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The forecast continues to evolve

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as an arctic cold front heads toward

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the Austin area this weekend.

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Temperatures are forecast to remain

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below freezing starting Saturday

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night here in Central Texas, and

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they could stay that way through

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Monday.

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The latest forecasts and updates

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from city officials, that's coming

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up on today's show.

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The Austin Signal is a production

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of KUT News, hosted by

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Jerry Quijano.

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Austin Community College's free

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tuition pilot program ballooned to

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nearly 10,000 students this

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academic year.

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The students who are being impacted

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and the things that they're learning

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about.

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And Huston Tillotson University's

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Jazz Orchestra is among the top

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bands in the country.

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We'll hear about their competition

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last weekend in New York.

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Plus photojournalism collides with

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original songwriting in the new

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project, Witness.

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We have more about that coming up

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on Austin Signal.

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Howdy, it's Austin Signal.

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Thank you for making us part of

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your Friday.

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Let's get right into it because we

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have a lot to share with you.

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A massive Arctic front is bearing

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down on central Texas.

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The National Weather Service expects

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it could bring freezing temperatures

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to Austin through maybe Tuesday

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with a chance of freezing rain or

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sleet. At a news conference today,

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Austin Mayor Kirk Watson's message

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was simple.

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Winter is here.

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KUT's Andrew Weber has been covering

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the storm And this week he has more

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about preparations.

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The days-long blast of cold air

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is expected to bring some freezing

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rain or sleet to Austin sometime

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Saturday, likely in the afternoon.

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That Arctic blast could coat

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Austin's roads in a fine glaze

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of ice, and it could weigh

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down the city's dense tree canopy,

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presenting the risk of power outages

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if limbs tumble down onto power

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lines like they did in 2023.

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Travis County Judge Andy Brown

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issued a disaster declaration today

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ahead of the front.

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At a news conference this morning,

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he was joined by Mayor Watson.

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Who had a simple request.

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If you don't need to be out over

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the weekend, please don't

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be out, don't be on the streets

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and get your home

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ready.

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Watson Brown and other officials

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urged Austinites and Central Texans

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to have a plan.

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Jason Runyon with the National

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Weather Service said this

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dangerously cold weather system

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could bring up to a quarter inch of

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ice accumulation starting Saturday

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when freezing rain and sleet are

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expected to hit the hill country.

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Runyon added that the forecast is

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changing.

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He urges residents to keep up

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to date on the forecast.

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This forecast is still evolving,

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even over the next 24 to 36 hours.

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While our confidence is increasing

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on the overall impacts,

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fluctuations in the ICE forecast are

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still possible and likely.

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While ERCOT, the state's electrical

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grid operator, says it does not

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anticipate large-scale power

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outages, the local concern about

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Austin Energy's grid is very

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real. Ice weighed down tree limbs

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across the city in 2023,

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causing outages for hundreds of

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thousands of Austinites for days.

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General Manager Stuart Riley said

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the city-owned utility has spent the

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years since retooling and improving

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its responses to winter weather.

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Austin Energy is fully staffed and

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is prepared to reach out to other

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utilities

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need be.

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Austin Energy over the past few

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years has done a great deal to

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prepare for storms,

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in particular to prepare for winter

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storms like what we're facing right

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now. Our crews are ready, our

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staffing plans are in place, so we

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are the most prepared that we have

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ever been for a winter storm.

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Watson and others advised Austinites

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to have a plan in place in case the

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power goes out, check on your

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neighbors, and make sure you have

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enough food and water ahead of the

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front. I'm Andrew Weber in Austin.

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As conversations about the costs

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of higher education continue,

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community colleges have seen a small

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percentage increase in enrollment.

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Now this is true for Austin

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Community College as well,

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but another factor is ACC's

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free tuition pilot program.

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It launched in the fall of 2024 and

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a year later saw double

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the number of participants.

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For more about this story, we're

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speaking with KUT's Greta

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Diaz-Gonzalez-Vasquez.

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Thanks for coming on Austin Signal.

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Hi Jerry, thank you for having me.

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Yeah, so remind us, what

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is this free pilot program?

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I'm assuming it's free tuition, but

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what is the goal behind this?

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Yes, that's right.

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So it's free tuition and no fees

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for students who graduated

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after July 2023

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in the ACC service

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area or students who got their GED

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after that date, also students who

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were homeschooled.

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And the idea is that more students

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can access college education

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because we all know that is very

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expensive.

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And was there a reason why they

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wanted to start this program?

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It was just, I'm guessing, to

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increase enrollment, to increase

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education among the community.

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What was the reason they wanted to

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start it in the first place?

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Yeah, so back in 2024, when

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the pilot program was approved, ACC

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officials said that at least

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12,000 Central Texas

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high school graduates were not

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going into college.

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So they hadn't enrolled to college

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after graduating.

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And so they wanted to bring that

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number down, make sure that people

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had access to

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college, but not only that, that

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they would be able to enroll and

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also stay in college because maybe

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you can do the first year, but then,

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you know, the budget

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changes.

