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A $25 million contract between

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the City of Austin and the Long

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Center is under scrutiny over how

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the public money is being spent.

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The contracts and the fees inside it

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are tied to the city's cultural arts

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grants program, raising questions

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about transparency and oversight,

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the details of the contract,

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and Texas Republicans have

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revived anti-Muslim messaging

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in races across the state as early

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voting begins tomorrow.

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It's a change in messaging from

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elections over the past decade or

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so. Why that's the case and what it

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could mean for elections coming up

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on today's show.

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The Austin Signal is a production

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of KUT News, hosted by

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Jerry Quijano.

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Real love means working through the

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good, the bad, and the funny.

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It's all explored in a mockumentary

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from an Austin filmmaker that's

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premiering this week.

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That conversation, coming up next

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on Austin Signal.

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Howdy out there, this is Austin

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Signal. Thank you for starting the

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week off with us.

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I'm your host, Jerry Keconnell.

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Let's get started with today's

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show.

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There is new scrutiny on a $25

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million contract between the city of

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Austin and the Long Center, which

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has, for the past three years, been

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running the city's cultural arts

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grants program.

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Now some city staffers are raising

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some questions.

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For more, we are talking with Andrea

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Balshi as the growth and development

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reporter for Austin Current, KUT's

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collaborator.

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On the Austin Signal and a partner

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with KUT's newsroom in

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covering the city.

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Andrea, thank you for coming back on

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the show.

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Thank you for having me.

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So, you put this

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contract under some scrutiny, you

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reviewed the contract, what stood

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out to you?

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I think what is great

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about this contract in

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terms of reading it is that

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it breaks down by

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hour how

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much each task costs.

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And that's not something you always

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see in contracts.

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These types of contracts are,

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according to what I have seen,

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according the expert I consulted,

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they're unusual.

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They're not unheard of.

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They're like absolutely dinosaurs

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here. That's not what it is.

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They are usually

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contracts with cities.

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They usually set a flat fee

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or a percentage.

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That way it says,

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okay, contractor, I want these

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deliverables.

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I want this kind of transparency.

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I want kind of

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reporting.

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However you get there, you get

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their, but stay under 10%.

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This did not do that.

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And that's what struck me.

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And when I looked at the

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numbers...

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As a lay person, I said,

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I don't understand why it costs

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$54 to pay

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an assistant, a customer service

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person.

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Not that it's wrong, I just don't

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under stand.

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Why does it cost $250 to

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pull information for

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the city who owns the

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information? So, they were

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questions, not judgments.

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And did those seem unusually high?

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I mean, you said there's not a lot

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of examples of this type of

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contract, but did those rates seem

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exorbitantly high?

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And to me they did, but I'm just

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talking as a person who

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looks at the regular world and says,

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that sounds high.

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Communicated with the Long Center.

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They were very open.

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They were

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very articulate about

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how they explained where

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they came up with these rates.

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And they continually said to me,

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we're abiding by the contract.

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The city approved this.

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This was intentional.

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And the reason we did it, the reason

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why it might seem high to you

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is because we're not just using

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four people who are paid

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under this contract to

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do this work.

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We have dozens of people at

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the Long Center who can contribute

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to this work as part of their daily

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duties.

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That's how we keep the overhead low

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for the city.

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Problematically, with these types of

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contracts is that they take a

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lot of scrutiny.

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And you have a government agency

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trying to oversee a contract

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with limited people,

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sometimes it doesn't

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go as tightly, as one would hope.

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And through your reporting, what did

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you hear about the experience of

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running this program through the

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Long Center for these last three

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years, maybe compared to years

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past for artists who were

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participating in it?

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Yeah, I heard, you

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know, there were secret sources

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buzzing in the ears, you know,

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talking about this and that later.

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But I also did hear from

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people, hey, we are getting our

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checks cut much faster.

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It is much more efficient than

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it was under the city in terms

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of getting our money.

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Now, if you're a musician and you

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have bills to pay, that's

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really important.

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They're not messing with contracts.

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They don't care about that unless

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you are.

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Really having questions, and there

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were people having questions and

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they came to me.

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In your story, you mentioned that

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this is important, or why does this

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matter right now?

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Can you tell us about what's coming

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up next month?

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Yeah.

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So in

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April, so this is a

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contract that has a

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five year period of possible

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length.

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So you have your master contract,

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which is, thank you for doing the

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work. We will revisit in a year and

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we will extend

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it.

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So it can go up to five

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years for $100,000.

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I do want to clarify something that

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I think some readers might have been

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a little bit misled by or whatever.

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Long Center does not get $25 million

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to pocket.

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That's not how it works.

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They are distributing like $23

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million in contracts and money

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to the artists,

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the musicians, the dancers,

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you know, the people out there

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creating the art that

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Austin is known for.

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They are getting anywhere over

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the years between like a million and

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a million five to administer

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it. They're not running around with

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$25 million saying, whoopee, let's

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buy some new equipment. That's not

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what it is.

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And I think that even though we put

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it in the story, it's easy

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to misunderstand that.

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It was also mentioned in the story

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that the city had some leftover

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money from this grant program

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last year that it didn't distribute.

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Can you tell us more about that?

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So in

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2024, there were

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some questions and concerns

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from the community we could all go

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back and read about how the

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grants were distributed.

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They were looking for transparency.

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We also had a lot of different

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departments, not just the

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economic development department,

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but a lot different people all over

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the place kind of had their fingers

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in this. And so what the city

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decided to do was to create this

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one group called ACME, and

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they're in charge of

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cultural arts.

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And so when they

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came in as a new department,

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they said, okay, as

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a New Department, hearing concerns,

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we're not gonna give out most

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of the grants this year.

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We're gonna go to musicians.

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We're going to go to

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venues. We're go to promoters.

