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Hundreds of private schools in Texas

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are being shut out of the state's

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new school voucher program because

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of alleged ties to some

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organizations or foreign

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governments.

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And that includes dozens of schools

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here in the Austin area.

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We'll have more about the voucher

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program and its continuing rollout.

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That's coming up on today's show.

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The Austin Signal is a production

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of KUT News, hosted by

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Jerry Quijano.

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Plus, hobbies can lead to rewarding

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experiences, but carving out

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the time to invest in one can be

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tough. We're going to hear the story

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of a group of skaters here in Austin

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that prioritizes community and

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fun despite their busy schedules.

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And the executive director for Texas

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Performing Arts stepped into the

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role just months before the pandemic

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forced shows to stop and theaters to

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close.

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What he's learned about the job and

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the future of arts and performances

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going forward, That's coming

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up today on Austin Signal.

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Howdy out there, and thank you for

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tuning in. This is Austin

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Signal.

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It's Tuesday, January 20th.

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Thank you for making

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listener-powered public radio part

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of your day.

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We are glad to have you here.

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56 degrees out along the

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drag at one o'clock this afternoon,

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and a bit of good news to start off

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the show is that temperatures the

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next couple of nights in Austin

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won't be nearly as cold as they

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have been.

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We are, however, keeping an eye on

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the weather that's coming our way

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this weekend.

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What we know for now, is

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that we are getting the coldest air

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of the season on Saturday and

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Sunday.

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The National Weather Service is

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forecasting highs in the 30s and

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lows in the 20s.

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And with precipitation in the

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forecast at the same time, the

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Weather Service says there's a

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chance for freezing rain Saturday

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into Saturday night.

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We will of course be watching the

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forecast as it develops in the days

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ahead and we'll keep you updated

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right here on Austin Signal and

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all day long over on

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KUT News.

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Hundreds of private schools in Texas

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have so far been excluded

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from the state's new school voucher

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program, including dozens of schools

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here in the Austin area.

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For more about why that is the case,

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we are joined by Isaac Yu.

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He's a politics reporter at the

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Austin American Statesman.

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Isaac, it's great to talk with you.

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Thanks for having me.

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So take us back a bit.

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What reason did legislators give for

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vouchers when they were initially

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passed into law last year.

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That's right. So this was the

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biggest political issue of the

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last session, the 89th session.

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And the idea of the

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Republican proponents who wanted to

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pass this legislation was to

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provide more tax dollars

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to families who want to

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afford things like private school

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tuition, homeschooling costs,

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just educational expenses that fall

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outside of the traditional public

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school system.

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Okay, and you're reporting at the

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statesman, you found out that not

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all private schools here in Texas

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have been able to join the voucher

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program. Why is that the case?

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That's right.

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So schools were able to apply

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beginning in mid-December.

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So we now have a list of schools

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that have been approved.

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Um, if that school is on the list

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and you receive a voucher, you

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can use that money to pay, um,

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for that tuition at that school,

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there's a category of schools and it

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makes up about a third, a little

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more of all the eligible

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private schools that had not yet

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been invited into the program.

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And what we know is that it's linked

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to a request

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that the state comptroller whose

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office is running that program has

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made also last month

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and that's holding up all the

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schools so far.

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Us a little bit more about that.

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Definitely.

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So it appears to be linked to

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an attempt by the

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Comptroller to bar certain

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schools. He asked for

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a ruling from the Attorney General's

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office, essentially asking

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if his office has the

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authority required to

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bar a certain school under Texas

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law.

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And he's Referring to two

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specific kinds of schools, one is

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schools that are linked to the

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Chinese Communist Party, either

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because they're owned or operated in

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part by some sort of entity that's

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linked to it.

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And then the other category is

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schools, you know,

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Islamic schools, not as an

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entire category.

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The way that his request is framed

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is schools that have hosted

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events by the council on

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American Islamic relations, which is

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a major Muslim advocacy

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group.

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And, you know asking whether

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schools that have ties to that group

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are also able to be barred from the

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program.

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You mentioned the state comptroller

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a couple of times, can you tell us

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who he is and how he got into the

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position that he's in right now?

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Definitely the state comptroller

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currently is Kelly Hancock.

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He's formerly a state Senator

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from the North Texas area.

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He became comptroller, um,

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last June, um stepping down

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from his legislative seat.

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Um, and he's been, you

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know, acting in that position.

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Um, he wasn't formally appointed

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due to some kind of quirkiness in

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the state law, but he's running

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that office since then, um and

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overseeing the rollout of the

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voucher and ESA program.

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And yeah, he's been there since

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June.

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And what have you heard from people

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who work for or work with Texas

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private schools about

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this claim that they're trying to

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prohibit these schools from

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participating in the program?

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You know, not, not too many people

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have spoken out specifically about

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that. Of course, the schools

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themselves are, you

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know, facing a lot of uncertainty.

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It's not super clear how many

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of these Islamic schools or,

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um, allegedly, um

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Chinese linked schools want to

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participate in the program, but the

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comptroller's request said that some

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of them had applied outside

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of that. Remember that this, that

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request has now blocked, you know,

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between five and 700 schools

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of all kinds.