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Yeah, right.

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It changes, things change as we hear
on

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the radio, you know, things are

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always changing.

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Different factors are impacting

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people's ability to do anything and

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everything here in Austin and across

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the country.

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So I know that you've spoken with

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folks at ACC.

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So first off, I wanted to ask you,

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what are the kinds, who are the kind

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of students that are benefiting from

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this program so far.

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Right, yeah, I spoke to Jenna

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Kulinane-Hagee and she is

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the Vice Chancellor of Institutional

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Research and Analytics and she

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was telling me that they did

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interviews with students who have

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benefited from this program and she

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said there are three main groups

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that have benefited from this.

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The first is students who thought

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they wouldn't go to college because

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they couldn't afford to go to

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College.

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Second is students, who thought well

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maybe I can wait a couple of work

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a little bit, save money, and then

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go to college.

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Uh, studies find that those students

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rarely go to college.

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And the third group was students who

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plan on getting a certificate and

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then jumping into the workforce.

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They now can go to and

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get an associate or even a

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bachelor's degree.

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Now I mentioned at the top that this

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program has doubled in size, this

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current academic year is featuring

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about nearly 10,000 students

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who are benefiting from this

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program.

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What were the numbers in the first

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year and how much of that might be

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a little bit of a crossover?

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Yeah that's right the first year it

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was around 5 000 students but then

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you know that not all of them will

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come back

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These are not all unique students,

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right?

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Right. But then they also realized

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that a lot of those students were

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coming back.

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The rate of students that would come

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back every semester would

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also increase because students can

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stay in college.

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And then this year with the two

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cohorts is almost 10,000 students.

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OK.

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What kinds of programs are these

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students learning about?

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What kind of classes are they

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taking?

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You know, they said that they are

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taking all kinds of classes, but

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there were three programs that ACC

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saw an increase on enrollment

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this year.

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And they're mainly workforce-aligned

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programs or health-related programs.

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And so it was advanced

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manufacturing, skilled trades,

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and health sciences.

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Those three programs saw at least

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a 17% increase in

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enrollment. And I have to

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say ACC saw a 7%

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increase, And that would be.

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Around 41,000 students.

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And out of all these students, out

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of that 41,024 are

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part of this pilot program according

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to our math.

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Okay, according to your math, okay,

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excellent. Well, we have more about

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this story over at KUT.org.

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Greta Diaz-Gonzalez Vasquez

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is a morning edition producer here

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at KUt, but you will be hearing more

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of her here on Austin Signal,

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KUT's education reporter,

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Greta Dias-Gonsalez-Vasquez.

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Thanks for coming on the show, we

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appreciate you.

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Thank you, Jerry.

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Huston-Tillotson University's Jazz

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Orchestra is among the top

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bands in the country after their

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finish at the National Collegiate

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Jazz Competition in New York last

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weekend.

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As KUT's Katy McAfee reports,

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Huston- Tillotson was the smallest

288
00:08:30,990 --> 00:08:32,849
school selected to perform and

289
00:08:32,850 --> 00:08:34,729
the only all undergraduate

290
00:08:34,730 --> 00:08:35,730
band.

291
00:08:36,629 --> 00:08:37,908
Huston Tillotson's jazz program

292
00:08:37,909 --> 00:08:39,889
didn't exist until about four years

293
00:08:39,890 --> 00:08:40,709
ago.

294
00:08:40,710 --> 00:08:42,389
That's when Jeremy George rolled the

295
00:08:42,390 --> 00:08:44,089
dice and left his job teaching music

296
00:08:44,090 --> 00:08:45,409
at the high school level in Florida

297
00:08:45,410 --> 00:08:47,189
to develop the university's jazz

298
00:08:47,190 --> 00:08:48,190
programs.

299
00:08:48,689 --> 00:08:50,569
Before I moved here and

300
00:08:50,570 --> 00:08:51,789
took this job, I didn't know

301
00:08:51,790 --> 00:08:53,189
anything about Huston-Tillerson

302
00:08:53,190 --> 00:08:54,369
University.

303
00:08:54,370 --> 00:08:56,389
You know, I was over in Florida,

304
00:08:56,390 --> 00:08:57,549
like, working at Huston- Tillerson,

305
00:08:57,550 --> 00:08:59,089
this job opening, where?

306
00:08:59,090 --> 00:08:59,849
Where is it?

307
00:08:59,850 --> 00:09:01,809
George says once he got to Austin,

308
00:09:01,810 --> 00:09:04,069
he realized even people in Austin

309
00:09:04,070 --> 00:09:06,089
haven't heard of Huston Tillotson.

310
00:09:06,090 --> 00:09:07,689
But within four years, his students

311
00:09:07,690 --> 00:09:09,649
were on stage at Austin city limits

312
00:09:09,650 --> 00:09:11,529
and playing next to Wynton Marsalis

313
00:09:11,530 --> 00:09:12,969
at a residency in Virginia.

