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Whooping cough is particularly

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dangerous to infants and young

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children, and it's a growing concern

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here in Austin and across Texas.

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Austin's local health authority

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continues to report cases, as

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does the state's Department of

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Health Services.

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We're going to hear more about the

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local and statewide numbers.

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Plus, Texas teens face more barriers

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to getting an abortion than other

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age groups after the state six-week

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abortion ban went into effect in

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2021.

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The findings of a new study that

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looks at the impact on Texas and its

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surrounding states.

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That's coming up.

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The Austin Signal is a production

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of KUT News, hosted by

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Jerry Quijano.

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And there's a new book out that

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captures this moment in time in

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Austin's music scene.

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We're going to chat with a couple of

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the folks behind that effort.

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That is up next.

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And it's right here on Austin

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Signal.

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Thank you for tuning in out there.

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This is Austin Signal.

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I'm Jerry Quijano.

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It's Monday the 17th, already

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more than halfway through November,

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nearly the end of 2025.

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Thank you spending part of your day

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here with us.

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A quick check in with the KUT

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newsroom.

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The Austin Independent School

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District made some changes to

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programming and student

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reassignments in the final

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version of a school consolidation

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plan that was released late last

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Friday.

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10 schools are still set to close

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before next school year.

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Superintendent Matias Segura says

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the revised plan reassigns just

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short of 4,000 students

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and eliminates more than 6,300

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empty seats from the district, a

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district that has been seeing

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declining enrollment over

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the last decade.

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That plan is expected to help save

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more than $20 million.

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The AISD Board of Trustees is

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set to vote on the plan this

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Thursday, along with the turnaround

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plans. For two dozen

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schools.

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Whooping cough is a growing problem

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here in the Austin area.

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Whooping Cough or Pertussis cases

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continue to be confirmed by Austin

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Public Health, and it's not just

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happening locally.

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The Texas Department of State Health

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Services reports a surge statewide.

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Texas has seen 3,500 cases

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through October of this year.

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That is approximately four times

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more than there were reported during

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the same period last year.

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More than 10 times the case is

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reported in the same period two

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years ago.

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Here to talk about this more is

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KUT's healthcare reporter Olivia

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Aldridge. Olivia, thanks for being

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with us.

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Hi, Jerry.

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So do officials have any idea

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why we're experiencing and seeing

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this uptick in cases?

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Well, vaccination rates for whooping

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cough are down, and it's a very

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contagious illness, so it'll spread

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more if fewer people are vaccinated.

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And that's why the state health

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department is really urging parents

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to make sure that their kids get the

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Tdap vaccine.

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That also protects against tetanus

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and diphtheria.

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And for adults to look into

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a booster, if they are around

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people who are vulnerable to

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whooping-cough, that includes

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infants, pregnant women, and

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anyone who's immunocompromised,

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You mentioned that Tdap vaccine.

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Austin Public Health expects that

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there were several cases that passed

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around at Austin school campuses,

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but the whooping cough vaccine,

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that T-dap, it's required for

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schools, is it not?

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Yeah, kids are technically required

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in Texas to get a Tdap vaccine

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before starting school, but

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fewer people are actually getting

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it. So in Austin ISD specifically,

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just 74% of kindergartners

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were up to date on that shot during

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the 2024, 25 school

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year, around 85%

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among seventh graders.

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In Texas, you can get a

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conscientious exemption for required

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vaccines like this, but the data

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also shows us that locally,

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not all of these kids actually have

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those exemptions on file and

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rates for pretty much all vaccines

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have been slipping since COVID.

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For a story I did earlier this year

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that was more focused on measles

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vaccination rates, folks at

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Austin ISD told me that it's just

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been. Battle for a number of

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reasons getting everyone into

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compliance since that time when

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things were pretty disrupted.

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Whooping cough was not something I

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would heard all that much whenever I

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was a youth so I'm learning a little

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bit as we're going around it seems

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as though it's more dangerous the

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younger the affected person is

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who really needs to be most

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concerned here when it comes to

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whooping cough.

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Sure, right? It sounds kind of like

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an old-timey Victorian illness,

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doesn't it?