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So that includes.

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Special education schools, Christian

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schools, and those

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groups and led by the

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Texas Private School Association are

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pushing the Comptroller to allow

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those schools to be

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approved for the program as quickly

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as possible.

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They aren't super happy

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that this, you know,

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request linked to the small handful

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of schools appears to be affecting

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a large category.

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Okay, did was there any kind of

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anticipation that there might be

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some some some pitfalls

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when it comes to this this voucher

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program here in Texas.

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There were some clues

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early on that this could be

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a problem, you know, there were some

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conservative advocates who I've

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spoken to who were against the

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voucher program, who

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there you know from their

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perspective, they were worried that

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tax dollars might be going towards

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certain kinds of schools,

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including Islamic schools, but you

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know other schools that might

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promote certain, you know,

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LGBTQ.

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Or DEI, things like that.

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And that's one major argument that

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conservative opponents of school

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choice have had.

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It's not one that was super

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thoroughly considered.

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It didn't come as a

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big part of the debate in the

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legislature.

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But I think we knew early

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on that that would be something that

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state leaders would have to navigate

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as they rolled out this program.

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Specifically here in the Austin

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area, what do we know about the

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schools that have been impacted?

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So the schools affected are all

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accredited by Cognia, which is

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a nonprofit. It's the largest

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private school creditor nationwide

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and here in Texas,

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that accredits some of these Islamic

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schools that are mentioned in the

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Comptroller's Request, but

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also a broad swath of

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other schools as well, Christian

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schools, all kinds of schools.

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Some examples here in Austin include

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the Ross& Sounder School,

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Hyde Park Montessori, and.

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You know, there's also an AI school

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called the Alpha School that's been

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getting attention here.

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You know, it's a broad category and

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they're all accredited by Cognia.

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It's not clear whether all of them

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want to apply for the program, we

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don't know that, but we do know that

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they have not been invited to do so.

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OK, well, we've been speaking with

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Isaac Yu. He is a reporter at

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the Austin American Statesman.

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You can find his reporting in

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our show notes and at kut.org

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slash signal. One last question

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before I let you get out of here

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today, Isaac.

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Where do we go next?

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What happens next?

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So families will be able to apply

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for this program starting on

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February 4th.

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That's two weeks from now.

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And this list of schools is not

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complete. We know that there are

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schools that want to apply that have

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not been approved for this list and

287
00:08:31,340 --> 00:08:33,079
they're just waiting on, you know,

288
00:08:33,080 --> 00:08:34,178
are we going to be accepted into

289
00:08:34,179 --> 00:08:35,379
this program?

290
00:08:35,380 --> 00:08:36,538
And they don't really know what to

291
00:08:36,539 --> 00:08:38,199
tell their families at this point.

292
00:08:38,200 --> 00:08:39,499
And so that's what we'll be watching

293
00:08:39,500 --> 00:08:40,759
over the next couple of weeks.

294
00:08:40,760 --> 00:08:42,298
All right, that's Isaac Yu, a

295
00:08:42,299 --> 00:08:43,739
politics reporter at the Austin

296
00:08:43,740 --> 00:08:44,999
American Statesman.

297
00:08:45,000 --> 00:08:45,899
Thank you for coming on the show

298
00:08:45,900 --> 00:08:46,900
today. Thank you.

299
00:08:55,530 --> 00:08:58,089
Most of us lead busy lives,

300
00:08:58,090 --> 00:08:59,309
and that can make it difficult to

301
00:08:59,310 --> 00:09:01,329
find the time for our hobbies,

302
00:09:01,330 --> 00:09:03,149
you know, the things we actually

303
00:09:03,150 --> 00:09:04,509
like doing.

304
00:09:04,510 --> 00:09:06,129
But a group of women in Austin with

305
00:09:06,130 --> 00:09:07,909
a shared interest are taking that

306
00:09:07,910 --> 00:09:09,789
challenge head on, one

307
00:09:09,790 --> 00:09:11,649
kick push at a time.

308
00:09:11,650 --> 00:09:13,549
Texas Standard's Keyla Holmes has

309
00:09:13,550 --> 00:09:14,550
more.

310
00:09:18,510 --> 00:09:20,009
It's the first Wednesday in

311
00:09:20,010 --> 00:09:22,009
November, and several women are

312
00:09:22,010 --> 00:09:23,849
walking over to a small patch of

313
00:09:23,850 --> 00:09:25,709
concrete near a bike trail in East

314
00:09:25,710 --> 00:09:26,369
Austin.

315
00:09:26,370 --> 00:09:28,369
I actually skated here from my house

316
00:09:28,370 --> 00:09:30,129
so wouldn't have been able to do

317
00:09:30,130 --> 00:09:31,850
that four months ago and yeah.

318
00:09:33,310 --> 00:09:35,269
Amanda Batchelor sets up near a

319
00:09:35,270 --> 00:09:36,949
painted cloth banner that reads

320
00:09:36,950 --> 00:09:39,089
Austin Women's Skate and a donation

321
00:09:39,090 --> 00:09:40,889
box for diapers.

322
00:09:40,890 --> 00:09:42,409
Batcheler has always wanted to

323
00:09:42,410 --> 00:09:43,289
skate.