314
00:09:17,310 --> 00:09:19,729
Still, George felt like his band,

315
00:09:19,730 --> 00:09:21,109
only a few years old and with

316
00:09:21,110 --> 00:09:23,009
limited funding, was kind of an

317
00:09:23,010 --> 00:09:24,109
underdog.

318
00:09:24,110 --> 00:09:25,669
Being selected to perform at the

319
00:09:25,670 --> 00:09:27,429
National Collegiate Jazz Competition

320
00:09:27,430 --> 00:09:29,089
was a stretch.

321
00:09:29,090 --> 00:09:30,949
Until September, when George

322
00:09:30,950 --> 00:09:31,939
got an email.

323
00:09:31,940 --> 00:09:33,279
I looked at it and I closed my

324
00:09:33,280 --> 00:09:34,899
phone. I was like, this can't be

325
00:09:34,900 --> 00:09:35,900
what I read.

326
00:09:37,050 --> 00:09:38,889
Only 10 schools are selected to play

327
00:09:38,890 --> 00:09:40,249
at nationals each year.

328
00:09:40,250 --> 00:09:42,249
That's out of hundreds of programs,

329
00:09:42,250 --> 00:09:43,949
many with 20 plus years of

330
00:09:43,950 --> 00:09:45,649
performances behind them.

331
00:09:45,650 --> 00:09:47,349
Huston Tillotson was one of just two

332
00:09:47,350 --> 00:09:48,809
schools from Texas selected to

333
00:09:48,810 --> 00:09:51,509
perform, the other being UT.

334
00:09:51,510 --> 00:09:53,429
The competition goes like this.

335
00:09:53,430 --> 00:09:55,569
Each band plays three songs.

336
00:09:55,570 --> 00:09:57,169
Two of them have to be from Duke

337
00:09:57,170 --> 00:09:58,309
Ellington's library.

338
00:10:02,150 --> 00:10:03,629
And if you're not familiar,

339
00:10:03,630 --> 00:10:05,369
Ellington is widely considered one

340
00:10:05,370 --> 00:10:07,189
of the greatest American composers

341
00:10:07,190 --> 00:10:08,809
of all time.

342
00:10:08,810 --> 00:10:10,169
The third tune can be a student

343
00:10:10,170 --> 00:10:12,049
arrangement or a piece from the Jazz

344
00:10:12,050 --> 00:10:13,869
at Lincoln Center Library.

345
00:10:13,870 --> 00:10:15,449
That adds up to a performance that

346
00:10:15,450 --> 00:10:17,709
lasts about 18 minutes.

347
00:10:17,710 --> 00:10:19,529
George and the band practiced those

348
00:10:19,530 --> 00:10:21,349
18 minutes for more than four

349
00:10:21,350 --> 00:10:22,689
months.

350
00:10:22,690 --> 00:10:24,069
Dorian Verner is a third year

351
00:10:24,070 --> 00:10:25,449
percussion student.

352
00:10:25,450 --> 00:10:27,109
He says he had his eye on this

353
00:10:27,110 --> 00:10:28,989
competition for years and

354
00:10:28,990 --> 00:10:30,489
rehearsing for it felt like getting

355
00:10:30,490 --> 00:10:31,659
ready for battle.

356
00:10:31,660 --> 00:10:33,579
That was my mindset going into it

357
00:10:33,580 --> 00:10:35,619
the whole time, because

358
00:10:35,620 --> 00:10:37,679
we were about to be in front of

359
00:10:37,680 --> 00:10:40,019
the biggest jazz schools in

360
00:10:40,020 --> 00:10:41,020
the nation,

361
00:10:41,980 --> 00:10:43,539
and coming from Austin, Texas all

362
00:10:43,540 --> 00:10:45,459
the way to New York, like one of

363
00:10:45,460 --> 00:10:47,559
the big jazz cities in the world.

364
00:10:47,560 --> 00:10:49,359
But when competition day came,

365
00:10:49,360 --> 00:10:51,439
George says he told his students to

366
00:10:51,440 --> 00:10:54,099
focus, not on the audience,

367
00:10:54,100 --> 00:10:55,359
not about the fact that they're

368
00:10:55,360 --> 00:10:57,279
playing in New York, focus

369
00:10:57,280 --> 00:10:59,039
on the music.

370
00:10:59,040 --> 00:11:01,039
We blocked the world out, and

371
00:11:01,040 --> 00:11:02,959
it was all about us in

372
00:11:02,960 --> 00:11:03,859
that moment.

373
00:11:03,860 --> 00:11:05,319
As soon as I say it, one, two,

374
00:11:05,320 --> 00:11:06,320
three, four.

375
00:11:24,140 --> 00:11:26,039
I didn't even think about the

376
00:11:26,040 --> 00:11:27,999
fact that you know thousands

377
00:11:28,000 --> 00:11:30,179
of people were watching online and

378
00:11:30,180 --> 00:11:31,539
you know there were hundreds of

379
00:11:31,540 --> 00:11:33,099
people in the audience.

380
00:11:33,100 --> 00:11:34,059
Not at all.

381
00:11:34,060 --> 00:11:35,520
I just, I was with my students.

