indie punk

Souls Extolled: “Gold”

That early-’00s indie punk rock sound shaped by heavyweights like Arctic Monkeys and The Strokes is still pretty dang popular. Just listen to some of the most-streamed rock artists these days and you can clearly hear the reverence. That said, it’s not too often that those newer acts actually invite nuance into their originals; it’s all kind of the same ole formula from twenty years ago. It’s a shame, because there’s a ton of potential there. And given that we’re nearly a full generation removed from the style’s origins, we’re optimistic that there’ll be some fresh takes in the near future.

Now there is a group here in Austin that shows promise for those explorations: Souls Extolled. Born out of a desire to imbue indie rock with ska, punk, and psychedelia, this power trio’s refined their own distinct version of indie punk over the past half decade and three full-lengths. But even by the band’s standards, their brand still hasn’t quite been perfected yet.

That all changes with the release of Souls Extolled’s semi-eponymous fourth LP soulsex, out January 2nd. With the help of producer Chris “Frenchie” Smith, Souls Extolled pushes past their usual comfort zone to revisit their roots in an indie-avant-garde lens and cuts out any fat to expose the group’s core energy, making this record the best representation of their unique character to date. And for those in need of some millennium-era nostalgia that glistens against modern light, get in gear for soulsex with the album’s final lead single “Gold“.

Sporting an arrangement that refuses to grow stale between its anthemic stop-and-start bookends, “Gold” sheds the too-cool-for-school attitude of Arctic Monkeys and The Strokes in favor of authentic and invigorating alt-punk passion. So go ahead. Be judgmental. Because we all know it kicks some serious ass.

Big Bill: “Emotions”

If you’ve kept posted on Austin quartet Big Bill, you know they’re in somewhat of a post-pivot position. Yeah, after years of establishing their space in the oddball-deadpan-art-punk sector, Big Bill pulled off a risky switch to more of a ’90s-style indie rock sound with their Summer 2022 full-length Public Freakout Compilation. And while we’d never go so far as to call our bbs in B.B. “inoffensive”, the exploration of indie does add a sense of mass accessibility to Big Bill’s idiosyncratic, off-kilter aural antics and intoxicating melodies.

So given their ongoing path in that same direction, we’re already drooling over Big Bill’s upcoming third LP Strawberry Seed. See, in carving out a more “mature” niche in indie rock, Strawberry Seed actually seeks to emulate the childhood nostalgia of a kindergarten art project – less the acceptance of anxiety in adulthood and more the abstract incipience of early, blissfully unaware expression. In that pursuit of fuzzy warmth, Big Bill’s included backup singers, acoustic guitar, synthesizers, and piano to their traditionally straightforward punk arrangements.

We won’t be able to harvest the fruits of Strawberry Seed until it hits streaming June 14th, the same day Big Bill plays a free in-store performance 5PM at Waterloo Records. But if you want to get an early taste, Big Bill’s set to share some samples 9PM tonight at The Mohawk as part of a big bill that also includes Tied Up and Gustaf. And if you want to blow your mind with how much Big Bill’s sound has evolved, fire up “Emotions” – which is decidedly less like Suicide and more akin to The Black Keys trying to out-weird The Minutemen. It’ll leave you feeling a way for sure.

Broken Gold: “Bad Days” (feat. Alejandro Escovedo)

Punk is a young person’s game, no doubt. Because while the counterculture spirit, tattoos, and tinnitus stay ’til death, even punk rock pioneers eventually mellow out towards “refined tastes” once they get comfortable on the other side of the hill.

Case in point: Ian MacDougall of The Riverboat Gamblers fame, who first broadened his genre horizons with Broken Gold alongside fellow Gambler Patrick Lillard over a decade and a half back. The offshoot’s initial indie punk prospects shined on their 2011 debut LP Recovery Journal, and have only departed further from the signature RG sound since, most notably on last March’s Live at Paint by Numbers. Well after waiting long enough, Broken Gold’s finally giving us another full-length entry into their studio discography.

Wild Eyes (out May 3rd) strikes gold with mixing from Modest Mouse/White Stripes engineer Stuart Sikes and mastering from twenty-one-time Grammy winner Howie Weinberg, not to mention one hell of a guest appearance. We’re talking about “Bad Days“, a look back to when Riverboat Gamblers were operating full tilt on tour, almost like a generations-later continuation of Ramones’ “I Wanna Be Sedated”. It dropped last Friday and features vocals from KUTX favorite Alejandro Escovedo, who could certainly lean on his formative days with The Nuns for similar inspiration. So as Broken Gold shifts the fuzz pedal into overdrive for SXSW, catch ’em 10:15PM tomorrow night at Valhalla for the Chicken Ranch Records Party and 5:45PM on Sunday at Empire Control Room for Smartpunk House. They’ll both be good nights for sure.