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It really does it sounds like like a

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fainting couch or something you need

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to get fainten couch for your

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whooping cough or something like

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that

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Sure, but it is descriptive,

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it's, you know, people start off

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with a little bit of a cold, then

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they're getting this really serious

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persistent cough that kind of does

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have this distinctive whooping sound

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potentially.

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It can be pretty mild for many

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people, but especially for

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babies under the age of one, it

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can be pretty dangerous.

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They can struggle to breathe, they

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can stop breathing, and

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again, DSHS says around

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a third of infants with whooping

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cough end up hospitalized.

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We can read more about Olivia's

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reporting on Whooping Cough over at

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KUT.org.

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I want to switch topics to another

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story that you reported last week,

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which is that Texans under the age

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of 18 were disproportionately

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affected after the state

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enacted its six-week abortion ban

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back in 2021.

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First off, who conducted this study

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and what time frame were they

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looking at?

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So it was published in the American

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Journal of Public Health, and some

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of the authors are part of this

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Texas-based research group called

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ReSound Research for Reproductive

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Health.

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They used to be affiliated with UT

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Austin.

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They looked at this time period

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around when Texas's Senate

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Bill 8 was passed.

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That was the approximately six-week

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abortion ban passed

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prior to Roe versus Wade being

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overturned.

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Of course we now have a more

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restrictive total ban,

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but data from this period is

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interesting to researchers because

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it's some of the earliest data

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available on the effects of

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restrictive abortion bans kind of

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in this era and

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can maybe indicate more of

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what we might be seeing in states

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across the country now.

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Well, from reading your reporting at

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kut.org, I noticed that overall

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facility-based abortions dropped in

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Texas, but when it came to patients

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under 18, they were way down,

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60% fewer during the

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time of the study.

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We're obviously here in Texas so

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we're worried about that.

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Did we see that there

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was an effect on abortion numbers in

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the states surrounding Texas in the

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same time period?

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Yeah.

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So keep in mind with those

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statistics you're talking about,

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there's only six weeks within

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time frame when people can be

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getting that procedure when

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this was the law.

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But the study's authors also looked

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at Texans traveling to

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surrounding states.

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So it got statistics

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on the number of Texans who

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left the state of Texas to six

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surrounding states to have

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in clinic abortions

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there.

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What they found was that there were

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a lot more Texans doing that than

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before, maybe unsurprisingly,

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but it still didn't compensate for

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that overall decrease.

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It really didn't come close.

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So I think for minors under

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the age of 18, there was still an

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overall 26%

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decrease in the number of abortions

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they were getting, even if you

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included those out-of-state

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numbers.

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Okay Olivia, we only have about a

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minute left with you.

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Were there any other important

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takeaways that you found from this

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study?

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Well, I would note that, you know,

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as we discuss, laws and trends have

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changed.

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The study doesn't factor in

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telemedicine, for instance, so

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medication abortion sent by mail

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from doctors in other states.

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And we know that that's increasingly

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common in the US and kind of the

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post-Roe era.

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So it's not comprehensive of all the

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abortions that could have been

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taking place, but it does show us

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some interesting trends.

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All right, we have been speaking

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with Olivia Aldridge.

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She is KUT's healthcare reporter,

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and you can find more of her

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reporting over at kut.org.

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Olivia, thank you for talking to us

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today.

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And thank you for being with us here

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on Austin Signal.

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You can hear us every weekday

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afternoon at one o'clock on KUT

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News 90.5 on the

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KUT app and online at

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KUT.org.

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Hope you're having a nice Monday

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and hey maybe your Monday

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morning commute seemed smoother

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than usual and if so

289
00:08:48,040 --> 00:08:50,199
you are not imagining that.

290
00:08:50,200 --> 00:08:52,039
New research shows that Monday

291
00:08:52,040 --> 00:08:53,799
mornings have the fewest traffic

292
00:08:53,800 --> 00:08:55,729
delays on average.

293
00:08:55,730 --> 00:08:57,849
Compared to rush hour during every

294
00:08:57,850 --> 00:08:59,129
other weekday.