382
00:11:43,250 --> 00:11:45,169
Joshua Saffold plays trumpet in the

383
00:11:45,170 --> 00:11:47,369
band. He says the whole performance

384
00:11:47,370 --> 00:11:48,679
was a blur.

385
00:11:48,680 --> 00:11:50,419
I walked on and then I walked off.

386
00:11:52,560 --> 00:11:54,499
Like, everything happened so

387
00:11:54,500 --> 00:11:55,059
fast.

388
00:11:55,060 --> 00:11:56,679
Verner said this, too.

389
00:11:56,680 --> 00:11:58,039
The gravity of their performance

390
00:11:58,040 --> 00:11:59,999
didn't hit him until the next day.

391
00:12:00,000 --> 00:12:01,399
Sitting and watching and listening

392
00:12:01,400 --> 00:12:02,819
to the performance that we had on

393
00:12:02,820 --> 00:12:04,819
Sunday, that was probably

394
00:12:04,820 --> 00:12:06,019
the best we have ever sounded.

395
00:12:11,720 --> 00:12:12,759
Huston Tillotson came in third

396
00:12:12,760 --> 00:12:13,879
place.

397
00:12:13,880 --> 00:12:15,139
Michigan State University finished

398
00:12:15,140 --> 00:12:17,099
second, and Temple University

399
00:12:17,100 --> 00:12:18,639
came out on top.

400
00:12:18,640 --> 00:12:20,199
With the third place win, I asked

401
00:12:20,200 --> 00:12:22,239
George, is the Huston Tillotson

402
00:12:22,240 --> 00:12:24,469
Jazz Orchestra still an underdog?

403
00:12:24,470 --> 00:12:27,089
We are no longer the underdogs.

404
00:12:27,090 --> 00:12:28,909
Technically, we

405
00:12:28,910 --> 00:12:30,869
are the third best jazz program

406
00:12:30,870 --> 00:12:32,049
in the world.

407
00:12:32,050 --> 00:12:32,929
Think of that.

408
00:12:32,930 --> 00:12:34,769
I'm Katy McAfee in Austin.

409
00:12:39,090 --> 00:12:41,069
The Huston Tillotson University Jazz

410
00:12:41,070 --> 00:12:42,369
Orchestra will be back on the big

411
00:12:42,370 --> 00:12:43,289
stage in April.

412
00:12:43,290 --> 00:12:45,609
They open for Parliament Funkadelic

413
00:12:45,610 --> 00:12:47,489
at the Austin Blues Festival at

414
00:12:47,490 --> 00:12:49,049
Waterloo Park.

415
00:12:49,050 --> 00:12:51,089
Follow more KUT Art Beat coverage

416
00:12:51,090 --> 00:12:52,929
at KUT.org and

417
00:12:52,930 --> 00:12:54,889
we've got more Austin signal for

418
00:12:54,890 --> 00:12:56,350
you after this break.

419
00:13:01,650 --> 00:13:03,689
This is Austin Signal.

420
00:13:03,690 --> 00:13:05,309
Austin-based photojournalist Tamir

421
00:13:05,310 --> 00:13:07,089
Khalifa has covered numerous stories

422
00:13:07,090 --> 00:13:09,089
over his career, from Hurricane

423
00:13:09,090 --> 00:13:10,889
Harvey to the aftermath for victims

424
00:13:10,890 --> 00:13:13,269
of mass shootings in El Paso in 2019

425
00:13:13,270 --> 00:13:15,309
and Robb Elementary in Uvalde in

426
00:13:15,310 --> 00:13:16,310
2022.

427
00:13:17,370 --> 00:13:18,829
But along with the images that he's

428
00:13:18,830 --> 00:13:20,749
made, Khalifa also penned lyrics and

429
00:13:20,750 --> 00:13:22,629
music inspired by the events in

430
00:13:22,630 --> 00:13:24,589
a project that he calls Witness,

431
00:13:24,590 --> 00:13:26,469
which is debuting tonight out at the

432
00:13:26,470 --> 00:13:27,519
Long Center.

433
00:13:27,520 --> 00:13:28,779
He brought this new project to

434
00:13:28,780 --> 00:13:31,019
Studio 1A here at KUT and

435
00:13:31,020 --> 00:13:32,959
spoke about it with Texas Standards'

436
00:13:32,960 --> 00:13:34,639
Laura Rice.

437
00:13:34,640 --> 00:13:36,519
Absolutely. Well, it's actually your

438
00:13:36,520 --> 00:13:38,079
second time on our program and the

439
00:13:38,080 --> 00:13:39,899
last time we spoke, almost a year

440
00:13:39,900 --> 00:13:41,739
ago exactly, you had just

441
00:13:41,740 --> 00:13:43,579
been awarded the American Mosaic

442
00:13:43,580 --> 00:13:45,059
Journalism Prize for your

443
00:13:45,060 --> 00:13:46,859
photography in Uvalde.