324
00:09:43,290 --> 00:09:44,669
She started learning about six

325
00:09:44,670 --> 00:09:46,269
months ago after searching for a

326
00:09:46,270 --> 00:09:47,729
women's skateboard community on

327
00:09:47,730 --> 00:09:49,129
Instagram.

328
00:09:49,130 --> 00:09:50,769
She found the Austin Women Skate

329
00:09:50,770 --> 00:09:52,789
group and now she's among the

330
00:09:52,790 --> 00:09:54,549
dozens of women who meet up twice a

331
00:09:54,550 --> 00:09:55,749
month to coast.

332
00:09:55,750 --> 00:09:57,029
I feel like I just kind of fell in

333
00:09:57,030 --> 00:09:58,730
love with it. In your late 20s, you

334
00:09:58,731 --> 00:10:00,449
just have no idea how to make

335
00:10:00,450 --> 00:10:01,409
friends.

336
00:10:01,410 --> 00:10:03,409
Mental health and art therapist Brie

337
00:10:03,410 --> 00:10:05,309
Valdez is one of three women who

338
00:10:05,310 --> 00:10:07,629
started Austin women's skate.

339
00:10:07,630 --> 00:10:09,549
This past summer, the trio would

340
00:10:09,550 --> 00:10:10,949
grab their boards and meet at

341
00:10:10,950 --> 00:10:13,149
Mueller Park for a cruise.

342
00:10:13,150 --> 00:10:15,709
But eventually, they realized,

343
00:10:15,710 --> 00:10:17,129
if they were enjoying their informal

344
00:10:17,130 --> 00:10:19,089
skate meetups, others probably

345
00:10:19,090 --> 00:10:20,159
would too.

346
00:10:20,160 --> 00:10:21,839
We saw kind of like a need in the

347
00:10:21,840 --> 00:10:23,779
community for

348
00:10:23,780 --> 00:10:25,479
women's skaters and a space for

349
00:10:25,480 --> 00:10:26,879
women skaters to feel really

350
00:10:26,880 --> 00:10:27,779
supported.

351
00:10:27,780 --> 00:10:29,719
Every first and third Wednesday,

352
00:10:29,720 --> 00:10:31,079
the group takes a break from their

353
00:10:31,080 --> 00:10:32,999
jobs and responsibilities to let

354
00:10:33,000 --> 00:10:35,199
loose and skate with one another.

355
00:10:35,200 --> 00:10:36,959
This audio is from two of the

356
00:10:36,960 --> 00:10:38,449
group's recent meetups.

357
00:10:38,450 --> 00:10:40,309
As soon as I get on the skateboard,

358
00:10:40,310 --> 00:10:42,649
I stop thinking about anything else.

359
00:10:42,650 --> 00:10:44,609
As members erupt into chatter

360
00:10:44,610 --> 00:10:46,329
and laughter and place their diaper

361
00:10:46,330 --> 00:10:48,309
donations into a box near the extra

362
00:10:48,310 --> 00:10:50,409
skateboards, organizer Carolina

363
00:10:50,410 --> 00:10:52,289
Montgomery gives a little pep talk.

364
00:10:53,690 --> 00:10:55,929
Have fun, be safe,

365
00:10:55,930 --> 00:10:57,569
be kind, and just remember this is

366
00:10:57,570 --> 00:10:59,029
space for everyone.

367
00:10:59,030 --> 00:11:00,989
At every meetup, everyone introduces

368
00:11:00,990 --> 00:11:02,809
themselves and sometimes

369
00:11:02,810 --> 00:11:05,129
answers an icebreaker.

370
00:11:05,130 --> 00:11:06,869
This evening, the group shared what

371
00:11:06,870 --> 00:11:08,889
they had for lunch, gripping their

372
00:11:08,890 --> 00:11:11,269
boards, waiting to disperse.

373
00:11:11,270 --> 00:11:12,129
I'm Chelsea.

374
00:11:12,130 --> 00:11:14,429
I had green orzo

375
00:11:14,430 --> 00:11:16,789
risotto with

376
00:11:16,790 --> 00:11:18,879
blended broccoli.

377
00:11:18,880 --> 00:11:20,679
Some women have knee pads and

378
00:11:20,680 --> 00:11:21,959
helmets on.

379
00:11:21,960 --> 00:11:23,779
Others just have the clothes on

380
00:11:23,780 --> 00:11:25,419
their backs.

381
00:11:25,420 --> 00:11:27,619
Organizer Carolina Montgomery likes

382
00:11:27,620 --> 00:11:29,239
to wear gear because it helps her to

383
00:11:29,240 --> 00:11:30,739
feel more confident.

384
00:11:30,740 --> 00:11:32,879
As a skater in her early 40s,

385
00:11:32,880 --> 00:11:34,599
she believes that skateboarding has

386
00:11:34,600 --> 00:11:36,359
taught her to take more risks.