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We're to talk to other folks and

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determine if we are doing this

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the best way.

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Do we need to change our

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applications?

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Do we to change the way we oversee

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things? So, you have

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a bunch of money, let's just say for

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the live music fund,

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which is supposed to come out next,

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the winners are supposed to be

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announced next month.

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When you have money that

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musicians were really hoping for

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to keep them afloat,

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that's hard.

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And so that's why those

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grants were not distributed at

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that time. So, people are

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really looking forward to seeing

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how they do and if they get.

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That money.

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So, last year they

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would have distributed $4.5

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million, but since the

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tax money from the hotel tax, which

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is what funds this, accumulated

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over last year, they're going to

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give out more money this year to

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try and compensate for what was

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not given.

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Yeah, and this story is in line with

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one we had last week about

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affordable housing for musicians on

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the east side of Austin as well.

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And we'll have a link to that story

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and Andrea's story as well at

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kut.org slash signal

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and in the show notes for today's

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podcast.

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We've been speaking with Andrea

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Ball. She is the growth and

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development reporter for Austin

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Current, KUT's collaborator

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on the Austin Signal and a partner

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with KUT newsroom in covering

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the city.

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Andrea, thank you for talking with

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us. Thank you so much for having me.

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The Islamic faith has become a

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talking point among Texas

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politicians, especially as we've

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neared tomorrow's start to early

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00:09:09,140 --> 00:09:11,039
voting in the primaries.

291
00:09:11,040 --> 00:09:12,459
Forrest Wilder of Texas Monthly

292
00:09:12,460 --> 00:09:14,019
wrote about how Republican

293
00:09:14,020 --> 00:09:15,679
candidates are attacking their

294
00:09:15,680 --> 00:09:17,559
opponents by calling them soft

295
00:09:17,560 --> 00:09:19,199
on Islam and pushing their own

296
00:09:19,200 --> 00:09:20,839
hard-line stance.

297
00:09:20,840 --> 00:09:22,519
Texas Standard's David Brown spoke

298
00:09:22,520 --> 00:09:24,339
with Wilder and starts by

299
00:09:24,340 --> 00:09:26,219
underscoring the headline and

300
00:09:26,220 --> 00:09:27,580
subhead to his story.

301
00:09:28,620 --> 00:09:30,479
Inside the Texas GOP's

302
00:09:30,480 --> 00:09:32,499
anti-Muslim campaigning,

303
00:09:32,500 --> 00:09:34,019
with national prospects looking

304
00:09:34,020 --> 00:09:35,659
bleak for Republicans heading into

305
00:09:35,660 --> 00:09:37,479
the midterms, the party has dusted

306
00:09:37,480 --> 00:09:39,979
off an old boogeyman.

307
00:09:39,980 --> 00:09:41,979
Say more about that.

308
00:09:41,980 --> 00:09:43,359
Republicans concerned about what

309
00:09:43,360 --> 00:09:44,479
might happen here in the mid-terms?

310
00:09:45,810 --> 00:09:47,729
Yeah, that's right.

311
00:09:47,730 --> 00:09:49,449
You know, the midterms are never

312
00:09:49,450 --> 00:09:51,669
great for the party

313
00:09:51,670 --> 00:09:53,789
that's the president's,

314
00:09:53,790 --> 00:09:55,509
and also Trump's approval ratings

315
00:09:55,510 --> 00:09:57,329
are dropping, and some of the issues

316
00:09:57,330 --> 00:09:58,949
that were really salient for

317
00:09:58,950 --> 00:10:00,929
bringing Trump back to power

318
00:10:00,930 --> 00:10:02,449
are waning a bit.

319
00:10:02,450 --> 00:10:04,289
You know the border is quiet,

320
00:10:04,290 --> 00:10:05,809
that's thanks to Donald Trump, but

321
00:10:05,810 --> 00:10:07,249
the salience of that issue has

322
00:10:07,250 --> 00:10:09,389
decreased a bit And

323
00:10:09,390 --> 00:10:11,729
some of the panic around

324
00:10:11,730 --> 00:10:14,029
transgender issues has waned.

325
00:10:14,030 --> 00:10:15,609
And so I think it's not a

326
00:10:15,610 --> 00:10:17,529
coincidence that you're seeing

327
00:10:17,530 --> 00:10:19,809
some of these fears about

328
00:10:19,810 --> 00:10:22,029
the so-called Islamification come

329
00:10:22,030 --> 00:10:23,889
back to the fore as a campaign

330
00:10:23,890 --> 00:10:25,769
issue, a flash point

331
00:10:25,770 --> 00:10:27,699
for Republican candidates.

332
00:10:27,700 --> 00:10:29,139
I want to underscore something

333
00:10:29,140 --> 00:10:30,879
because I can remember—this gets to

334
00:10:30,880 --> 00:10:32,699
the boogeyman comment that's

335
00:10:32,700 --> 00:10:34,279
in your story—I can remember when

336
00:10:34,280 --> 00:10:35,679
anti-Islamic rhetoric was a

337
00:10:35,680 --> 00:10:37,039
political talking point in the wake

338
00:10:37,040 --> 00:10:39,039
of 9-11 and for many years

339
00:10:39,040 --> 00:10:39,919
after.

340
00:10:39,920 --> 00:10:41,779
But you know, we're talking about

341
00:10:41,780 --> 00:10:43,439
20 years or more ago.

342
00:10:43,440 --> 00:10:45,219
Why do some politicians in Texas

343
00:10:45,220 --> 00:10:47,439
think Islam has political salience

344
00:10:47,440 --> 00:10:49,869
now in 2026?