444
00:13:46,860 --> 00:13:48,219
And I understand you actually took

445
00:13:48,220 --> 00:13:49,679
that prize money and put it toward

446
00:13:49,680 --> 00:13:51,719
this new project, which explores

447
00:13:51,720 --> 00:13:53,859
Uvalda and beyond.

448
00:13:53,860 --> 00:13:54,959
What do you want people to know

449
00:13:54,960 --> 00:13:56,269
about witness?

450
00:13:56,270 --> 00:13:58,209
So, Witness is a combination

451
00:13:58,210 --> 00:14:00,229
of my photographs and

452
00:14:00,230 --> 00:14:02,189
music that has been inspired by

453
00:14:02,190 --> 00:14:03,909
my reporting and experiences behind

454
00:14:03,910 --> 00:14:04,910
the camera.

455
00:14:05,490 --> 00:14:07,329
So, Uvalde, the songs I wrote

456
00:14:07,330 --> 00:14:09,229
about Uvalade, three of them, are

457
00:14:09,230 --> 00:14:11,029
the emotional center of the piece,

458
00:14:11,030 --> 00:14:13,229
but this project is really

459
00:14:13,230 --> 00:14:14,809
career spanning.

460
00:14:14,810 --> 00:14:16,669
It covers my

461
00:14:16,670 --> 00:14:18,789
time documenting the

462
00:14:18,790 --> 00:14:20,709
Texas-Mexico border, the Walmart

463
00:14:20,710 --> 00:14:22,529
shooting in El Paso, the

464
00:14:22,530 --> 00:14:24,849
pandemic, Hurricane Harvey.

465
00:14:24,850 --> 00:14:26,589
And covering the Kilauea Volcano

466
00:14:26,590 --> 00:14:28,749
eruption in Hawaii in 2018.

467
00:14:28,750 --> 00:14:30,789
And so throughout all of

468
00:14:30,790 --> 00:14:32,689
my experiences in all of these

469
00:14:32,690 --> 00:14:34,629
places, the theme

470
00:14:34,630 --> 00:14:36,469
that kept emerging

471
00:14:36,470 --> 00:14:38,389
was that when people are pushed to

472
00:14:38,390 --> 00:14:40,069
their limits and to their extremes,

473
00:14:40,070 --> 00:14:41,629
they can reveal an extraordinary

474
00:14:41,630 --> 00:14:42,630
resilience.

475
00:14:43,990 --> 00:14:45,769
And music has always been an

476
00:14:45,770 --> 00:14:47,549
important method for me to process

477
00:14:47,550 --> 00:14:49,389
some of what I've experienced and

478
00:14:49,390 --> 00:14:50,390
some of I've witnessed.

479
00:14:51,740 --> 00:14:53,499
And starting in 2018, I started

480
00:14:53,500 --> 00:14:55,279
writing music about it and trying to

481
00:14:55,280 --> 00:14:56,779
make sense of it while also trying

482
00:14:56,780 --> 00:14:58,699
to appreciate some

483
00:14:58,700 --> 00:14:59,939
of the people I've met along the

484
00:14:59,940 --> 00:15:01,879
way. And so this project is rooted

485
00:15:01,880 --> 00:15:03,739
in a sense of care and

486
00:15:03,740 --> 00:15:05,419
compassion for these people and

487
00:15:05,420 --> 00:15:07,419
these issues, but it's also an

488
00:15:07,420 --> 00:15:09,559
attempt to prolong some

489
00:15:09,560 --> 00:15:11,399
of, the lifespan and the relevance

490
00:15:11,400 --> 00:15:13,979
of some of this work, which

491
00:15:13,980 --> 00:15:15,419
some of it's years old.

492
00:15:15,420 --> 00:15:17,299
And as we know, the

493
00:15:17,300 --> 00:15:19,329
pace of the news cycle moves.

494
00:15:19,330 --> 00:15:21,249
Extremely quickly and some

495
00:15:21,250 --> 00:15:23,349
of the work that we do tends to get

496
00:15:23,350 --> 00:15:25,369
looked past very quickly as it's

497
00:15:25,370 --> 00:15:27,289
eclipsed by whatever else is

498
00:15:27,290 --> 00:15:28,949
happening and so this is this

499
00:15:28,950 --> 00:15:30,889
project is an attempt to

500
00:15:30,890 --> 00:15:32,729
Slow down a little bit to linger

501
00:15:32,730 --> 00:15:34,849
and it's grounded in the humanity

502
00:15:34,850 --> 00:15:36,249
that made these stories urgent in

503
00:15:36,250 --> 00:15:37,339
the first place

504
00:15:37,340 --> 00:15:39,239
You mentioned some of the topics

505
00:15:39,240 --> 00:15:41,419
there, also COVID,

506
00:15:41,420 --> 00:15:43,379
immigration, the El Paso

507
00:15:43,380 --> 00:15:44,279
shooting.

508
00:15:44,280 --> 00:15:46,939
These are really heavy stories.

509
00:15:46,940 --> 00:15:48,539
You were writing along the way, but

510
00:15:48,540 --> 00:15:50,779
were you also re-exploring as you

511
00:15:50,780 --> 00:15:52,029
entered into this project?

