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A new bathroom bill approved by

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Texas legislators has been in effect

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across the state for just over a

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week now. The law requires people

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to use public restrooms aligned

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with the sex they were assigned at

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birth, but there are still questions

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about how the law will be enforced,

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and here in Austin a lot of it

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depends on which building you happen

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to be in.

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Plus, the guiding hand behind the

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Volces Oral History Project

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is stepping down after a quarter

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century of documenting the story of

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Latinos in Texas and the US.

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Come hear her reflections on the

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work. That's up next.

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The Austin Signal is a production of

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K U T News, hosted by Jerry

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Quijano.

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And the thirty-seventh street lights

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will be lit tonight.

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It's an Austin holiday tradition.

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But how did it come to be?

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And what does my mom have to do with

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it all? That's coming up next.

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It's right here on Austin

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Signal.

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Howdy out there, thank you for

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tuning in. This is Austin

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Signal, and you're listening on

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community-powered public radio

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K U T News.

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It's Friday, December 12th.

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I'm your host, Jerry Kehonnell.

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We're glad to have you here.

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A new bathroom bill has been in

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effect in Texas for just over a week

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now. The law requires people

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to use public restrooms aligned

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with their sex assigned at birth.

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But as KUT's Katy McAfee

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reports, how it's being enforced

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across Austin depends greatly

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on what building you happen to be

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in.

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Austin City Councilmember Mike

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Siegel stands with a group of

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transgender activists on the city

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hall steps Thursday afternoon to

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announce something big.

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Council members just unanimously

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approved his resolution to look into

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making city restrooms gender

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inclusive while complying with the

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state's new bathroom bill.

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I do believe this law will be struck

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down by the courts is

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unconstitutional.

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But until that happens, we

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want to send a message as a

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city that we are welcoming

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to our own residents, to visitors.

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And to everyone.

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But Siegel's plan won't come easy

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or cheap.

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One option is adding a single

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occupancy restroom to every city

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facility, a move that could cost

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more than $14 million.

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Another option is turning every

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city restroom into a single

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occupancy restroom.

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That option could cost more than

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$232 million.

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Speaking to the crowd, Ash Hall

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with the ACLU of Texas said

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they were heartened by the steps the

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city's taking.

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But Hall says they're holding their

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breath as enforcement continues.

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In the times ahead, we can expect

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to hear more reports about trans

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people facing discrimination in

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restrooms in government owned

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and operated facilities.

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Some of those may be in our city,

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some of them may be beyond.

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Under the law, individuals will not

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be held liable for using the wrong

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restroom.

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But the Texas Attorney General

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will fine political subdivisions,

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like Travis County, the City of

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Austin, and UT if they violate

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the law. Fines start at $25,000

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for the first offense and can grow

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up to $125,000.

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On the UT Austin campus,

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at least one gender-neutral restroom

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with multiple stalls has been

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changed to a women's restroom,

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and a new policy is in effect,

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stating only females, as they

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are defined in the bill, can enter

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female spaces, like restrooms,

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locker rooms, or changing rooms.

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UT did not directly answer questions

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about how the new law would be

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enforced, and neither did Travis

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County. Officials released a

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statement saying the county will,

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quote, follow all state laws and

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regulations, end quote.

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Over the weekend, a group of

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transgender activists tested how

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the Texas Department of Public

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Safety would enforce the law at the

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state capitol.

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The group used the restroom at

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first without issue, but activists

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say after they staged a peaceful

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protest in the rotunda, several

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DPS troopers flocked to the scene.

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They asked to see IDs for select

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people in the group before they

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could use the restroom a second

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time. Ray Vazquez, a

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transgender woman, says she was

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singled out by DPS.

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Honestly, in my personal

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opinion, it seemed like they were

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not given guidance on how to enforce

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this bill or enforce this

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new policy that had been put in

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place.

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A DPS trooper later cited Vasquez

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and three other demonstrators with

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criminal trespass warnings, which

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bans them from Capitol grounds for

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a year.

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But Caleb Armstrong, a trans

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activist who is at the protest,

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says the bathroom bill is sure to

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have effects beyond Capitol walls.

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It makes it so

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you can't go to your

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kids band concert

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because you you're not allowed to

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use the bathroom that aligns with

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who you are at their school,

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or you can't go spend a

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day at the public park because

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you're terrified to go into the

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restroom.

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Armstrong says, as long as the

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bathroom bill is in effect, its

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nebulous enforcement will push

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trans people out of public life in

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Texas.

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I'm Katy McAfee in Austin.

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This is Austin Signal.

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Thank you for tuning in.

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You may recognize the stories from

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Volces Oral History Center.

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Maybe you've heard them right here

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on our airwaves.

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Based at the University of Texas

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since its founding in nineteen

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ninety nine, the center has gathered

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more than eighteen hundred oral

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history interviews and over twenty

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five hundred photographs, helping

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to document the story of the Latino

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experience in Texas and the United

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States and preserving that record

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for future generations.

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For a quarter of a century, Voces

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has been led by its founder, Maggie

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Rivas Rodriguez, but that

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is about to change.

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Next year, Rivas Rodriguez will

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be stepping down from Voices ahead

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of her retirement.

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Texas Standards David Brown spoke

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with her about the program and

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what's next, but first asks

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her to take us back to the

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beginning.

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We we started off wanting to do just

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audio and a friend of mine named

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Hector Galan who's a documentary

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film producer said, Don't do audio,

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do video because if we do a

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documentary it can be my like

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my field research.

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Right.