345
00:10:49,870 --> 00:10:51,429
Yeah, it is a little strange, right,

346
00:10:51,430 --> 00:10:53,149
because after 9-11, I mean, it's not

347
00:10:53,150 --> 00:10:54,969
hard to figure out why there

348
00:10:54,970 --> 00:10:58,209
would be a panic around

349
00:10:58,210 --> 00:11:00,029
radical Islam in

350
00:11:00,030 --> 00:11:01,389
the wake of 9-Eleven terrorist

351
00:11:01,390 --> 00:11:02,369
attacks.

352
00:11:02,370 --> 00:11:04,449
Now it seems a little stranger,

353
00:11:04,450 --> 00:11:06,389
but I think it has to do, it ties

354
00:11:06,390 --> 00:11:08,389
in with broader fears about

355
00:11:08,390 --> 00:11:09,390
immigration.

356
00:11:10,430 --> 00:11:12,129
The fact of the matter is Muslims in

357
00:11:12,130 --> 00:11:13,989
Texas remain a small

358
00:11:13,990 --> 00:11:15,809
minority group, about 2% of the

359
00:11:15,810 --> 00:11:17,859
state. However,

360
00:11:17,860 --> 00:11:19,179
the percentage is growing,

361
00:11:19,180 --> 00:11:21,079
particularly in certain areas of

362
00:11:21,080 --> 00:11:22,459
North Texas, Dallas, Fort Worth,

363
00:11:22,460 --> 00:11:24,779
Houston, and also in Travis County.

364
00:11:24,780 --> 00:11:26,859
And some of the visibility has

365
00:11:26,860 --> 00:11:28,819
increased. For example, there's

366
00:11:28,820 --> 00:11:30,639
Ismaili Center,

367
00:11:30,640 --> 00:11:33,099
this 150,000 square foot

368
00:11:33,100 --> 00:11:35,139
facility for the Ismailie

369
00:11:35,140 --> 00:11:37,079
Faith that opened in Houston.

370
00:11:37,080 --> 00:11:39,059
Some schools in, for example, Collin

371
00:11:39,060 --> 00:11:41,039
County have, or neighborhoods

372
00:11:41,040 --> 00:11:43,059
have large populations of

373
00:11:43,060 --> 00:11:44,379
South Asian immigrants, many of whom

374
00:11:44,380 --> 00:11:45,299
are Muslim.

375
00:11:45,300 --> 00:11:46,319
And so I think.

376
00:11:46,320 --> 00:11:48,339
For some people, that's scary.

377
00:11:48,340 --> 00:11:49,479
And so you see politicians

378
00:11:49,480 --> 00:11:51,459
capitalizing on that and trying to

379
00:11:51,460 --> 00:11:52,649
get these lots of the polls.

380
00:11:52,650 --> 00:11:54,529
Is there any evidence that this is

381
00:11:54,530 --> 00:11:56,789
messaging that's being orchestrated

382
00:11:56,790 --> 00:11:59,109
in some way by Texas Republicans

383
00:11:59,110 --> 00:12:00,969
or are we talking about

384
00:12:00,970 --> 00:12:02,569
individual candidates seizing on

385
00:12:02,570 --> 00:12:05,749
something that they think could

386
00:12:05,750 --> 00:12:07,239
benefit them?

387
00:12:07,240 --> 00:12:08,539
Well, I don't think it's like

388
00:12:08,540 --> 00:12:09,779
everyone gets in a room and decides

389
00:12:09,780 --> 00:12:11,479
on this. I think it really,

390
00:12:12,640 --> 00:12:14,499
the dynamic is that they

391
00:12:14,500 --> 00:12:16,639
do polling, they figure out where

392
00:12:16,640 --> 00:12:18,299
Republican base voters are.

393
00:12:18,300 --> 00:12:19,239
Cause keep in mind, we have a

394
00:12:19,240 --> 00:12:20,599
Republican primary coming up.

395
00:12:20,600 --> 00:12:22,039
So a lot of this is about the

396
00:12:22,040 --> 00:12:23,919
Republican primary, not necessarily

397
00:12:23,920 --> 00:12:25,159
the general.

398
00:12:25,160 --> 00:12:26,499
And then, you know, everyone gets

399
00:12:26,500 --> 00:12:28,019
the memo, not in a literal sense,

400
00:12:28,020 --> 00:12:29,399
but they all kind of figure out this

401
00:12:29,400 --> 00:12:30,899
is what we're running on this

402
00:12:30,900 --> 00:12:32,879
season. Now, to be fair, some people

403
00:12:32,880 --> 00:12:35,079
have been on the Muslim bashing

404
00:12:35,080 --> 00:12:36,239
kick for a long time.

405
00:12:36,240 --> 00:12:37,639
They're not Johnny Come Lately's

406
00:12:37,640 --> 00:12:38,579
other candidates.

407
00:12:38,580 --> 00:12:39,979
They're a little late to the game,

408
00:12:39,980 --> 00:12:40,959
right? They're just kind of jumping

409
00:12:40,960 --> 00:12:43,079
on the bandwagon now because it's

410
00:12:43,080 --> 00:12:44,079
the thing that might help get them

411
00:12:44,080 --> 00:12:45,080
elected.

412
00:12:45,370 --> 00:12:47,429
Texas has a rather

413
00:12:47,430 --> 00:12:49,529
large and growing Muslim population.

414
00:12:49,530 --> 00:12:51,069
I think the Texas Almanac said it

415
00:12:51,070 --> 00:12:53,569
was something like 400,000

416
00:12:53,570 --> 00:12:54,789
one of the largest that would make

417
00:12:54,790 --> 00:12:56,209
it one of largest Muslim communities

418
00:12:56,210 --> 00:12:57,349
in the u.s.

419
00:12:57,350 --> 00:12:58,829
What about people in those

420
00:12:58,830 --> 00:13:00,689
communities is there any sign this

421
00:13:00,690 --> 00:13:02,689
could backfire against Republicans

422
00:13:02,690 --> 00:13:03,939
in November?