387
00:11:36,360 --> 00:11:38,499
I think that it's made me brave,

388
00:11:38,500 --> 00:11:40,479
to be able to take chances, to take

389
00:11:40,480 --> 00:11:42,359
up space and to be okay taking

390
00:11:42,360 --> 00:11:44,319
up space, even if I'm not

391
00:11:44,320 --> 00:11:46,259
the best skater, or if I am just

392
00:11:46,260 --> 00:11:48,099
a beginner, or I don't do tricks, or

393
00:11:48,100 --> 00:11:50,059
I'm so scared, it's okay

394
00:11:50,060 --> 00:11:51,060
to take space.

395
00:11:52,239 --> 00:11:54,039
Herrera grew up watching her older

396
00:11:54,040 --> 00:11:55,699
male cousins skate.

397
00:11:55,700 --> 00:11:57,919
But as a girl growing up in the 90s,

398
00:11:57,920 --> 00:11:59,119
she felt like there wasn't much

399
00:11:59,120 --> 00:12:00,779
representation in the.

400
00:12:00,780 --> 00:12:02,759
Not seeing anybody like

401
00:12:02,760 --> 00:12:04,639
me doing skateboarding made

402
00:12:04,640 --> 00:12:05,919
me really nervous, made me really

403
00:12:05,920 --> 00:12:06,939
scared.

404
00:12:06,940 --> 00:12:08,659
Herrera does her best to make time

405
00:12:08,660 --> 00:12:10,699
to skate because for her

406
00:12:10,700 --> 00:12:12,739
it's like she's finally free to

407
00:12:12,740 --> 00:12:14,679
do what she's always wanted.

408
00:12:14,680 --> 00:12:17,399
I played all the Tony Hawk games and

409
00:12:17,400 --> 00:12:19,679
so like I said I watched videos I

410
00:12:19,680 --> 00:12:21,839
read some of the magazines and

411
00:12:21,840 --> 00:12:24,459
so it definitely felt like giving my

412
00:12:24,460 --> 00:12:26,379
child self something

413
00:12:26,380 --> 00:12:27,380
back.

414
00:12:30,010 --> 00:12:32,149
After taking a group photo,

415
00:12:32,150 --> 00:12:33,909
the women all placed their feet on

416
00:12:33,910 --> 00:12:35,949
the tails of their boards,

417
00:12:35,950 --> 00:12:37,789
found their balance, and pushed

418
00:12:37,790 --> 00:12:39,630
themselves down the bike trail.

419
00:12:41,510 --> 00:12:43,629
I'm Keyla Holmes for the Texas

420
00:12:43,630 --> 00:12:44,630
Standard.

421
00:13:01,880 --> 00:13:03,899
Great radio story they're full

422
00:13:03,900 --> 00:13:05,919
of some awesome sounds and

423
00:13:05,920 --> 00:13:07,399
you know listening to that story

424
00:13:07,400 --> 00:13:09,339
made me think about the hobbies

425
00:13:09,340 --> 00:13:11,159
I have here in Austin you know

426
00:13:11,160 --> 00:13:13,239
going to watch movies climbing rocks

427
00:13:13,240 --> 00:13:15,139
and doors everywhere I go

428
00:13:15,140 --> 00:13:16,799
to try and find a hobby there's

429
00:13:16,800 --> 00:13:19,079
always one constant somebody

430
00:13:19,080 --> 00:13:20,959
in that building is wearing a KUT

431
00:13:20,960 --> 00:13:23,219
or KUTX t-shirt so

432
00:13:23,220 --> 00:13:25,019
I think you know listening to

433
00:13:25,020 --> 00:13:26,879
listener powered public radio right

434
00:13:26,880 --> 00:13:28,779
here on KUT news That is

435
00:13:28,780 --> 00:13:30,379
a bit of a hobby and we have plenty

436
00:13:30,380 --> 00:13:32,139
of people who partake and support

437
00:13:32,140 --> 00:13:34,139
and we're glad you join us

438
00:13:34,140 --> 00:13:35,539
every single day, but especially

439
00:13:35,540 --> 00:13:37,599
right now here on Austin

440
00:13:37,600 --> 00:13:39,139
Signal, this show is made possible

441
00:13:39,140 --> 00:13:40,719
because of the work of the trusted

442
00:13:40,720 --> 00:13:42,839
reporters and music aficionados

443
00:13:42,840 --> 00:13:45,379
here at KUT News, KUTX,

444
00:13:45,380 --> 00:13:46,819
and Texas Standard and we've got

445
00:13:46,820 --> 00:13:48,879
more coming up from them for

446
00:13:48,880 --> 00:13:50,419
you after this break.

447
00:13:50,420 --> 00:13:51,420
This is Austin Signal.

448
00:14:00,740 --> 00:14:02,319
This is Austin Signal.

449
00:14:02,320 --> 00:14:04,319
Thank you for making us part of your

450
00:14:04,320 --> 00:14:05,499
Tuesday.

451
00:14:05,500 --> 00:14:07,039
Think back on what you were doing

452
00:14:07,040 --> 00:14:08,999
right about now six years

453
00:14:09,000 --> 00:14:09,819
ago.

454
00:14:09,820 --> 00:14:11,939
Whatever you were up to, you likely

455
00:14:11,940 --> 00:14:13,919
weren't considering how the COVID-19

456
00:14:13,920 --> 00:14:16,059
pandemic would affect almost every

457
00:14:16,060 --> 00:14:17,979
facet of your life.

