diversity could bring. He objected to slavery on moral grounds as well, but found that pro-slavery advocates responded best to arguments based on pragmatics rather than righteousness.

Take a horseback ride through Texas with Olmsted. It’s the best option in time-traveling now available.

The Leaf Blowers

Some trees in Texas never really lose their leaves — but others are shedding dramatically right now. The inspiration for this Typewriter Rodeo poem came from what some neighbors may do with those leaves.

Texas Music

Texas Standard put together a special program on Texas music in collaboration with Texas Monthly. That was the inspiration for this Typewriter Rodeo poem.