423
00:13:03,940 --> 00:13:05,499
Yeah, it's interesting because, you

424
00:13:05,500 --> 00:13:07,019
know, it looks let's not generalize

425
00:13:07,020 --> 00:13:09,099
too much because Islam

426
00:13:09,100 --> 00:13:10,079
is one of the world's great

427
00:13:10,080 --> 00:13:11,719
religions. It's the practice by two

428
00:13:11,720 --> 00:13:12,499
billion people.

429
00:13:12,500 --> 00:13:15,559
It's a extremely diverse community.

430
00:13:15,560 --> 00:13:17,379
Not all Muslims are

431
00:13:17,380 --> 00:13:18,380
immigrants.

432
00:13:18,980 --> 00:13:20,299
So you don't want to overgeneralize.

433
00:13:20,300 --> 00:13:22,099
However, if you if you, if you take

434
00:13:22,100 --> 00:13:24,019
a broad view, it said it's

435
00:13:24,020 --> 00:13:25,739
a mixed community, community,

436
00:13:25,740 --> 00:13:27,679
politically tending to be

437
00:13:27,680 --> 00:13:28,879
social conservative.

438
00:13:28,880 --> 00:13:30,559
There are many Muslims who are sort

439
00:13:30,560 --> 00:13:32,339
of natural Republicans who vote

440
00:13:32,340 --> 00:13:34,219
Republican and you know the

441
00:13:34,220 --> 00:13:35,959
folks that I talked to are as you

442
00:13:35,960 --> 00:13:37,939
can imagine really upset about this

443
00:13:37,940 --> 00:13:39,559
I won't make any predictions about

444
00:13:39,560 --> 00:13:41,569
what it might do politically But

445
00:13:41,570 --> 00:13:43,509
I think that it's at

446
00:13:43,510 --> 00:13:45,329
a personal level, you know, this

447
00:13:45,330 --> 00:13:47,789
is pretty hurtful rhetoric.

448
00:13:47,790 --> 00:13:49,729
These are folks who were

449
00:13:49,730 --> 00:13:51,649
part of communities who are proud

450
00:13:51,650 --> 00:13:53,529
to be Texans, proud to Americans

451
00:13:53,530 --> 00:13:55,469
who are here for a reason

452
00:13:55,470 --> 00:13:56,869
and feel like they're being attacked

453
00:13:56,870 --> 00:13:58,609
for nothing that they've done other

454
00:13:58,610 --> 00:13:59,869
than their identity and their

455
00:13:59,870 --> 00:14:00,870
existence.

456
00:14:01,740 --> 00:14:03,599
That was Texas Monthly's Forrest

457
00:14:03,600 --> 00:14:05,279
Wilder speaking with Texas Standard

458
00:14:05,280 --> 00:14:06,859
host David Brown.

459
00:14:06,860 --> 00:14:07,739
We're going to have a link to

460
00:14:07,740 --> 00:14:09,999
Wilder's story at kut.org

461
00:14:10,000 --> 00:14:11,579
slash signal.

462
00:14:11,580 --> 00:14:14,199
And in today's podcast, show notes.

463
00:14:14,200 --> 00:14:16,179
We have more Austin Signal coming up

464
00:14:16,180 --> 00:14:17,439
after this break.

465
00:14:17,440 --> 00:14:18,860
We will be right back with you.

466
00:14:29,940 --> 00:14:31,359
This is Austin Signal.

467
00:14:31,360 --> 00:14:32,199
Welcome back.

468
00:14:32,200 --> 00:14:34,119
Valentine's Day has come and gone,

469
00:14:34,120 --> 00:14:36,019
but for some, the real love story

470
00:14:36,020 --> 00:14:38,099
happens all the days in

471
00:14:38,100 --> 00:14:40,079
between. The good, the bad,

472
00:14:40,080 --> 00:14:42,639
and most importantly, the funny.

473
00:14:42,640 --> 00:14:43,939
It's that deeper look that

474
00:14:43,940 --> 00:14:45,439
award-winning filmmaker Holly

475
00:14:45,440 --> 00:14:47,539
Charles Pearson of Austin wanted to

476
00:14:47,540 --> 00:14:49,699
explore up on the big screen.

477
00:14:49,700 --> 00:14:51,899
Her new mockumentary rom-com,

478
00:14:51,900 --> 00:14:54,099
Tying Knots, premieres tomorrow at

479
00:14:54,100 --> 00:14:55,579
the Millennium Youth Entertainment

480
00:14:55,580 --> 00:14:57,359
Complex in East Austin.

481
00:14:57,360 --> 00:14:59,179
She spoke with host Myles

482
00:14:59,180 --> 00:15:00,599
Bloxson about the film.

483
00:15:01,900 --> 00:15:03,999
So this film is a mockumentary,

484
00:15:04,000 --> 00:15:05,919
right? And I have to admit,

485
00:15:05,920 --> 00:15:07,879
I've never even thought about what

486
00:15:07,880 --> 00:15:09,319
that means before.

487
00:15:09,320 --> 00:15:10,739
So for people that might not be

488
00:15:10,740 --> 00:15:12,979
familiar, what is a Mockumentary and

489
00:15:12,980 --> 00:15:14,899
why was that the format that

490
00:15:14,900 --> 00:15:16,139
you decided to choose for this

491
00:15:16,140 --> 00:15:17,219
particular project?

492
00:15:17,220 --> 00:15:18,579
That's a great question.