458
00:14:17,980 --> 00:14:19,799
Now, imagine starting a new job

459
00:14:19,800 --> 00:14:21,739
in a new city with all

460
00:14:21,740 --> 00:14:24,039
of that unfolding in the background.

461
00:14:24,040 --> 00:14:25,359
Heck, here in Austin, I bet there's

462
00:14:25,360 --> 00:14:27,359
a few of you out there who don't

463
00:14:27,360 --> 00:14:29,239
even have to imagine much about that

464
00:14:29,240 --> 00:14:31,079
scenario. It was certainly true

465
00:14:31,080 --> 00:14:33,199
for Bob Bursey, the executive

466
00:14:33,200 --> 00:14:34,579
and artistic director for Texas

467
00:14:34,580 --> 00:14:35,619
Performing Arts.

468
00:14:35,620 --> 00:14:37,219
They operate the Bass Concert Hall

469
00:14:37,220 --> 00:14:38,679
and McCullough Theater.

470
00:14:38,680 --> 00:14:40,519
He started his new job January

471
00:14:40,520 --> 00:14:43,159
1st, 2020.

472
00:14:43,160 --> 00:14:44,479
Needless to say, the pandemic

473
00:14:44,480 --> 00:14:46,499
required Bursey to pivot from

474
00:14:46,500 --> 00:14:47,739
some of the plans that he might've

475
00:14:47,740 --> 00:14:49,839
had coming into the gig.

476
00:14:49,840 --> 00:14:51,439
Bursey spoke with KUT's Jennifer

477
00:14:51,440 --> 00:14:52,959
Stayton on the stage of the

478
00:14:52,960 --> 00:14:54,859
McCulloch Theater about how COVID

479
00:14:54,860 --> 00:14:57,279
impacted TPA back then and

480
00:14:57,280 --> 00:14:59,199
what the future looks like for them.

481
00:14:59,200 --> 00:15:00,840
And the arts going forward.

482
00:15:02,310 --> 00:15:03,909
Taking the lead of a big

483
00:15:03,910 --> 00:15:05,849
organization on the precipice of

484
00:15:05,850 --> 00:15:10,069
a moment of great disruption really

485
00:15:10,070 --> 00:15:12,249
set the tone for so

486
00:15:12,250 --> 00:15:13,469
much of what we've been able to

487
00:15:13,470 --> 00:15:15,009
accomplish since then.

488
00:15:15,010 --> 00:15:16,729
When it became clear that we weren't

489
00:15:16,730 --> 00:15:19,289
going to be able to do what we

490
00:15:19,290 --> 00:15:21,329
normally could do or normally how we

491
00:15:21,330 --> 00:15:23,169
serve our community, we tried to

492
00:15:23,170 --> 00:15:25,109
find other things, other ways

493
00:15:25,110 --> 00:15:26,209
to make an impact.

494
00:15:26,210 --> 00:15:27,349
So we...

495
00:15:27,350 --> 00:15:29,149
Did a renovation of the facility

496
00:15:29,150 --> 00:15:30,809
that was bigger and deeper than what

497
00:15:30,810 --> 00:15:32,369
would have otherwise been possible

498
00:15:32,370 --> 00:15:34,009
and Bass Concert Hall made a lot of

499
00:15:34,010 --> 00:15:35,889
improvements. It also gave us

500
00:15:35,890 --> 00:15:37,829
an opportunity to look more locally

501
00:15:37,830 --> 00:15:39,809
for the artists that we engage

502
00:15:39,810 --> 00:15:42,029
with. So organizations like

503
00:15:42,030 --> 00:15:44,269
ours were founded in

504
00:15:44,270 --> 00:15:45,789
the middle of the last century on

505
00:15:45,790 --> 00:15:47,549
the promise of bringing in the most

506
00:15:47,550 --> 00:15:49,649
interesting things from around

507
00:15:49,650 --> 00:15:51,089
the country and around the world.

508
00:15:51,090 --> 00:15:53,049
And that's still core to what we do

509
00:15:53,050 --> 00:15:54,229
and very important to us.

510
00:15:54,230 --> 00:15:56,149
But for many organizations

511
00:15:56,150 --> 00:15:57,749
like us.

512
00:15:57,750 --> 00:16:00,629
Did that at the exclusion of

513
00:16:00,630 --> 00:16:02,729
great artists and amazing projects

514
00:16:02,730 --> 00:16:04,549
in your own backyard.

515
00:16:04,550 --> 00:16:06,229
And so during COVID, we worked with

516
00:16:06,230 --> 00:16:08,569
a lot of Austin-based artists to

517
00:16:08,570 --> 00:16:10,149
provide creative residencies where

518
00:16:10,150 --> 00:16:12,109
they could safely develop projects

519
00:16:12,110 --> 00:16:13,829
in our studios and on our stages

520
00:16:13,830 --> 00:16:15,849
that then went on to be

521
00:16:15,850 --> 00:16:17,469
presented and performed around the

522
00:16:17,470 --> 00:16:18,679
country later.