512
00:15:52,030 --> 00:15:54,249
Yeah, absolutely, I found that the

513
00:15:54,250 --> 00:15:56,049
writing process actually sort of

514
00:15:56,050 --> 00:15:58,129
seeped into the songs

515
00:15:58,130 --> 00:15:59,849
in their totality and sometimes when

516
00:15:59,850 --> 00:16:01,769
I was thinking of, when I writing

517
00:16:01,770 --> 00:16:03,649
one piece, say

518
00:16:03,650 --> 00:16:04,789
about Uvaldi, I was actually

519
00:16:04,790 --> 00:16:05,889
thinking about something in

520
00:16:05,890 --> 00:16:08,169
Hurricane Harvey and vice versa.

521
00:16:08,170 --> 00:16:10,169
And so it's really been an

522
00:16:10,170 --> 00:16:11,709
experience that has combined all of

523
00:16:11,710 --> 00:16:12,789
these different elements and

524
00:16:12,790 --> 00:16:14,669
different experiences, but I've

525
00:16:14,670 --> 00:16:16,589
tried to make the music as

526
00:16:16,590 --> 00:16:18,219
accessible as can be.

527
00:16:18,220 --> 00:16:20,599
Well, you talk about combining music

528
00:16:20,600 --> 00:16:22,939
and your photojournalism.

529
00:16:22,940 --> 00:16:24,079
What does that look like in

530
00:16:24,080 --> 00:16:25,739
practice? This is really an

531
00:16:25,740 --> 00:16:27,519
experiential project that you've put

532
00:16:27,520 --> 00:16:28,329
together.

533
00:16:28,330 --> 00:16:30,889
Yeah, so I'm still figuring

534
00:16:30,890 --> 00:16:33,349
it out myself, but this

535
00:16:33,350 --> 00:16:35,649
project really is an

536
00:16:35,650 --> 00:16:37,169
experience or at least I want it to

537
00:16:37,170 --> 00:16:38,029
be.

538
00:16:38,030 --> 00:16:39,989
And so I've developed a

539
00:16:39,990 --> 00:16:41,869
performance where as

540
00:16:41,870 --> 00:16:43,749
we play the songs and as I

541
00:16:43,750 --> 00:16:45,909
sing them, I screen the

542
00:16:45,910 --> 00:16:47,709
photographs that inspired the songs

543
00:16:47,710 --> 00:16:49,769
and I've timed it so that when

544
00:16:49,770 --> 00:16:51,649
you hear a certain lyric, you see an

545
00:16:51,650 --> 00:16:53,649
image that actually in some cases

546
00:16:53,650 --> 00:16:55,210
inspired that exact line.

547
00:16:56,650 --> 00:16:58,529
And during the performance I

548
00:16:58,530 --> 00:17:00,729
try to tie it all together

549
00:17:00,730 --> 00:17:03,089
with stories about

550
00:17:03,090 --> 00:17:05,269
some of my experiences that

551
00:17:05,270 --> 00:17:07,269
in some ways pulls the, draws the

552
00:17:07,270 --> 00:17:09,568
curtain from behind journalism

553
00:17:09,569 --> 00:17:10,809
and helps just give a little bit

554
00:17:10,810 --> 00:17:12,709
more insight into the humanity

555
00:17:12,710 --> 00:17:13,989
that underlies it all.

556
00:17:15,230 --> 00:17:17,348
They woke up

557
00:17:17,349 --> 00:17:21,009
on America's

558
00:17:21,010 --> 00:17:22,010
doorstep

559
00:17:28,510 --> 00:17:31,889
What's another day,

560
00:17:31,890 --> 00:17:33,789
what's another hour?

561
00:17:38,010 --> 00:17:41,049
Bottle for a shower,

562
00:17:41,050 --> 00:17:42,210
they woke up

563
00:17:44,350 --> 00:17:47,289
Above the Rio Grande,

564
00:17:47,290 --> 00:17:49,529
when past the razor wire

565
00:17:49,530 --> 00:17:51,389
They could see the

566
00:17:51,390 --> 00:17:53,789
texas skies for

567
00:17:53,790 --> 00:17:56,469
three days

568
00:17:56,470 --> 00:17:57,500
And three nights

569
00:17:59,850 --> 00:18:01,669
The bridge was a bedroom with

570
00:18:01,670 --> 00:18:04,209
headlights for nightlights And now

571
00:18:04,210 --> 00:18:06,189
they're

572
00:18:06,190 --> 00:18:08,429
waiting at the

573
00:18:08,430 --> 00:18:09,430
border

574
00:18:10,070 --> 00:18:11,569
Is this something you always wanted

575
00:18:11,570 --> 00:18:13,949
to do, or did it kind of come up as

576
00:18:13,950 --> 00:18:16,129
a dream that was made possible

577
00:18:16,130 --> 00:18:17,689
in part by winning this prize?

578
00:18:17,690 --> 00:18:19,229
I mean, how did this come about?