493
00:15:18,580 --> 00:15:20,239
And so when you think about mocking

494
00:15:20,240 --> 00:15:22,219
something, but also a documentary,

495
00:15:22,220 --> 00:15:24,059
it's this mashup of the two worlds

496
00:15:24,060 --> 00:15:25,799
that we love. We love narrative

497
00:15:25,800 --> 00:15:28,119
action, like we love film,

498
00:15:28,120 --> 00:15:29,919
we love cinema, but we also really

499
00:15:29,920 --> 00:15:31,719
have the guilty pleasure of loving

500
00:15:31,720 --> 00:15:34,059
reality TV and being able to

501
00:15:34,060 --> 00:15:35,999
listen to the confessionals and

502
00:15:36,000 --> 00:15:36,859
hear what people were really

503
00:15:36,860 --> 00:15:37,879
thinking in the moment.

504
00:15:37,880 --> 00:15:39,779
And sometimes to me,

505
00:15:39,780 --> 00:15:41,319
it's funnier what's setting in a

506
00:15:41,320 --> 00:15:42,359
confessional when people are being

507
00:15:42,360 --> 00:15:43,309
Honest?

508
00:15:43,310 --> 00:15:44,929
Than it is actually watching the

509
00:15:44,930 --> 00:15:46,189
action. And so I thought, man, this

510
00:15:46,190 --> 00:15:47,409
is a way to add some texture.

511
00:15:47,410 --> 00:15:48,749
That is so true.

512
00:15:48,750 --> 00:15:50,649
I have to say, like, yes, I do get

513
00:15:50,650 --> 00:15:52,689
a little bit of reality here and

514
00:15:52,690 --> 00:15:54,589
there. How did the idea

515
00:15:54,590 --> 00:15:56,569
for this short film come to you?

516
00:15:56,570 --> 00:15:58,629
Like, was this any, like

517
00:15:58,630 --> 00:16:00,369
real life inspiration possibly

518
00:16:00,370 --> 00:16:01,789
behind this?

519
00:16:01,790 --> 00:16:03,829
I owe my husband

520
00:16:03,830 --> 00:16:06,909
a whole lot of money coming

521
00:16:06,910 --> 00:16:08,589
up with a lot of these ideas.

522
00:16:08,590 --> 00:16:10,589
I was a

523
00:16:10,590 --> 00:16:11,769
later bride.

524
00:16:11,770 --> 00:16:13,369
I was the late bloomer in that

525
00:16:13,370 --> 00:16:15,349
department. We got married right

526
00:16:15,350 --> 00:16:17,369
before I turned 40 years old,

527
00:16:17,370 --> 00:16:18,789
and so that means I was very

528
00:16:18,790 --> 00:16:20,729
established. I was set in my ways,

529
00:16:20,730 --> 00:16:21,749
as was he.

530
00:16:21,750 --> 00:16:24,309
And so there's

531
00:16:24,310 --> 00:16:26,429
just, there's some hilarity and

532
00:16:26,430 --> 00:16:27,559
some levity.

533
00:16:27,560 --> 00:16:29,459
And just a whole lot of

534
00:16:29,460 --> 00:16:30,779
good stuff to write about when you

535
00:16:30,780 --> 00:16:32,699
think about folks over the age of

536
00:16:32,700 --> 00:16:34,999
40 trying to, I

537
00:16:35,000 --> 00:16:36,939
guess, merge their lives together.

538
00:16:36,940 --> 00:16:38,939
And so I thought, man, this reminds

539
00:16:38,940 --> 00:16:41,539
me so much of traditional sitcoms,

540
00:16:41,540 --> 00:16:42,919
where there's always, week to week,

541
00:16:42,920 --> 00:16:44,239
there's some sort of situational

542
00:16:44,240 --> 00:16:45,959
drama or comedy.

543
00:16:45,960 --> 00:16:47,479
And what drew you to create a film

544
00:16:47,480 --> 00:16:48,109
that centered

545
00:16:48,110 --> 00:16:50,029
Black love how important

546
00:16:50,030 --> 00:16:50,939
is that?

547
00:16:50,940 --> 00:16:52,759
You know, I think that we've gotten

548
00:16:52,760 --> 00:16:55,219
really, really used to

549
00:16:55,220 --> 00:16:57,379
centering black

550
00:16:57,380 --> 00:16:58,499
trauma.

551
00:16:58,500 --> 00:16:59,959
You know all of this, what some

552
00:16:59,960 --> 00:17:01,279
people will call like this trauma

553
00:17:01,280 --> 00:17:03,499
porn, drama born thing

554
00:17:03,500 --> 00:17:04,999
when it comes to black love and

555
00:17:05,000 --> 00:17:06,078
black life and what social

556
00:17:06,079 --> 00:17:07,739
oppression has actually done to the

557
00:17:07,740 --> 00:17:08,838
black family. We think about

558
00:17:08,839 --> 00:17:10,139
disenfranchisement and all these

559
00:17:10,140 --> 00:17:11,979
things. But studies are showing

560
00:17:11,980 --> 00:17:13,338
that we're getting married, we're

561
00:17:13,339 --> 00:17:15,098
staying married, and we just so

562
00:17:15,099 --> 00:17:16,139
happen to be doing it a little bit

563
00:17:16,140 --> 00:17:17,559
later in life. So I thought it was

564
00:17:17,560 --> 00:17:19,118
super important to show some

565
00:17:19,119 --> 00:17:20,608
positive images.

566
00:17:20,609 --> 00:17:22,269
Love and people working things out

567
00:17:22,270 --> 00:17:23,509
in a way that doesn't have to be

568
00:17:23,510 --> 00:17:24,509
dramatic. It can actually be

569
00:17:24,510 --> 00:17:25,169
hilarious.

570
00:17:25,170 --> 00:17:26,449
That's very true.

571
00:17:26,450 --> 00:17:28,088
And in the film, you also touch on

572
00:17:28,089 --> 00:17:29,789
beauty standards within the black

573
00:17:29,790 --> 00:17:31,729
community. What made that an element

574
00:17:31,730 --> 00:17:33,489
you wanted to explore?