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So we started off doing video

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because of Hector and I

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fell in love with video and it was

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so important that we start off at a

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time when oral history really was

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not doing a lot of video work,

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we started off doing video and

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I'm so glad we did because we still

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have those video interviews

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with people, including my parents

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who were both of this generation.

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Yeah.

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That are great treasures for all of

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us.

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Yeah, you know, i it's interesting

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that you come from the world of

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journalism initially, and

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I think that you have an

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appreciation for something that

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perhaps some of our listeners might

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not completely, and that is when you

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talked when you do these interviews,

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there's so much that winds up on the

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cutting room floor once it's

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condensed into a story that's

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fit for print, as they say.

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And and th there are gems,

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jewels, there's nuance and texture

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that if if you if it

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were just left to an article

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or an occasional piece or or

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what have you, it wouldn't do

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the full story justice.

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So a big part of what Voses

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seems to me contributes

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is having a much more full and

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rich story that's preserved.

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It's the preservation aspect

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of it and that and and having

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the complete story as well, it seems

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to me.

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That's such a great point, David,

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because it is one of my

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frustrations. If y probably

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in your career you've seen you've

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done the same thing where you've

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interviewed somebody and what

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ends up on the air is just a small

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small piece of what they said.

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It is frustrating.

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But it is true that that the that

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the real gold is that full

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interview. And one of my

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frustrations is that when

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people look at our website,

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vocescenter.org,

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if they look at our website they see

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the stories that have come out of

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those interviews, some people think

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that that is the oral history

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project.

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Right.

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And it's not. It is a journalistic

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interpretation of the interview.

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Mm-hmm.

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So to look at to see the entire

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interview, you either have to

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go to the repository,

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which is the Nettie Lee Benson Latin

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American collection on campus,

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or we are trying to put as many

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interviews as we can on YouTube.

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So when you go to YouTube,

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you can look up by collection like

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World War II collection and you

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can see some interviews of people

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that we interviewed twenty five,

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twenty-six years ago at the

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very beginning.

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And most of these people are no

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longer with us.

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But that is that is the the

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beauty of having that

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w that it can be those interviews

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can be interpreted and

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understood in different ways by

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different people depending on your

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on your perspective.

287
00:08:45,950 --> 00:08:47,709
Yeah. I w I want to dig a little bit

288
00:08:47,710 --> 00:08:49,389
deeper into your early years as a

289
00:08:49,390 --> 00:08:51,309
reporter, which obviously shaped

290
00:08:51,310 --> 00:08:53,069
a lot of your appreciation for for

291
00:08:53,070 --> 00:08:56,189
this narrative approach that Vosis

292
00:08:56,190 --> 00:08:58,429
i has has developed.

293
00:08:58,430 --> 00:09:00,269
I understand that well

294
00:09:00,270 --> 00:09:02,269
before Vosis was initially

295
00:09:02,270 --> 00:09:04,189
conceived, you saw a need

296
00:09:04,190 --> 00:09:06,429
for more lat Latino representation

297
00:09:06,430 --> 00:09:07,789
in the industry at large.

298
00:09:07,790 --> 00:09:09,629
You were, I gather, among the

299
00:09:09,630 --> 00:09:11,229
committee that founded the National

300
00:09:11,230 --> 00:09:12,909
Association of Hispanic Journalists.

301
00:09:12,910 --> 00:09:13,869
Do I have that right?

302
00:09:13,870 --> 00:09:14,829
That is correct.

303
00:09:14,830 --> 00:09:16,349
Tell us a little bit about what you

304
00:09:16,350 --> 00:09:17,549
were hoping to accomplish there.

305
00:09:18,860 --> 00:09:20,539
Well, you know, I was a student here

306
00:09:20,540 --> 00:09:22,619
at U T and I graduated

307
00:09:22,620 --> 00:09:24,769
from U T in nineteen seventy six.

308
00:09:24,770 --> 00:09:25,369
Mm-hmm.

309
00:09:25,370 --> 00:09:27,369
And even in the seventies

310
00:09:27,370 --> 00:09:29,609
we were looking at the newspapers

311
00:09:29,610 --> 00:09:31,529
and the Daily Texas and we a lot

312
00:09:31,530 --> 00:09:33,688
of us did work at the Daily Texan,

313
00:09:33,689 --> 00:09:35,448
but the the number of stories that

314
00:09:35,449 --> 00:09:36,889
we could that we found in the Daily

315
00:09:36,890 --> 00:09:38,889
Texan or in the Austin newspaper,

316
00:09:38,890 --> 00:09:40,809
San Antonio newspapers, was

317
00:09:40,810 --> 00:09:42,649
really, really there were very few

318
00:09:42,650 --> 00:09:44,249
that were about the Latino

319
00:09:44,250 --> 00:09:45,369
experience.

320
00:09:45,370 --> 00:09:47,289
So what we didn't know was we

321
00:09:47,290 --> 00:09:48,729
didn't realize that the Kerner

322
00:09:48,730 --> 00:09:50,489
Commission report had come out and

323
00:09:50,490 --> 00:09:52,489
they had looked at the same issues

324
00:09:52,490 --> 00:09:54,568
of the the news new

325
00:09:54,569 --> 00:09:56,649
media was largely told

326
00:09:56,650 --> 00:09:58,489
through the perspective of

327
00:09:58,490 --> 00:10:00,169
people that were not part of these

328
00:10:00,170 --> 00:10:02,328
quote unquote minority communities.

329
00:10:02,329 --> 00:10:04,249
So our stories kept on getting lost.