579
00:18:19,230 --> 00:18:21,129
So I played in Austin

580
00:18:21,130 --> 00:18:22,949
bands for many years, one of them

581
00:18:22,950 --> 00:18:24,329
was Mother Falcon and I'm grateful

582
00:18:24,330 --> 00:18:25,929
to be joined by some of the members

583
00:18:25,930 --> 00:18:27,849
of that band, but we played in

584
00:18:27,850 --> 00:18:30,349
Austin for many years and

585
00:18:30,350 --> 00:18:32,149
I always, part of me wanted to make

586
00:18:32,150 --> 00:18:33,969
music about photography

587
00:18:33,970 --> 00:18:35,549
because as I was in the band I was

588
00:18:35,550 --> 00:18:37,469
also starting to take on

589
00:18:37,470 --> 00:18:38,589
assignments and more ambitious

590
00:18:38,590 --> 00:18:40,469
projects and I wanted to do

591
00:18:40,470 --> 00:18:41,689
something that combined all of these

592
00:18:41,690 --> 00:18:43,049
things, I just didn't quite know

593
00:18:43,050 --> 00:18:43,889
how.

594
00:18:43,890 --> 00:18:45,150
I've long felt that

595
00:18:46,540 --> 00:18:47,979
the whole can be greater than the

596
00:18:47,980 --> 00:18:49,259
sum of its parts.

597
00:18:49,260 --> 00:18:51,139
And so by combining music

598
00:18:51,140 --> 00:18:52,959
and photography, I can

599
00:18:52,960 --> 00:18:55,239
try to present an experience

600
00:18:55,240 --> 00:18:57,439
that I hope is more powerful than

601
00:18:57,440 --> 00:18:58,580
the two of them independently.

602
00:18:59,790 --> 00:19:01,229
You've mentioned this wonderful

603
00:19:01,230 --> 00:19:03,109
group of musicians with you.

604
00:19:03,110 --> 00:19:05,069
There's really someone especially I

605
00:19:05,070 --> 00:19:06,229
want you to introduce first.

606
00:19:06,230 --> 00:19:08,089
Could you talk to me about

607
00:19:08,090 --> 00:19:10,259
your co-vocalist here?

608
00:19:10,260 --> 00:19:12,359
Yeah, so I'm actually getting chills

609
00:19:12,360 --> 00:19:14,919
just out of gratitude.

610
00:19:14,920 --> 00:19:16,619
But I'm joined here by Jasmine

611
00:19:16,620 --> 00:19:17,620
Casades.

612
00:19:18,700 --> 00:19:20,519
And she is truly one

613
00:19:20,520 --> 00:19:21,839
of the most extraordinary young

614
00:19:21,840 --> 00:19:23,279
women I've ever had the privilege of

615
00:19:23,280 --> 00:19:25,119
meeting. And I feel immensely

616
00:19:25,120 --> 00:19:26,979
grateful that she's joined us

617
00:19:26,980 --> 00:19:29,059
here. And I'd like her to

618
00:19:29,060 --> 00:19:31,119
just introduce herself.

619
00:19:31,120 --> 00:19:33,079
Well, yes, I'm Jasmine Casades.

620
00:19:33,080 --> 00:19:35,019
I'm from Ivaldi, Texas.

621
00:19:35,020 --> 00:19:36,939
I'm the eldest sister of Jackie

622
00:19:36,940 --> 00:19:38,859
Gossetis, who lost her life at Robb

623
00:19:38,860 --> 00:19:39,719
Elementary.

624
00:19:39,720 --> 00:19:41,499
So tell me why you get involved in

625
00:19:41,500 --> 00:19:42,919
this project.

626
00:19:42,920 --> 00:19:44,059
Tamir asked me to.

627
00:19:44,060 --> 00:19:46,179
Well, it was one of the first

628
00:19:46,180 --> 00:19:48,359
songs that Tamir

629
00:19:48,360 --> 00:19:50,339
showed us was Jackie's song

630
00:19:50,340 --> 00:19:52,399
and just

631
00:19:52,400 --> 00:19:54,019
to participate in a project like

632
00:19:54,020 --> 00:19:57,019
this that memorializes

633
00:19:57,020 --> 00:19:58,899
my sister in such a

634
00:19:58,900 --> 00:20:00,699
different and unique way.

635
00:20:00,700 --> 00:20:02,799
I'm just very, very honored and

636
00:20:02,800 --> 00:20:04,999
very grateful to keep

637
00:20:05,000 --> 00:20:06,259
sharing my sister's story.

638
00:20:06,260 --> 00:20:08,639
There's a rock

639
00:20:08,640 --> 00:20:10,959
from Uvalde

640
00:20:10,960 --> 00:20:12,799
on a ledge by

641
00:20:12,800 --> 00:20:15,259
the banks of the Seine

642
00:20:16,860 --> 00:20:18,899
It's tucked in the roots

643
00:20:18,900 --> 00:20:21,239
of an ivy

644
00:20:21,240 --> 00:20:23,559
bush Jackie's name

645
00:20:23,560 --> 00:20:25,539
is written in white

646
00:20:27,740 --> 00:20:30,059
She'd always dreamed

647
00:20:30,060 --> 00:20:32,059
of Sien, the

648
00:20:32,060 --> 00:20:33,640
city of light

649
00:20:36,850 --> 00:20:40,269
I met the Kastas family early on,

650
00:20:40,270 --> 00:20:41,849
covering the aftermath of the New

651
00:20:41,850 --> 00:20:43,129
York Times.