523
00:16:18,680 --> 00:16:20,479
Is that something that has stayed

524
00:16:20,480 --> 00:16:22,819
with Texas Performing Arts since

525
00:16:22,820 --> 00:16:24,059
COVID days?

526
00:16:24,060 --> 00:16:26,199
Yes, we've added that aspect

527
00:16:26,200 --> 00:16:27,619
to our program as creative

528
00:16:27,620 --> 00:16:29,159
development and residency for

529
00:16:29,160 --> 00:16:31,099
Austin-based artists.

530
00:16:31,100 --> 00:16:33,119
The pandemic also brought

531
00:16:33,120 --> 00:16:35,159
into question many of the ways

532
00:16:35,160 --> 00:16:37,619
that big organizations worked

533
00:16:37,620 --> 00:16:40,239
and showed the value of partnership.

534
00:16:40,240 --> 00:16:41,399
And that's something that stayed

535
00:16:41,400 --> 00:16:43,279
with us as well

536
00:16:43,280 --> 00:16:45,619
at TPA, that we

537
00:16:45,620 --> 00:16:48,859
can accomplish ambitious things,

538
00:16:48,860 --> 00:16:51,639
life-changing projects, impactful.

539
00:16:51,640 --> 00:16:53,359
Educational initiatives when we work

540
00:16:53,360 --> 00:16:54,959
together with other organizations.

541
00:16:55,990 --> 00:16:58,409
How does the commercial viability

542
00:16:58,410 --> 00:17:00,409
of an artist or arts

543
00:17:00,410 --> 00:17:02,309
group coming to town sort

544
00:17:02,310 --> 00:17:04,689
of balance with maybe artistic

545
00:17:04,690 --> 00:17:07,249
experimentation or something new?

546
00:17:07,250 --> 00:17:08,489
Do you have to go to sort of

547
00:17:08,490 --> 00:17:10,009
something familiar that you know

548
00:17:10,010 --> 00:17:11,108
will fill seats?

549
00:17:11,109 --> 00:17:12,429
Or do you feel like you've got some

550
00:17:12,430 --> 00:17:14,469
room to try something new or

551
00:17:14,470 --> 00:17:15,969
experiment? How do you kind of make

552
00:17:15,970 --> 00:17:17,618
that calculation?

553
00:17:17,619 --> 00:17:19,279
We've been very intentional about

554
00:17:19,280 --> 00:17:21,299
doing all of the above to

555
00:17:21,300 --> 00:17:23,259
have things that will fill

556
00:17:23,260 --> 00:17:25,299
Bass Concert Hall at 3,000 seats

557
00:17:25,300 --> 00:17:27,118
night after night and also

558
00:17:27,119 --> 00:17:29,019
to do things in a

559
00:17:29,020 --> 00:17:30,879
rehearsal studio that maybe 12

560
00:17:30,880 --> 00:17:32,879
people a night can see

561
00:17:32,880 --> 00:17:34,659
over the course of a week.

562
00:17:34,660 --> 00:17:36,379
We're one of the only places in the

563
00:17:36,380 --> 00:17:38,779
country that's able to embrace that

564
00:17:38,780 --> 00:17:40,779
huge wide range of programming

565
00:17:40,780 --> 00:17:42,639
from artists that you have heard

566
00:17:42,640 --> 00:17:44,199
of and are really familiar with

567
00:17:44,200 --> 00:17:46,379
their work, popular entertainers

568
00:17:46,380 --> 00:17:48,599
to major touring productions

569
00:17:48,600 --> 00:17:50,119
to things that are just being

570
00:17:50,120 --> 00:17:51,979
developed and are experimenting

571
00:17:51,980 --> 00:17:53,959
and trying to get off the ground.

572
00:17:53,960 --> 00:17:55,159
Because we have different size

573
00:17:55,160 --> 00:17:57,279
spaces, because we're part of

574
00:17:57,280 --> 00:17:59,039
an institution of research and

575
00:17:59,040 --> 00:18:00,859
learning, we're able to embrace

576
00:18:00,860 --> 00:18:02,719
all of those missions.

577
00:18:02,720 --> 00:18:04,279
Texas Performing Arts operates

578
00:18:04,280 --> 00:18:07,119
financially self-sustaining,

579
00:18:07,120 --> 00:18:09,179
but is very much informed

580
00:18:09,180 --> 00:18:11,459
by the values of

581
00:18:11,460 --> 00:18:13,519
the University of Learning,

582
00:18:13,520 --> 00:18:15,399
Research and Education.

583
00:18:15,400 --> 00:18:16,719
So anytime you come to see a

584
00:18:16,720 --> 00:18:17,749
performance here.

585
00:18:17,750 --> 00:18:19,249
The artist may have gone and done a

586
00:18:19,250 --> 00:18:21,249
master class with students

587
00:18:21,250 --> 00:18:23,149
at UT, they may

588
00:18:23,150 --> 00:18:24,589
have gone out and visited with a

589
00:18:24,590 --> 00:18:26,749
local high school or elementary

590
00:18:26,750 --> 00:18:28,669
or middle school, or there may be

591
00:18:28,670 --> 00:18:30,689
students coming from the community

592
00:18:30,690 --> 00:18:32,749
to that performance.