330
00:10:04,250 --> 00:10:05,929
And so we were very aware of that.

331
00:10:05,930 --> 00:10:07,369
We were very you know, we as

332
00:10:07,370 --> 00:10:08,889
students were very aware of that.

333
00:10:08,890 --> 00:10:10,729
And we did a conference here in

334
00:10:10,730 --> 00:10:12,568
nineteen seventy-five that

335
00:10:12,569 --> 00:10:14,409
brought in people from all over the

336
00:10:14,410 --> 00:10:16,249
country to look

337
00:10:16,250 --> 00:10:18,568
at some of the issues facing Latinos

338
00:10:18,569 --> 00:10:20,568
in in the news media and

339
00:10:20,569 --> 00:10:22,409
what it meant to be part

340
00:10:22,410 --> 00:10:24,088
of the news media and try to get

341
00:10:24,089 --> 00:10:25,529
those stories told in the news

342
00:10:25,530 --> 00:10:27,289
media. So that it it really goes

343
00:10:27,290 --> 00:10:28,649
back to my college days.

344
00:10:28,650 --> 00:10:30,729
Well, flash forward, I ended

345
00:10:30,730 --> 00:10:32,729
up going to the Boston Globe

346
00:10:32,730 --> 00:10:34,568
and I was working at the Boston

347
00:10:34,569 --> 00:10:36,649
Globe from nineteen seventy

348
00:10:36,650 --> 00:10:38,489
nine to nineteen eighty two.

349
00:10:38,490 --> 00:10:40,409
And at the Boston Globe I was

350
00:10:40,410 --> 00:10:42,489
the first Hispanic they ever hired

351
00:10:42,490 --> 00:10:44,009
and there were you know, I had a lot

352
00:10:44,010 --> 00:10:46,249
of of black friends

353
00:10:46,250 --> 00:10:48,169
there and we would meet and we

354
00:10:48,170 --> 00:10:50,088
would talk about how can

355
00:10:50,089 --> 00:10:51,929
we get more perspective into

356
00:10:51,930 --> 00:10:54,088
the newspaper, how can we champion

357
00:10:54,089 --> 00:10:55,139
our stories.

358
00:10:55,140 --> 00:10:57,139
So we we we tried to

359
00:10:57,140 --> 00:10:58,979
to do as much as we could,

360
00:10:58,980 --> 00:11:00,979
but it was kind of

361
00:11:00,980 --> 00:11:03,059
the the entire thing was

362
00:11:03,060 --> 00:11:04,259
because we didn't have a lot of

363
00:11:04,260 --> 00:11:06,179
editors who could say, Well, that's

364
00:11:06,180 --> 00:11:07,539
a great story idea.

365
00:11:07,540 --> 00:11:09,219
And we didn't have enough reporters

366
00:11:09,220 --> 00:11:11,379
saying that story needs to be told

367
00:11:11,380 --> 00:11:13,219
and and it needs to be placed in

368
00:11:13,220 --> 00:11:15,459
a prominent part of the newspaper,

369
00:11:15,460 --> 00:11:16,739
not buried.

370
00:11:16,740 --> 00:11:19,059
So when I was at the Boston Globe,

371
00:11:19,060 --> 00:11:20,899
I got an invitation to be part

372
00:11:20,900 --> 00:11:22,899
of committee to

373
00:11:22,900 --> 00:11:24,579
plan a conference of Hispanic

374
00:11:24,580 --> 00:11:25,938
journalists.

375
00:11:25,939 --> 00:11:28,099
And that took place in nineteen

376
00:11:28,100 --> 00:11:29,938
eighty-two in San Diego.

377
00:11:29,939 --> 00:11:31,779
So we planned this thing for I

378
00:11:31,780 --> 00:11:33,139
don't remember if it was a year or

379
00:11:33,140 --> 00:11:34,419
whatever, but that but I was part of

380
00:11:34,420 --> 00:11:35,379
that committee.

381
00:11:35,380 --> 00:11:37,779
And I made sure at that point

382
00:11:37,780 --> 00:11:39,779
to reach out to as many Hispanic

383
00:11:39,780 --> 00:11:41,938
journalists in the New England

384
00:11:41,939 --> 00:11:43,938
region as I possibly could.

385
00:11:43,939 --> 00:11:45,779
And and so that was kind of

386
00:11:45,780 --> 00:11:48,099
the beginning of my involvement

387
00:11:48,100 --> 00:11:49,859
in what ended up being the National

388
00:11:49,860 --> 00:11:51,619
Association of Hispanic Journalists.

389
00:11:51,620 --> 00:11:53,379
But in San Diego at that conference

390
00:11:53,380 --> 00:11:55,219
in nineteen eighty two,

391
00:11:55,220 --> 00:11:56,739
there were something like seven

392
00:11:56,740 --> 00:11:58,019
hundred people at this conference.

393
00:11:58,020 --> 00:11:59,539
I had never seen so many Hispanic

394
00:11:59,540 --> 00:12:01,379
journalists in one place.

395
00:12:01,380 --> 00:12:03,299
And we had some of the

396
00:12:03,300 --> 00:12:05,459
same problems

397
00:12:05,460 --> 00:12:07,299
that sometimes we'd have what we

398
00:12:07,300 --> 00:12:08,818
thought was a really important story

399
00:12:08,819 --> 00:12:11,059
idea and it would get shot down.

400
00:12:11,060 --> 00:12:13,059
Or we had a really important story

401
00:12:13,060 --> 00:12:14,659
and it got buried.

