KUTX Sunday Morning Jazz

Jazz and The Art of Movement

Where do we consider being at home? When do we feel that we belong in a place and how quickly can we become dispossessed?

In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about how jazz traces various migrations – some arbitrary, some forced, and some chosen – and beyond appropriation and broad-stroke caricature, reveals difficult truths of identity, well-being, and honest relationship.

Lionel Hampton (4.20.14)

Lionel Hampton was was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. In 1936 he was discovered by Benny Goodman and with Goodman’s band he created a space for the vibraphone in popular swing music. He was also a outspoken advocate for Israel in the 50s as well as a civil rights leader.

In this installment of Liner Notes Rabbi and jazz historian Neil Blumofe explores how Hampton’s hard work and dedication to not only his music, but to an ethos of revolution and freedom, allows us to recognize the importance of the private day-to-day work that goes into building a life of worth and meaning.

Charlie Rouse (4.13.14)

Charlie Rouse was an American hard bop tenor saxophonist and much sought-after sideman. He is known primarily for his collaboration with Thelonious Monk. In this edition of Liner Notes Rabbi and jazz historian Neil Blumofe talks about the significance of the role of the “sidemen” and “associates” in our lives, and why it is important to appreciate all the parts that make up a greater whole.

Bill Frisell (3.23.14)

Bill Frisell is not only an innovator on jazz guitar, but has worked in many genres to develop a sound-rich landscape. He fuses many cultures and sensibilities together, which can help us navigate our way through the modern American experience, both tangibly and metaphysically. Rabbi Neil Blumofe describes his sound as post-post-modern.

Jazz and The Art of Patronage (3.30.14)

What does it mean to be a patron of the arts? Perhaps you have the means to support art innovation in your community, or maybe you are a producer of music or art and you work behind the scenes. Maybe your way of supporting art is just showing up. All of these are means of developing an artistic community and building a creative environment for future generations.