593
00:18:32,750 --> 00:18:34,549
Can just talk a little bit about

594
00:18:34,550 --> 00:18:36,629
what the arts can do for

595
00:18:36,630 --> 00:18:38,729
people, especially maybe

596
00:18:38,730 --> 00:18:40,669
when times are challenging in

597
00:18:40,670 --> 00:18:42,319
a host of different ways.

598
00:18:42,320 --> 00:18:43,879
I personally find it a source of

599
00:18:43,880 --> 00:18:46,019
inspiration, and I love gathering

600
00:18:46,020 --> 00:18:47,979
together with people in the

601
00:18:47,980 --> 00:18:50,119
same space. Nothing makes me happier

602
00:18:50,120 --> 00:18:52,019
than to see our lobby

603
00:18:52,020 --> 00:18:54,039
just full of folks who are

604
00:18:54,040 --> 00:18:55,939
all there because they want to

605
00:18:55,940 --> 00:18:57,959
be, to have an experience

606
00:18:57,960 --> 00:18:59,839
that they've chosen to have, that

607
00:18:59,840 --> 00:19:02,159
they're going to be inspired,

608
00:19:02,160 --> 00:19:04,039
entertained, engaged,

609
00:19:04,040 --> 00:19:05,799
maybe challenged by.

610
00:19:05,800 --> 00:19:07,499
That's certainly what motivates me

611
00:19:07,500 --> 00:19:09,319
and keeps us going, and I

612
00:19:09,320 --> 00:19:10,799
think it's a real source of

613
00:19:10,800 --> 00:19:11,729
optimism.

614
00:19:11,730 --> 00:19:13,709
Right now, that we get to see

615
00:19:13,710 --> 00:19:15,669
artists who really represent

616
00:19:15,670 --> 00:19:17,609
the idea of excellence,

617
00:19:17,610 --> 00:19:19,829
that they have trained and

618
00:19:19,830 --> 00:19:21,829
crafted for many, many years in

619
00:19:21,830 --> 00:19:23,389
order to be able to present what

620
00:19:23,390 --> 00:19:24,559
they do.

621
00:19:24,560 --> 00:19:26,239
What do you see as the biggest

622
00:19:26,240 --> 00:19:28,299
challenge for Texas Performing

623
00:19:28,300 --> 00:19:30,219
Arts and maybe sort of

624
00:19:30,220 --> 00:19:31,940
arts in general moving forward?

625
00:19:34,160 --> 00:19:36,119
There is so much

626
00:19:36,120 --> 00:19:38,259
choice out there now for

627
00:19:38,260 --> 00:19:40,419
us as audience members.

628
00:19:40,420 --> 00:19:42,299
We have essentially unlimited

629
00:19:42,300 --> 00:19:45,159
access to digital content.

630
00:19:45,160 --> 00:19:47,259
In our city, there's always so

631
00:19:47,260 --> 00:19:48,579
much going on.

632
00:19:49,860 --> 00:19:51,699
And making sure that we continue

633
00:19:51,700 --> 00:19:54,999
to offer really singular,

634
00:19:55,000 --> 00:19:56,279
memorable, sometimes

635
00:19:56,280 --> 00:19:58,259
once-in-a-lifetime experiences

636
00:19:58,260 --> 00:20:00,199
is a big priority for

637
00:20:00,200 --> 00:20:01,009
us.

638
00:20:01,010 --> 00:20:02,829
And keeping up with the

639
00:20:02,830 --> 00:20:05,529
pace of change that tastes are

640
00:20:05,530 --> 00:20:07,629
rapidly evolving

641
00:20:07,630 --> 00:20:09,549
and folks' interests are very,

642
00:20:09,550 --> 00:20:11,469
very wide now because we can

643
00:20:11,470 --> 00:20:13,309
self-curate in a way

644
00:20:13,310 --> 00:20:15,069
that we were never able to.

645
00:20:15,070 --> 00:20:16,709
It's a challenge, it's also hopeful

646
00:20:16,710 --> 00:20:18,629
because as life

647
00:20:18,630 --> 00:20:20,829
is increasingly digital,

648
00:20:20,830 --> 00:20:22,749
to have those moments of being in

649
00:20:22,750 --> 00:20:24,709
real space, in real time,

650
00:20:24,710 --> 00:20:26,489
together with fellow audience

651
00:20:26,490 --> 00:20:28,569
members, sharing an experience

652
00:20:28,570 --> 00:20:30,539
given to us by a performer.

653
00:20:30,540 --> 00:20:32,579
Becomes I think even more special

654
00:20:32,580 --> 00:20:33,699
right now.

655
00:20:33,700 --> 00:20:35,559
So I see it both as a challenge and

656
00:20:35,560 --> 00:20:37,219
as an opportunity.

657
00:20:37,220 --> 00:20:39,239
Is there an especially memorable

658
00:20:39,240 --> 00:20:41,459
show or performance that you've

659
00:20:41,460 --> 00:20:43,079
experienced in your time here that

660
00:20:43,080 --> 00:20:44,659
really stands out for you as

661
00:20:44,660 --> 00:20:46,839
something that really struck you

662
00:20:46,840 --> 00:20:48,779
or has stuck with you in

663
00:20:48,780 --> 00:20:50,649
your times here so far?