402
00:12:14,660 --> 00:12:16,979
And and we didn't have

403
00:12:16,980 --> 00:12:18,818
just by being able to talk about

404
00:12:18,819 --> 00:12:20,659
these issues and try to come up

405
00:12:20,660 --> 00:12:22,659
with solutions that was so

406
00:12:22,660 --> 00:12:23,660
important to all of us.

407
00:12:27,040 --> 00:12:28,879
That was a conversation between

408
00:12:28,880 --> 00:12:30,959
Voss's founder Maggie Rivas

409
00:12:30,960 --> 00:12:31,839
Rodriguez.

410
00:12:31,840 --> 00:12:33,438
She was speaking with the Texas

411
00:12:33,439 --> 00:12:35,119
Standards David Brown.

412
00:12:35,120 --> 00:12:37,039
You can hear their full interview at

413
00:12:37,040 --> 00:12:38,879
Texas Standard.org.

414
00:12:38,880 --> 00:12:40,399
And we're gonna have a link in

415
00:12:40,400 --> 00:12:42,559
today's podcast show notes.

416
00:12:42,560 --> 00:12:45,679
That is at KUT.org

417
00:12:45,680 --> 00:12:47,679
slash signal.

418
00:12:47,680 --> 00:12:49,519
A quick note from the

419
00:12:49,520 --> 00:12:51,439
KUT Newsroom happened

420
00:12:51,440 --> 00:12:52,719
late yesterday afternoon.

421
00:12:52,720 --> 00:12:54,319
Travis County is working to

422
00:12:54,320 --> 00:12:56,319
exonerate four young men in the case

423
00:12:56,320 --> 00:12:58,559
known as the Yogurt Shop Murders.

424
00:12:58,560 --> 00:13:00,479
It's after Austin police identified

425
00:13:00,480 --> 00:13:01,919
the man that they believe was

426
00:13:01,920 --> 00:13:03,919
responsible for the 1991

427
00:13:03,920 --> 00:13:05,599
killings of four girls.

428
00:13:05,600 --> 00:13:07,919
Michael Scott, Robert Springsteen,

429
00:13:07,920 --> 00:13:10,159
Maurice Pierce, and Forrest Wellburn

430
00:13:10,160 --> 00:13:12,079
were all charged in 1999.

431
00:13:12,080 --> 00:13:14,079
APD said in September they

432
00:13:14,080 --> 00:13:16,079
believe Robert Eugene Braschers

433
00:13:16,080 --> 00:13:17,039
committed the murders.

434
00:13:17,040 --> 00:13:18,879
Brashers died in nineteen

435
00:13:18,880 --> 00:13:19,759
ninety-nine.

436
00:13:19,760 --> 00:13:21,679
We have more from KUT's

437
00:13:21,680 --> 00:13:23,039
government accountability reporter

438
00:13:23,040 --> 00:13:24,239
Andrew Weber.

439
00:13:24,240 --> 00:13:27,439
That is at KUT.org.

440
00:13:27,440 --> 00:13:29,119
And we're gonna have more Austin

441
00:13:29,120 --> 00:13:30,959
Signal coming up in

442
00:13:30,960 --> 00:13:31,999
just a moment.

443
00:13:32,000 --> 00:13:34,079
You are listening to community

444
00:13:34,080 --> 00:13:35,679
powered public radio.

445
00:13:35,680 --> 00:13:37,519
This is KUT News

446
00:13:37,520 --> 00:13:39,519
90.5 or on the

447
00:13:39,520 --> 00:13:41,679
K U T app and online

448
00:13:41,680 --> 00:13:45,360
at K U T.org.

449
00:13:52,880 --> 00:13:55,289
This is Austin Signal.

450
00:13:55,290 --> 00:13:57,129
Thank you for tuning in.

451
00:13:57,130 --> 00:13:59,049
The holiday season is upon

452
00:13:59,050 --> 00:14:01,049
us and it is a nostalgic

453
00:14:01,050 --> 00:14:02,968
one, taking time to listen back

454
00:14:02,969 --> 00:14:04,809
to stories about who we are as

455
00:14:04,810 --> 00:14:06,649
a people and why we do the

456
00:14:06,650 --> 00:14:08,649
things that we do and partake in the

457
00:14:08,650 --> 00:14:10,088
traditions that we do.

458
00:14:10,089 --> 00:14:11,929
Traditions of old old

459
00:14:11,930 --> 00:14:13,848
Austin particularly, like the

460
00:14:13,849 --> 00:14:15,688
37th Street lights,

461
00:14:15,689 --> 00:14:17,369
the installation slinging lights

462
00:14:17,370 --> 00:14:19,289
from house to house as cars and

463
00:14:19,290 --> 00:14:20,489
people pass through.

464
00:14:20,490 --> 00:14:22,009
How did it come to be?

465
00:14:22,010 --> 00:14:24,088
Well, somebody asked our ATX Wayne

466
00:14:24,089 --> 00:14:25,208
project about it.

467
00:14:25,209 --> 00:14:27,688
Let's take it back to a fresh-eared

468
00:14:27,689 --> 00:14:29,688
2019 Cherokee

469
00:14:29,689 --> 00:14:30,689
Honel.

470
00:14:31,849 --> 00:14:33,848
I already had plans to head over and

471
00:14:33,849 --> 00:14:35,848
see the lights on 37th Street this

472
00:14:35,849 --> 00:14:37,688
year. Then someone told me they

473
00:14:37,689 --> 00:14:39,369
wanted to come along and check it

474
00:14:39,370 --> 00:14:41,369
out. So off we went to explore

475
00:14:41,370 --> 00:14:43,289
the street pulsing with color and

476
00:14:43,290 --> 00:14:45,448
discover the origins of the lights.