575
00:17:33,490 --> 00:17:35,429
I'll say this, the story is

576
00:17:35,430 --> 00:17:37,029
told, I'm a black woman, so of

577
00:17:37,030 --> 00:17:38,309
course I'm telling it specifically

578
00:17:38,310 --> 00:17:39,989
from my point of view.

579
00:17:39,990 --> 00:17:41,349
Yes, it's about beauty standards,

580
00:17:41,350 --> 00:17:43,289
it's how a

581
00:17:43,290 --> 00:17:44,469
black women has to go out into the

582
00:17:44,470 --> 00:17:45,889
world to be accepted and wanting to

583
00:17:45,890 --> 00:17:48,149
be more accepted at home.

584
00:17:48,150 --> 00:17:50,009
But I think that any person

585
00:17:50,010 --> 00:17:51,669
who's ever been in love can relate

586
00:17:51,670 --> 00:17:52,979
to the fact that.

587
00:17:52,980 --> 00:17:54,939
Once it gets real, once you're

588
00:17:54,940 --> 00:17:55,959
at home, there are these

589
00:17:55,960 --> 00:17:57,299
expectations that we kinda gotta

590
00:17:57,300 --> 00:17:58,599
throw out the window.

591
00:17:58,600 --> 00:18:00,319
And I might need to slide that CPAP

592
00:18:00,320 --> 00:18:01,699
machine on and you're gonna, you

593
00:18:01,700 --> 00:18:02,979
know, sometimes you're going to feel

594
00:18:02,980 --> 00:18:04,879
a few prickly hairs on my legs and

595
00:18:04,880 --> 00:18:06,519
there's just a time for me to say,

596
00:18:06,520 --> 00:18:08,619
hey, this is all of me and I can't

597
00:18:08,620 --> 00:18:10,139
present the fantasy all the time.

598
00:18:10,140 --> 00:18:12,159
And so we just so happen to see that

599
00:18:12,160 --> 00:18:14,479
with this black couple who

600
00:18:14,480 --> 00:18:16,359
starts off their marriage and he is

601
00:18:16,360 --> 00:18:17,999
used to seeing his woman's hair a

602
00:18:18,000 --> 00:18:19,279
certain way, we'll say that without

603
00:18:19,280 --> 00:18:20,559
ruining the full plot.

604
00:18:21,650 --> 00:18:23,089
That's so real, and that's so

605
00:18:23,090 --> 00:18:24,569
important. I've been talking with

606
00:18:24,570 --> 00:18:26,409
filmmaker, director, and creator

607
00:18:26,410 --> 00:18:28,249
of the mockumentary tying knots,

608
00:18:28,250 --> 00:18:29,829
Holly Charles Pearson, about her

609
00:18:29,830 --> 00:18:32,029
upcoming event on February 17th

610
00:18:32,030 --> 00:18:32,989
at the Millennium Youth

611
00:18:32,990 --> 00:18:34,489
Entertainment Complex.

612
00:18:34,490 --> 00:18:36,169
You have an incredible cast in this

613
00:18:36,170 --> 00:18:37,669
film. I have to say that.

614
00:18:37,670 --> 00:18:39,609
And casting couples, I'm sure that's

615
00:18:39,610 --> 00:18:41,449
not easy, but the couple

616
00:18:41,450 --> 00:18:43,529
you chose has such

617
00:18:43,530 --> 00:18:45,309
a natural chemistry.

618
00:18:45,310 --> 00:18:46,909
So can you tell us about your

619
00:18:46,910 --> 00:18:47,809
casting process?

620
00:18:47,810 --> 00:18:48,479
Yeah!

621
00:18:48,480 --> 00:18:50,459
And let me say this, I

622
00:18:50,460 --> 00:18:52,119
do think that I was just really,

623
00:18:52,120 --> 00:18:53,739
really lucky. We were really, really

624
00:18:53,740 --> 00:18:55,579
blessed I was

625
00:18:55,580 --> 00:18:56,779
having this conversation with a

626
00:18:56,780 --> 00:18:58,199
friend the other day about how

627
00:18:58,200 --> 00:19:00,219
difficult it is when you watch the

628
00:19:00,220 --> 00:19:01,979
pilot of your favorite show.

629
00:19:01,980 --> 00:19:04,259
Typically the first few episodes

630
00:19:04,260 --> 00:19:05,859
are a little wonky and people are

631
00:19:05,860 --> 00:19:07,579
trying to find their place.

632
00:19:07,580 --> 00:19:09,839
And so I was

633
00:19:09,840 --> 00:19:11,759
concerned, as any writer would

634
00:19:11,760 --> 00:19:13,579
be, that how is this couple

635
00:19:13,580 --> 00:19:15,059
not only gonna be hilarious and find

636
00:19:15,060 --> 00:19:16,639
their comedic timing, but are they

637
00:19:16,640 --> 00:19:18,199
gonna look like they're in love?

638
00:19:18,200 --> 00:19:20,199
And so I really have to tip my

639
00:19:20,200 --> 00:19:22,019
hat to Crystal Lester and

640
00:19:22,020 --> 00:19:23,919
Brandon Goss for just being really

641
00:19:23,920 --> 00:19:24,859
amazing.

642
00:19:24,860 --> 00:19:26,859
We also, not only were

643
00:19:26,860 --> 00:19:28,539
they super talented, but we decided

644
00:19:28,540 --> 00:19:30,379
to be intentional about how

645
00:19:30,380 --> 00:19:31,539
we rehearsed and getting them

646
00:19:31,540 --> 00:19:33,279
comfortable with each other's bodies

647
00:19:33,280 --> 00:19:34,359
and all of these different things,

648
00:19:34,360 --> 00:19:36,219
not just because there was

649
00:19:36,220 --> 00:19:37,859
a lot of slapstick comedy and

650
00:19:37,860 --> 00:19:39,699
physical comedy, but also

651
00:19:39,700 --> 00:19:40,639
because I wanted them to look

652
00:19:40,640 --> 00:19:42,259
natural being able to hug each other

653
00:19:42,260 --> 00:19:43,499
and love one another. It was really,

654
00:19:43,500 --> 00:19:44,599
really important that they were

655
00:19:44,600 --> 00:19:46,369
believable. And aspirational so that

656
00:19:46,370 --> 00:19:48,489
we could laugh at ourselves on

657
00:19:48,490 --> 00:19:50,039
screen. And I didn't mention this.