652
00:20:43,130 --> 00:20:45,049
And Jasmine had recognized me from

653
00:20:45,050 --> 00:20:46,389
some of the time I had spent in the

654
00:20:46,390 --> 00:20:48,529
square, and we just really forged a

655
00:20:48,530 --> 00:20:50,389
meaningful connection and bond.

656
00:20:50,390 --> 00:20:51,649
And I found out Jasmine was an

657
00:20:51,650 --> 00:20:52,809
amazing singer, and I brought my

658
00:20:52,810 --> 00:20:54,689
guitar, and we started singing all

659
00:20:54,690 --> 00:20:55,889
sorts of different songs.

660
00:20:55,890 --> 00:20:57,669
And then I just brought them a song

661
00:20:57,670 --> 00:20:59,109
one day that I had written about

662
00:20:59,110 --> 00:21:01,029
them. And then it's sort of been

663
00:21:01,030 --> 00:21:02,929
this amazing, it's been just

664
00:21:02,930 --> 00:21:04,230
an amazing journey since then.

665
00:21:07,030 --> 00:21:08,030
All of the

666
00:21:12,370 --> 00:21:14,689
All of the things

667
00:21:14,690 --> 00:21:15,850
that'll check me

668
00:21:25,740 --> 00:21:27,599
After such a tragedy, like the

669
00:21:27,600 --> 00:21:29,019
one that happened in New Valdi, the

670
00:21:29,020 --> 00:21:30,859
relationship between media and the

671
00:21:30,860 --> 00:21:32,059
people that these stories are being

672
00:21:32,060 --> 00:21:34,359
told about is such a complicated

673
00:21:34,360 --> 00:21:36,279
one, and the way

674
00:21:36,280 --> 00:21:38,219
that Tamir is telling these stories

675
00:21:38,220 --> 00:21:40,159
so beautifully and so respectfully,

676
00:21:40,160 --> 00:21:42,079
I just, just props

677
00:21:42,080 --> 00:21:43,080
to Tamir.

678
00:21:44,940 --> 00:21:47,339
Tamir Khalifa is a musician

679
00:21:47,340 --> 00:21:49,319
and photojournalist based in

680
00:21:49,320 --> 00:21:51,279
Austin. His latest project is

681
00:21:51,280 --> 00:21:52,139
Witness.

682
00:21:52,140 --> 00:21:53,619
We'll share videos of these

683
00:21:53,620 --> 00:21:55,519
performances and links to more at

684
00:21:55,520 --> 00:21:57,419
TexasStandard.org and on the Texas

685
00:21:57,420 --> 00:21:59,299
Standard 82 page.

686
00:21:59,300 --> 00:22:01,319
Tamir, Jasmine, all of you,

687
00:22:01,320 --> 00:22:02,609
thank you so much.

688
00:22:02,610 --> 00:22:04,949
All of the things

689
00:22:04,950 --> 00:22:06,030
that'll check you

690
00:22:22,880 --> 00:22:24,579
And you can find more about this

691
00:22:24,580 --> 00:22:26,479
story and this Studio 1A performance

692
00:22:26,480 --> 00:22:29,999
over at kut.org.

693
00:22:30,000 --> 00:22:31,819
That is it for today here on

694
00:22:31,820 --> 00:22:33,619
Austin Signal and for this week here

695
00:22:33,620 --> 00:22:35,359
on the Austin Signal.

696
00:22:35,360 --> 00:22:37,139
Remember, you need to have multiple

697
00:22:37,140 --> 00:22:38,939
ways to stay weather aware as we

698
00:22:38,940 --> 00:22:40,219
head into this weekend.

699
00:22:40,220 --> 00:22:41,299
We're gonna be doing our best to

700
00:22:41,300 --> 00:22:43,079
keep you updated on the latest at

701
00:22:43,080 --> 00:22:45,059
kut.org, on the

702
00:22:45,060 --> 00:22:47,259
KUT app and the Kut social

703
00:22:47,260 --> 00:22:48,319
media channels.

704
00:22:48,320 --> 00:22:49,999
So be sure to follow us there.

705
00:22:50,000 --> 00:22:51,839
Thank you to Andrew Weber, Greta

706
00:22:51,840 --> 00:22:54,379
Diaz-Gonzalez-Vasquez, Katy McAfee,

707
00:22:54,380 --> 00:22:55,899
and Laura Rice for their help with

708
00:22:55,900 --> 00:22:56,859
today's episode.

709
00:22:56,860 --> 00:22:58,699
Have a great weekend, stay safe.

710
00:22:58,700 --> 00:22:59,700
This is Austin Signal.