477
00:14:45,449 --> 00:14:47,328
Just say like, my name is my name.

478
00:14:47,329 --> 00:14:48,199
My name is Anna Quijano.

479
00:14:48,200 --> 00:14:49,169
Wait, do it again.

480
00:14:49,170 --> 00:14:50,170
Hi, my name is Anna Quijano and

481
00:14:50,849 --> 00:14:52,929
we're at the thirty seventh street

482
00:14:52,930 --> 00:14:53,930
light show.

483
00:14:54,920 --> 00:14:55,920
And how how do you know me?

484
00:14:57,260 --> 00:14:58,260
I am Jerry's mom.

485
00:15:00,360 --> 00:15:01,879
She'd just driven up from San

486
00:15:01,880 --> 00:15:03,479
Antonio and we're looking out as the

487
00:15:03,480 --> 00:15:04,839
darkest part of the night is

488
00:15:04,840 --> 00:15:06,439
beginning to be illuminated with

489
00:15:06,440 --> 00:15:08,679
glowing bulbs of electric color.

490
00:15:08,680 --> 00:15:10,999
There's blue, red, green, yellow,

491
00:15:11,000 --> 00:15:12,829
and everything in between.

492
00:15:12,830 --> 00:15:15,069
The lights are connected between

493
00:15:15,070 --> 00:15:16,109
right over the street.

494
00:15:16,110 --> 00:15:17,629
I mean over it looks like it could

495
00:15:17,630 --> 00:15:19,949
be power lines.

496
00:15:19,950 --> 00:15:21,789
But they're just like roped from

497
00:15:21,790 --> 00:15:23,469
across the street from each other.

498
00:15:23,470 --> 00:15:24,389
Looks pretty cool.

499
00:15:24,390 --> 00:15:25,909
She was probably thinking the same

500
00:15:25,910 --> 00:15:28,229
thing our question asker Liz Artega

501
00:15:28,230 --> 00:15:29,589
thought when she used to visit the

502
00:15:29,590 --> 00:15:30,709
lights as a kid.

503
00:15:30,710 --> 00:15:32,869
Yeah, they look pretty and all,

504
00:15:32,870 --> 00:15:34,749
but is this safe?

505
00:15:34,750 --> 00:15:36,109
You know, I went with my parents one

506
00:15:36,110 --> 00:15:37,949
year and my dad was an electrician

507
00:15:37,950 --> 00:15:39,789
and he was like, Oh man, this is

508
00:15:39,790 --> 00:15:41,669
this is a spider hazard for sure.

509
00:15:41,670 --> 00:15:43,348
Liz grew up in North Austin and

510
00:15:43,349 --> 00:15:45,188
visited the lights back in the early

511
00:15:45,189 --> 00:15:47,188
nineties. The festivities along

512
00:15:47,189 --> 00:15:49,109
the houses of thirty seventh street

513
00:15:49,110 --> 00:15:51,188
set a high bar for Liz's idea

514
00:15:51,189 --> 00:15:52,309
of Christmas.

515
00:15:52,310 --> 00:15:54,149
She just assumed everyone in

516
00:15:54,150 --> 00:15:56,068
central Austin loved Christmas

517
00:15:56,069 --> 00:15:57,909
this much, but not in the

518
00:15:57,910 --> 00:15:59,989
usual Santa Claus, Frosty

519
00:15:59,990 --> 00:16:01,749
the Snowman, chestnuts roasting on

520
00:16:01,750 --> 00:16:03,419
an open fire kind of way.

521
00:16:03,420 --> 00:16:05,098
It was like what made Austin weird.

522
00:16:05,099 --> 00:16:06,218
It was like one of those things.

523
00:16:06,219 --> 00:16:07,659
Like, oh yeah, that's why we call

524
00:16:07,660 --> 00:16:08,458
Austin weird.

525
00:16:08,459 --> 00:16:09,578
It's because we have things like

526
00:16:09,579 --> 00:16:11,578
this around a town around Christmas,

527
00:16:11,579 --> 00:16:12,859
which almost had nothing to do with

528
00:16:12,860 --> 00:16:13,649
Christmas.

529
00:16:13,650 --> 00:16:15,729
And so she wanted to know

530
00:16:15,730 --> 00:16:18,129
who started this odd Christmas

531
00:16:18,130 --> 00:16:19,969
adjacent celebration.

532
00:16:19,970 --> 00:16:21,729
Well, one of the people responsible

533
00:16:21,730 --> 00:16:23,729
for igniting the tradition is Jamie

534
00:16:23,730 --> 00:16:24,609
Lipman.

535
00:16:24,610 --> 00:16:26,448
He moved onto 37th Street in

536
00:16:26,449 --> 00:16:28,049
the late 1970s.

537
00:16:28,050 --> 00:16:29,889
He was stringing up his first set of

538
00:16:29,890 --> 00:16:31,409
lights when someone told him to try

539
00:16:31,410 --> 00:16:33,009
letting them hang straight down for

540
00:16:33,010 --> 00:16:34,179
a change.

541
00:16:34,180 --> 00:16:35,399
Well that's different.

542
00:16:35,400 --> 00:16:36,919
So I went with it.

543
00:16:36,920 --> 00:16:39,159
And a sort of a tic

544
00:16:39,160 --> 00:16:41,239
tac toe cross piece

545
00:16:41,240 --> 00:16:43,159
that I attached the lights to and

546
00:16:43,160 --> 00:16:45,079
then pulled it up with a rope.