658
00:19:50,040 --> 00:19:51,299
Earlier, but I had the opportunity

659
00:19:51,300 --> 00:19:52,079
to see the film.

660
00:19:52,080 --> 00:19:53,359
That's clearly how I know that there

661
00:19:53,360 --> 00:19:54,659
was chemistry there, right?

662
00:19:54,660 --> 00:19:55,719
A lot of chemistry.

663
00:19:55,720 --> 00:19:56,919
Yeah, and it was perfect.

664
00:19:56,920 --> 00:19:57,920
Perfect editing,

665
00:19:59,040 --> 00:20:01,159
like just comedy timing was

666
00:20:01,160 --> 00:20:02,659
perfect as well.

667
00:20:02,660 --> 00:20:04,379
Yeah. So what challenges did you

668
00:20:04,380 --> 00:20:06,929
face while making this film, if any?

669
00:20:06,930 --> 00:20:09,009
So, I'll say this, there's

670
00:20:09,010 --> 00:20:10,849
the challenge, the

671
00:20:10,850 --> 00:20:12,609
common challenge that independent

672
00:20:12,610 --> 00:20:14,249
filmmakers have, right, just

673
00:20:14,250 --> 00:20:16,569
independent music, you know,

674
00:20:16,570 --> 00:20:18,689
a musician's, I mean, it's funding.

675
00:20:18,690 --> 00:20:20,529
But I'll this, I think there is

676
00:20:20,530 --> 00:20:21,849
a way to be respectful of your

677
00:20:21,850 --> 00:20:23,429
audience and not cut corners that

678
00:20:23,430 --> 00:20:25,389
are going to impact the quality of

679
00:20:25,390 --> 00:20:26,669
what you shoot.

680
00:20:26,670 --> 00:20:28,609
And so, what we had to do was

681
00:20:28,610 --> 00:20:30,489
just, we had do a lot

682
00:20:30,490 --> 00:20:32,329
of really strategic planning to make

683
00:20:32,330 --> 00:20:33,409
sure that.

684
00:20:33,410 --> 00:20:34,869
When folks see it, it doesn't look

685
00:20:34,870 --> 00:20:36,849
low budget, even if what we had

686
00:20:36,850 --> 00:20:38,669
to work with was a smaller budget

687
00:20:38,670 --> 00:20:39,969
than what we would have liked.

688
00:20:39,970 --> 00:20:42,249
And so it really was about inviting

689
00:20:42,250 --> 00:20:43,609
folks in to make sure that we're

690
00:20:43,610 --> 00:20:44,829
blocking, making sure that they're

691
00:20:44,830 --> 00:20:46,689
comfortable. And so a lot of that

692
00:20:46,690 --> 00:20:48,729
was flying in our talent from LA

693
00:20:48,730 --> 00:20:50,609
and it was spending a full

694
00:20:50,610 --> 00:20:52,449
eight hours on a

695
00:20:52,450 --> 00:20:54,149
20 page script.

696
00:20:54,150 --> 00:20:55,669
It was just making sure that by the

697
00:20:55,670 --> 00:20:57,509
time we shot and we're spending

698
00:20:57,510 --> 00:20:59,169
money, that we could get things

699
00:20:59,170 --> 00:21:01,189
done. We did it in over a weekend.

700
00:21:01,190 --> 00:21:03,459
We probably had about 13 hours.

701
00:21:03,460 --> 00:21:05,439
Total in our space,

702
00:21:05,440 --> 00:21:06,539
which is unheard of.

703
00:21:06,540 --> 00:21:07,439
That's impressive.

704
00:21:07,440 --> 00:21:09,099
It's impressive, but it was like

705
00:21:09,100 --> 00:21:10,079
theater and I do have a theater

706
00:21:10,080 --> 00:21:12,199
background, so I've directed several

707
00:21:12,200 --> 00:21:13,859
stage plays, written and directed.

708
00:21:13,860 --> 00:21:15,679
And so I'm so used to rehearsing

709
00:21:15,680 --> 00:21:17,279
over and over and over so that it

710
00:21:17,280 --> 00:21:19,099
becomes a part of your body and

711
00:21:19,100 --> 00:21:20,799
so it feels very fluid and movement.

712
00:21:20,800 --> 00:21:22,839
And so that way, once we get on set,

713
00:21:22,840 --> 00:21:24,719
you're not searching for anything,

714
00:21:24,720 --> 00:21:26,499
except for a new way to maybe

715
00:21:26,500 --> 00:21:27,879
deliver the line that you're already

716
00:21:27,880 --> 00:21:29,359
comfortable with. So a lot of it had

717
00:21:29,360 --> 00:21:30,639
to do with planning and so I would

718
00:21:30,640 --> 00:21:32,219
encourage anyone doing anything

719
00:21:32,220 --> 00:21:33,209
independently.

720
00:21:33,210 --> 00:21:35,289
To rehearse, rehearse rehearse and

721
00:21:35,290 --> 00:21:37,469
have a plan A through Z and

722
00:21:37,470 --> 00:21:38,749
that's exactly what we did.

723
00:21:38,750 --> 00:21:40,029
And so we were able to save money

724
00:21:40,030 --> 00:21:41,749
that way. But that was a challenge

725
00:21:41,750 --> 00:21:43,829
that I think actually forced us into

726
00:21:43,830 --> 00:21:45,149
better planning.

