For fans of a certain musician, a certain recent ticket-buying experience was a certain nightmare. That was the inspiration for this Typewriter Rodeo poem.
concert
John Aielli and Concert Conduct
KUT’s Andrew Weber and John Aielli discuss how to conduct yourself at ATXplained Live! or any other in-person concert event.
Texas Standard: April 22, 2022
Ukranian refugees at the southern border being told do not enter as of Monday. A change in policy from the Biden administration. Dallas morning news D.C. bureau chief Todd Gilman with more on U.S. plans to change the policy for Ukrainians feeling the war in their home country. Also, you’ve heard of Iowa’s early role in picking presidential nominees? Maybe not much longer. Texas expected to make a bid to move into the top slot. We’ll look at why and what it means for picking presidential candidates. And the father daughter duo that became an international sensation with a twist on one of Texas’ favorite foods. The story of the travel taco and much more today on the Texas Standard:
Texas Standard: November 10, 2021
Executions in Texas have halted while courts resolve whether Texas prisoners can have a spiritual advisor touch them as they’re being put to death. We’ll have the latest on the arguments in D.C. Plus, what went wrong at AstroWorld? A crowd safety expert gives us his thoughts on avoiding future catastrophes. And a steel house on the staked plains. It could be yours, for the right price. All that and more today on the Texas Standard:
Why Margin Walker Closed
Graham Williams, the founder of Margin Walker, discusses his journey in the Austin music scene and explains why nine months into the pandemic he decided to close Texas’s largest independent concert promoter for good.
Music in this episode by Sailor Poon
Trailer: Pause/Play on the Austin music scene
“Pause/Play” will tell the pandemic stories of artists, venues, venue staff, festivals, sound technicians, music non-profits and more. What has the shutdown been like for them so far? What help have they received in order to survive? What adaptations have they been making, and what do they see as the future for Austin Music?