547
00:16:45,080 --> 00:16:46,759
People could get in the middle of

548
00:16:46,760 --> 00:16:48,819
the strings and spin around.

549
00:16:48,820 --> 00:16:50,499
Pretty soon the other residents on

550
00:16:50,500 --> 00:16:52,259
the street started hanging their own

551
00:16:52,260 --> 00:16:54,179
lights, then Jamie and another

552
00:16:54,180 --> 00:16:55,779
neighbor decided they wanted their

553
00:16:55,780 --> 00:16:58,179
houses to be connected by lights.

554
00:16:58,180 --> 00:17:00,099
Across the road, over

555
00:17:00,100 --> 00:17:02,259
someone's house who had no lights,

556
00:17:02,260 --> 00:17:04,499
you know, just in the trees,

557
00:17:04,500 --> 00:17:06,659
and we connected and

558
00:17:06,660 --> 00:17:08,818
that was sort of the big

559
00:17:08,819 --> 00:17:10,818
catalyst for people to oh,

560
00:17:10,819 --> 00:17:12,739
I wanna put up lights, I wanna do

561
00:17:12,740 --> 00:17:14,419
this. So we ran with it.

562
00:17:14,420 --> 00:17:16,259
Jamie says the 37th Street lights

563
00:17:16,260 --> 00:17:18,099
hit their heyday in the late 80s

564
00:17:18,100 --> 00:17:20,019
and early 90s, but as the

565
00:17:20,020 --> 00:17:21,939
light displays grew, so did

566
00:17:21,940 --> 00:17:23,779
concern that the whole thing might

567
00:17:23,780 --> 00:17:25,539
be a safety hazard.

568
00:17:25,540 --> 00:17:27,859
Then the blackout of 1993

569
00:17:27,860 --> 00:17:29,779
happened. Jamie says he woke up

570
00:17:29,780 --> 00:17:31,779
one morning and walked out to find a

571
00:17:31,780 --> 00:17:33,539
city worker on a cherry picker

572
00:17:33,540 --> 00:17:34,899
removing the lights.

573
00:17:34,900 --> 00:17:36,819
So, as a form of protest, the

574
00:17:36,820 --> 00:17:38,979
residents on 37th Street banded

575
00:17:38,980 --> 00:17:40,499
together and shut down the whole

576
00:17:40,500 --> 00:17:42,339
thing. Then they told upset

577
00:17:42,340 --> 00:17:43,859
visitors that they'd have to take it

578
00:17:43,860 --> 00:17:46,339
up with then Mayor Bruce Todd.

579
00:17:46,340 --> 00:17:47,589
So they did.

580
00:17:47,590 --> 00:17:49,509
Two days later they came back

581
00:17:49,510 --> 00:17:51,349
and put all the lights back up.

582
00:17:51,350 --> 00:17:53,189
And Mayor Todd walked

583
00:17:53,190 --> 00:17:55,109
down the street and said, Well, we

584
00:17:55,110 --> 00:17:56,629
messed with Christmas, we made a

585
00:17:56,630 --> 00:17:57,689
mistake.

586
00:17:57,690 --> 00:17:59,369
The lights burned bright until the

587
00:17:59,370 --> 00:18:01,209
mid-2000s when Jamie and some

588
00:18:01,210 --> 00:18:02,809
of his fellow neighbors moved out of

589
00:18:02,810 --> 00:18:04,729
the area. But thanks to the help of

590
00:18:04,730 --> 00:18:06,489
some new people on the block, the

591
00:18:06,490 --> 00:18:08,409
past few Christmases on 37th

592
00:18:08,410 --> 00:18:10,089
Street have been getting brighter

593
00:18:10,090 --> 00:18:12,169
and stranger, and that brings

594
00:18:12,170 --> 00:18:13,689
us back to this year.

595
00:18:13,690 --> 00:18:15,529
One of the first displays my mom and

596
00:18:15,530 --> 00:18:17,529
I bumped into was a science

597
00:18:17,530 --> 00:18:19,449
fair put on by stuffed

598
00:18:19,450 --> 00:18:20,329
animals.

599
00:18:20,330 --> 00:18:22,249
Which stuffing type exhibits the

600
00:18:22,250 --> 00:18:23,769
greatest cuddling force?

601
00:18:23,770 --> 00:18:26,089
Do stuffed balloon animals withstand

602
00:18:26,090 --> 00:18:27,688
the weather better than traditional

603
00:18:27,689 --> 00:18:28,809
balloon animals?

604
00:18:28,810 --> 00:18:30,569
What should I put in my pouch?

605
00:18:30,570 --> 00:18:31,609
Says the kangy.

606
00:18:31,610 --> 00:18:33,369
Does proximity to stuffed animals

607
00:18:33,370 --> 00:18:34,569
affect plant growth?

608
00:18:34,570 --> 00:18:36,729
The charmin bears wear underwear

609
00:18:36,730 --> 00:18:37,849
but not clothing.

610
00:18:37,850 --> 00:18:39,210
Why can't we see it?

611
00:18:40,750 --> 00:18:43,389
So not your typical

612
00:18:43,390 --> 00:18:45,329
light show so far.

613
00:18:45,330 --> 00:18:46,449
Not at all.

614
00:18:46,450 --> 00:18:48,129
Not all the houses on the streets

615
00:18:48,130 --> 00:18:49,969
are decked out in lights, but a

616
00:18:49,970 --> 00:18:51,329
good chunk of them are.