664
00:20:50,650 --> 00:20:52,469
Too many to name,

665
00:20:52,470 --> 00:20:55,309
clearly. I'll offer a few.

666
00:20:55,310 --> 00:20:56,709
One is anything that I get to see

667
00:20:56,710 --> 00:20:58,329
with my family, especially with my

668
00:20:58,330 --> 00:21:00,149
kids, and introduce them

669
00:21:00,150 --> 00:21:02,049
to the American

670
00:21:02,050 --> 00:21:03,589
cultural tradition.

671
00:21:03,590 --> 00:21:05,569
We have so many art forms

672
00:21:05,570 --> 00:21:07,909
that come from America,

673
00:21:07,910 --> 00:21:10,069
be it jazz or modern

674
00:21:10,070 --> 00:21:12,249
dance or Broadway.

675
00:21:12,250 --> 00:21:14,049
To see a Broadway show with my kid

676
00:21:14,050 --> 00:21:16,549
and introduce to that cultural

677
00:21:16,550 --> 00:21:19,039
lineage is really special.

678
00:21:19,040 --> 00:21:21,459
I also love the

679
00:21:21,460 --> 00:21:23,319
experimental work that we get to

680
00:21:23,320 --> 00:21:25,419
do. We did an extraordinary

681
00:21:25,420 --> 00:21:27,239
project early in my time

682
00:21:27,240 --> 00:21:29,059
here with a New York-based

683
00:21:29,060 --> 00:21:30,999
artist called Robin Frohart,

684
00:21:31,000 --> 00:21:32,559
a project called The Plastic Bag

685
00:21:32,560 --> 00:21:34,879
Store where she transformed a

686
00:21:34,880 --> 00:21:36,859
warehouse in Austin into

687
00:21:36,860 --> 00:21:38,959
a museum of

688
00:21:38,960 --> 00:21:40,899
incredible artifacts all

689
00:21:40,900 --> 00:21:43,199
created with plastic bags.

690
00:21:43,200 --> 00:21:45,039
And those kind of out of the

691
00:21:45,040 --> 00:21:45,889
box.

692
00:21:45,890 --> 00:21:47,849
Non-traditional projects are really,

693
00:21:47,850 --> 00:21:49,899
really special to me.

694
00:21:49,900 --> 00:21:51,719
Bob Bursey is executive and

695
00:21:51,720 --> 00:21:52,999
artistic director of Texas

696
00:21:53,000 --> 00:21:54,079
Performing Arts.

697
00:21:54,080 --> 00:21:55,199
Bob, thank you so much for chatting

698
00:21:55,200 --> 00:21:56,479
with me on the stage at the

699
00:21:56,480 --> 00:21:57,379
McCullough Theater.

700
00:21:57,380 --> 00:21:58,139
It's been great.

701
00:21:58,140 --> 00:21:59,139
It's been great to have you,

702
00:21:59,140 --> 00:22:00,220
Jennifer. Thank you so much.

703
00:22:06,740 --> 00:22:08,659
And thank you out there for

704
00:22:08,660 --> 00:22:10,539
tuning in on this Tuesday.

705
00:22:10,540 --> 00:22:12,139
Glad you're spinning part of it here

706
00:22:12,140 --> 00:22:14,019
with listener-powered public

707
00:22:14,020 --> 00:22:15,079
radio.

708
00:22:15,080 --> 00:22:17,579
We are KUT News 90.5

709
00:22:17,580 --> 00:22:19,199
on the KUT app.

710
00:22:19,200 --> 00:22:21,019
And we have more from our show

711
00:22:21,020 --> 00:22:24,159
online at kut.org

712
00:22:24,160 --> 00:22:25,299
slash signal.

713
00:22:25,300 --> 00:22:26,979
And please, if you listen to the

714
00:22:26,980 --> 00:22:29,479
show as a podcast, please subscribe,

715
00:22:29,480 --> 00:22:31,379
leave a review, and check the show

716
00:22:31,380 --> 00:22:33,199
notes for all the reporting that we

717
00:22:33,200 --> 00:22:34,459
brought to you today and that we

718
00:22:34,460 --> 00:22:36,159
bring to you every day.

719
00:22:36,160 --> 00:22:38,299
Thank you to Keyla Holmes,

720
00:22:38,300 --> 00:22:40,299
to Isaac Yu, and to Jennifer Stayton

721
00:22:40,300 --> 00:22:41,939
and Bob Bursey with their help

722
00:22:41,940 --> 00:22:44,539
making today's episode happen.

723
00:22:44,540 --> 00:22:46,199
Kristen Cabrera is our managing

724
00:22:46,200 --> 00:22:47,339
producer.

725
00:22:47,340 --> 00:22:49,359
Rayna Sevilla is our technical

726
00:22:49,360 --> 00:22:51,619
director. I'm Jerry Quijano.

727
00:22:51,620 --> 00:22:53,659
Austin Signal will be back tomorrow,

728
00:22:53,660 --> 00:22:54,879
and we'll talk to you then.

729
00:22:54,880 --> 00:22:55,880
Have a great day.