727
00:21:45,150 --> 00:21:46,039
I love that for you.

728
00:21:46,040 --> 00:21:47,239
And you're a planner, so.

729
00:21:47,240 --> 00:21:48,029
That's great.

730
00:21:48,030 --> 00:21:49,289
Planner.

731
00:21:49,290 --> 00:21:50,989
And your event is coming up on

732
00:21:50,990 --> 00:21:53,009
February 17th, but it's not a

733
00:21:53,010 --> 00:21:54,469
typical film screening.

734
00:21:54,470 --> 00:21:56,209
So what can people actually expect

735
00:21:56,210 --> 00:21:57,719
if they attend the event?

736
00:21:57,720 --> 00:21:59,839
Yeah, no, I love having

737
00:21:59,840 --> 00:22:01,279
fully immersive events.

738
00:22:01,280 --> 00:22:03,359
I want you to come and watch

739
00:22:03,360 --> 00:22:05,179
a film and then have something to

740
00:22:05,180 --> 00:22:07,179
chew on, something to talk about.

741
00:22:07,180 --> 00:22:08,959
And so first of all, we're being

742
00:22:08,960 --> 00:22:10,319
hosted. We're co-hosted by the

743
00:22:10,320 --> 00:22:12,459
National Black NBA Association

744
00:22:12,460 --> 00:22:14,239
of Austin, also the National Society

745
00:22:14,240 --> 00:22:15,179
of Black Engineers.

746
00:22:15,180 --> 00:22:16,879
They are joining us as co- hosts.

747
00:22:16,880 --> 00:22:18,459
They're having a VIP opening

748
00:22:18,460 --> 00:22:19,719
reception where they're networking

749
00:22:19,720 --> 00:22:20,999
and having food, and then they're

750
00:22:21,000 --> 00:22:22,759
gonna have a night at the theater.

751
00:22:22,760 --> 00:22:23,760
We're also...

752
00:22:24,500 --> 00:22:26,699
Being supported and partnering with

753
00:22:26,700 --> 00:22:28,519
Water Your Plants, which is

754
00:22:28,520 --> 00:22:30,519
a group of curators of intentional

755
00:22:30,520 --> 00:22:31,659
events and they thought this was

756
00:22:31,660 --> 00:22:33,539
great because ultimately we're going

757
00:22:33,540 --> 00:22:35,359
to watch this film but then have

758
00:22:35,360 --> 00:22:37,379
an opportunity, right, during the

759
00:22:37,380 --> 00:22:38,939
centennial Black History Month

760
00:22:38,940 --> 00:22:41,199
because this year is our 100th

761
00:22:41,200 --> 00:22:43,399
year and right after Valentine's

762
00:22:43,400 --> 00:22:44,959
Day to say, hey, let's talk about

763
00:22:44,960 --> 00:22:46,439
love and very specifically black

764
00:22:46,440 --> 00:22:47,839
love. And so we're gonna play the

765
00:22:47,840 --> 00:22:49,759
newlywed game, we're gotta have some

766
00:22:49,760 --> 00:22:52,039
rom-com, black movie trivia,

767
00:22:52,040 --> 00:22:53,719
we're do all of those things.

768
00:22:53,720 --> 00:22:55,459
And finally, where can people go to

769
00:22:55,460 --> 00:22:57,059
learn more about the film and the

770
00:22:57,060 --> 00:22:57,939
event?

771
00:22:57,940 --> 00:23:00,279
On Instagram at tyingknotsfilm,

772
00:23:00,280 --> 00:23:01,639
where you can learn more about the

773
00:23:01,640 --> 00:23:02,879
screening and where we'll be after

774
00:23:02,880 --> 00:23:03,880
this.

775
00:23:04,290 --> 00:23:06,489
That was award-winning filmmaker

776
00:23:06,490 --> 00:23:08,389
Holly Charles Pearson of

777
00:23:08,390 --> 00:23:10,409
Austin. She was talking with Miles

778
00:23:10,410 --> 00:23:12,289
Bloxson about her new film, a

779
00:23:12,290 --> 00:23:14,369
mockumentary romantic comedy called

780
00:23:14,370 --> 00:23:15,409
Tying Knots.

781
00:23:15,410 --> 00:23:17,569
Again, it premieres tomorrow at

782
00:23:17,570 --> 00:23:18,909
the Millennium Youth Entertainment

783
00:23:18,910 --> 00:23:20,529
Complex in East Austin.

784
00:23:20,530 --> 00:23:22,169
We're going to have a link with more

785
00:23:22,170 --> 00:23:24,449
information at kut.org

786
00:23:24,450 --> 00:23:26,449
slash signal and in

787
00:23:26,450 --> 00:23:28,369
today's podcast, Show Notes.

788
00:23:28,370 --> 00:23:30,489
And that is it for today's.

789
00:23:30,490 --> 00:23:32,409
Show. Thanks for starting the Monday

790
00:23:32,410 --> 00:23:34,609
here with us on Austin Signal.

791
00:23:34,610 --> 00:23:36,529
We will be here with you every

792
00:23:36,530 --> 00:23:38,769
weekday at 1 o'clock.

793
00:23:38,770 --> 00:23:40,729
Thank you to Kristen Cabrera and

794
00:23:40,730 --> 00:23:42,669
Rayna Sevilla for their help with

795
00:23:42,670 --> 00:23:44,169
today's episode.

796
00:23:44,170 --> 00:23:45,649
And I'm your host Jerry Kehannel.

797
00:23:45,650 --> 00:23:47,209
Thank you for spending some time

798
00:23:47,210 --> 00:23:49,349
here with. We'll talk to you

799
00:23:49,350 --> 00:23:50,350
tomorrow.