617
00:18:51,330 --> 00:18:53,169
People walk along both sidewalks

618
00:18:53,170 --> 00:18:55,329
dipping in and out of yards

619
00:18:55,330 --> 00:18:57,009
while cars drive down the road

620
00:18:57,010 --> 00:18:58,769
moving almost as slowly as the

621
00:18:58,770 --> 00:19:00,609
fascinated pedestrians.

622
00:19:00,610 --> 00:19:02,769
And the displays, yeah,

623
00:19:02,770 --> 00:19:04,130
they're still a little weird.

624
00:19:06,770 --> 00:19:08,689
I can't see.

625
00:19:08,690 --> 00:19:09,889
I think we have an idea.

626
00:19:09,890 --> 00:19:11,729
Oh, he's pole dancing.

627
00:19:13,180 --> 00:19:14,859
We walk down the streets weaving

628
00:19:14,860 --> 00:19:16,379
through the people and houses,

629
00:19:16,380 --> 00:19:18,299
searching out the perfect spots for

630
00:19:18,300 --> 00:19:20,139
my now influencer mom to

631
00:19:20,140 --> 00:19:21,499
snap some photos.

632
00:19:21,500 --> 00:19:22,699
I gotta document some of this on my

633
00:19:22,700 --> 00:19:23,700
phone.

634
00:19:23,949 --> 00:19:25,698
Even though I'm doing a story on it.

635
00:19:25,699 --> 00:19:27,619
Yeah, for my for my Instagram.

636
00:19:27,620 --> 00:19:28,620
Hello.

637
00:19:33,540 --> 00:19:34,819
I remember coming here with my

638
00:19:34,820 --> 00:19:36,739
family as both a young

639
00:19:36,740 --> 00:19:38,339
kid but then a lot also as a

640
00:19:38,340 --> 00:19:39,219
teenager.

641
00:19:39,220 --> 00:19:40,898
It was one of my favorite spots to

642
00:19:40,899 --> 00:19:42,019
go with many of my friends that

643
00:19:42,020 --> 00:19:43,359
lived around this neighborhood.

644
00:19:43,360 --> 00:19:45,198
Robert Foster moved to 37th

645
00:19:45,199 --> 00:19:46,718
Street in 2015.

646
00:19:46,719 --> 00:19:48,559
He started rattling his neighbors to

647
00:19:48,560 --> 00:19:50,239
gage their interest, and they

648
00:19:50,240 --> 00:19:52,638
decided to bring glory back to 37th

649
00:19:52,639 --> 00:19:53,269
Street.

650
00:19:53,270 --> 00:19:55,029
The first year it was very small,

651
00:19:55,030 --> 00:19:56,468
but there was just these two kids

652
00:19:56,469 --> 00:19:57,908
that were just having the absolute

653
00:19:57,909 --> 00:19:59,109
best time of their life right

654
00:19:59,110 --> 00:20:00,869
outside my window during the light.

655
00:20:00,870 --> 00:20:02,228
And I just realized at that point

656
00:20:02,229 --> 00:20:03,908
that like we we just had to do it.

657
00:20:03,909 --> 00:20:05,269
Like we had to bring a little weird

658
00:20:05,270 --> 00:20:07,169
and little joy back to Austin.

659
00:20:07,170 --> 00:20:09,009
He says the lights on thirty seventh

660
00:20:09,010 --> 00:20:11,009
street embody the idea that

661
00:20:11,010 --> 00:20:12,929
Austinites are just a little

662
00:20:12,930 --> 00:20:13,559
different.

663
00:20:13,560 --> 00:20:14,678
We come together.

664
00:20:14,679 --> 00:20:16,279
We also come together and we don't

665
00:20:16,280 --> 00:20:18,359
want just to see Santa Claus

666
00:20:18,360 --> 00:20:19,799
and like a Christmas tree.

667
00:20:19,800 --> 00:20:21,479
We wanna be creative, we wanna be

668
00:20:21,480 --> 00:20:23,638
unique, we wanna revel

669
00:20:23,639 --> 00:20:25,479
in like the diversity that the

670
00:20:25,480 --> 00:20:26,339
city has.

671
00:20:26,340 --> 00:20:28,259
Some people say there isn't much

672
00:20:28,260 --> 00:20:30,579
weird left in Austin anymore.

673
00:20:30,580 --> 00:20:31,698
For me, yeah.

674
00:20:31,699 --> 00:20:33,779
The lights were weird and they were

675
00:20:33,780 --> 00:20:36,019
cool. But what did my mom

676
00:20:36,020 --> 00:20:36,898
think?

677
00:20:36,899 --> 00:20:39,059
Would you say that

678
00:20:39,060 --> 00:20:41,300
that this experience was weird?

679
00:20:43,010 --> 00:20:44,849
Some of it was weird.

680
00:20:44,850 --> 00:20:45,729
Not a lot of it.

681
00:20:45,730 --> 00:20:47,569
A lot of it was just very

682
00:20:47,570 --> 00:20:49,649
creative to me.

683
00:20:49,650 --> 00:20:51,649
There's a few weird things, but I'm

684
00:20:51,650 --> 00:20:53,009
I wouldn't call they need to get

685
00:20:53,010 --> 00:20:54,239
weirder.

686
00:20:54,240 --> 00:20:56,239
Jerry Quijano, K U T

687
00:20:56,240 --> 00:20:57,240
News.

688
00:20:59,680 --> 00:21:01,599
That story was reported in

689
00:21:01,600 --> 00:21:03,599
December of 2019.

690
00:21:03,600 --> 00:21:05,439
That was before our very

691
00:21:05,440 --> 00:21:07,599
first AT Explained live

692
00:21:07,600 --> 00:21:09,679
show. And our next AT

693
00:21:09,680 --> 00:21:11,839
Explained Live Show is in the works,

694
00:21:11,840 --> 00:21:13,599
and the show date is set.

695
00:21:13,600 --> 00:21:15,679
It is May 21st next year

696
00:21:15,680 --> 00:21:17,519
at the Bass Concert Hall, and

697
00:21:17,520 --> 00:21:19,279
tickets are now available.

698
00:21:19,280 --> 00:21:21,279
You can get yours by going to K U

699
00:21:21,280 --> 00:21:22,959
T.org and finding out more.

700
00:21:22,960 --> 00:21:24,159
We're gonna have a link in the

701
00:21:24,160 --> 00:21:25,279
podcast show notes.

702
00:21:25,280 --> 00:21:27,279
Again, that's KUT.org

703
00:21:27,280 --> 00:21:28,639
slash signal.

704
00:21:28,640 --> 00:21:30,479
And don't forget you can subscribe

705
00:21:30,480 --> 00:21:32,559
to the ATXplained podcast

706
00:21:32,560 --> 00:21:34,719
as well as Austin Signal

707
00:21:34,720 --> 00:21:36,639
so that you never miss a thing that

708
00:21:36,640 --> 00:21:38,319
we're working on, because we are

709
00:21:38,320 --> 00:21:40,559
staying busy here at the KUT

710
00:21:40,560 --> 00:21:42,399
studios, bringing you everything

711
00:21:42,400 --> 00:21:44,559
that's been going on in Austin.

712
00:21:44,560 --> 00:21:46,079
And this week has been a busy one.

713
00:21:46,080 --> 00:21:48,239
KUT City Hall reporter Luz Moreno

714
00:21:48,240 --> 00:21:50,159
Lozano had the story of the

715
00:21:50,160 --> 00:21:52,159
downtown YMCA Town

716
00:21:52,160 --> 00:21:53,199
Lake expansion.

717
00:21:53,200 --> 00:21:54,639
The idea was brought to council

718
00:21:54,640 --> 00:21:55,439
earlier this week.

719
00:21:55,440 --> 00:21:56,959
They want to add housing and

720
00:21:56,960 --> 00:21:58,879
restaurants and office space

721
00:21:58,880 --> 00:22:00,879
to their current space with a little

722
00:22:00,880 --> 00:22:02,319
bit of an expansion and a

723
00:22:02,320 --> 00:22:03,439
renovation.

724
00:22:03,440 --> 00:22:05,199
KUT's government accountability

725
00:22:05,200 --> 00:22:06,959
reporter Andrew Weber also had the

726
00:22:06,960 --> 00:22:09,199
story of an Austin Energy employee

727
00:22:09,200 --> 00:22:11,199
accused of defrauding the city

728
00:22:11,200 --> 00:22:13,039
utility out of more than a

729
00:22:13,040 --> 00:22:13,919
million dollars.

730
00:22:13,920 --> 00:22:16,319
These stories are at KUT.org

731
00:22:16,320 --> 00:22:18,239
in addition to K U T's

732
00:22:18,240 --> 00:22:20,239
healthcare reporter Olivia Almridge

733
00:22:20,240 --> 00:22:22,139
covering the flu season.

734
00:22:22,140 --> 00:22:23,979
That we are in and going into

735
00:22:23,980 --> 00:22:24,859
through February.

736
00:22:24,860 --> 00:22:27,179
We have Waymo's passing AISD

737
00:22:27,180 --> 00:22:28,219
school busses.

738
00:22:28,220 --> 00:22:30,139
And we're wrapping up 2025.

739
00:22:30,140 --> 00:22:32,219
Our Sister Station K U T X

740
00:22:32,220 --> 00:22:34,139
is looking back at the year that

741
00:22:34,140 --> 00:22:36,059
was in Austin Music with the

742
00:22:36,060 --> 00:22:37,739
artists of the month and their

743
00:22:37,740 --> 00:22:39,579
favorite Austin songs

744
00:22:39,580 --> 00:22:40,779
of 2025.

745
00:22:40,780 --> 00:22:42,779
Again, K U T.org

746
00:22:42,780 --> 00:22:44,619
slash signal, or you can

747
00:22:44,620 --> 00:22:46,619
subscribe wherever you listen

748
00:22:46,620 --> 00:22:48,059
to your shows.

749
00:22:48,060 --> 00:22:50,059
Thank you for spending your week

750
00:22:50,060 --> 00:22:50,859
with us.

751
00:22:50,860 --> 00:22:52,939
We are listener-powered public

752
00:22:52,940 --> 00:22:54,859
radio, and we couldn't do what we

753
00:22:54,860 --> 00:22:56,539
do every single day without the help

754
00:22:56,540 --> 00:22:58,459
of our team. Kristen Gabrera

755
00:22:58,460 --> 00:22:59,579
is our managing producer.

756
00:22:59,580 --> 00:23:01,819
Rayna Sevilla is our technical

757
00:23:01,820 --> 00:23:03,739
director, and Jimmy Mass

758
00:23:03,740 --> 00:23:05,099
is our showrunner.

759
00:23:05,100 --> 00:23:07,419
I'm your host, Jerry Quijano.

760
00:23:07,420 --> 00:23:09,099
We will talk to you on Monday.

761
00:23:09,100 --> 00:23:10,700
Have a fantastic weekend.