295
00:08:59,130 --> 00:09:01,149
But as KUT's Nathan Bernier

296
00:09:01,150 --> 00:09:03,169
reports, the trend says more about

297
00:09:03,170 --> 00:09:05,209
who can skip traffic than

298
00:09:05,210 --> 00:09:06,570
how to fix it.

299
00:09:07,960 --> 00:09:09,439
Nobody likes to go into the office

300
00:09:09,440 --> 00:09:11,019
on Mondays, so for those who can

301
00:09:11,020 --> 00:09:12,959
choose which days to commute,

302
00:09:12,960 --> 00:09:14,379
they tend to avoid it, and that

303
00:09:14,380 --> 00:09:16,079
creates an opportunity for people

304
00:09:16,080 --> 00:09:17,699
like Kenna Pierce.

305
00:09:17,700 --> 00:09:19,559
She lives in South Austin and works

306
00:09:19,560 --> 00:09:20,369
in North Austin.

307
00:09:20,370 --> 00:09:22,309
I go to work on Monday and I take 35

308
00:09:22,310 --> 00:09:24,269
and the traffic is way less

309
00:09:24,270 --> 00:09:25,569
in the morning anyway.

310
00:09:25,570 --> 00:09:27,449
On the way home it's always bad.

311
00:09:27,450 --> 00:09:28,869
A new report by Texas A&M

312
00:09:28,870 --> 00:09:30,029
University's Transportation

313
00:09:30,030 --> 00:09:31,909
Institute backs that up.

314
00:09:31,910 --> 00:09:33,009
Researchers looked at traffic data

315
00:09:33,010 --> 00:09:35,869
in almost 500 cities natio nwide,

316
00:09:35,870 --> 00:09:37,649
and a clear trend emerged.

317
00:09:37,650 --> 00:09:38,709
Mondays is...

318
00:09:38,710 --> 00:09:40,789
Hands down the least

319
00:09:40,790 --> 00:09:42,309
congested weekday.

320
00:09:42,310 --> 00:09:43,689
David Schrank is a senior research

321
00:09:43,690 --> 00:09:44,989
scientist at the Texas A&M

322
00:09:44,990 --> 00:09:46,329
Transportation Institute.

323
00:09:46,330 --> 00:09:47,709
He's been studying urban mobility

324
00:09:47,710 --> 00:09:49,589
for more than 35 years,

325
00:09:49,590 --> 00:09:50,789
which is long enough to know that

326
00:09:50,790 --> 00:09:52,449
the same thing that makes Mondays

327
00:09:52,450 --> 00:09:54,249
smoother, basically people making

328
00:09:54,250 --> 00:09:55,709
their own choices about when to go

329
00:09:55,710 --> 00:09:57,769
into the office, can also make

330
00:09:57,770 --> 00:09:59,279
Mondays way worse.

331
00:09:59,280 --> 00:10:01,519
Because you don't know

332
00:10:01,520 --> 00:10:04,079
which Monday ever

333
00:10:04,080 --> 00:10:05,819
employer in town is going to call

334
00:10:05,820 --> 00:10:07,959
their people in you're no one's

335
00:10:07,960 --> 00:10:09,399
expecting it. And all of a sudden,

336
00:10:09,400 --> 00:10:10,819
wham, everybody's out there trying

337
00:10:10,820 --> 00:10:12,419
to use the system at the same time.

338
00:10:12,420 --> 00:10:13,999
Or something else happens, like bad

339
00:10:14,000 --> 00:10:15,739
weather is forecast on Wednesday, so

340
00:10:15,740 --> 00:10:17,079
people decide to go in Monday

341
00:10:17,080 --> 00:10:17,959
instead.

342
00:10:17,960 --> 00:10:19,199
Of course, not everyone has the

343
00:10:19,200 --> 00:10:21,199
luxury of choosing which days to

344
00:10:21,200 --> 00:10:23,159
commute, but Austin does have

345
00:10:23,160 --> 00:10:25,019
an unusually large number of people

346
00:10:25,020 --> 00:10:26,579
who work from home at least one day

347
00:10:26,580 --> 00:10:27,819
a week, according to a poll

348
00:10:27,820 --> 00:10:30,159
conducted by Moveability Austin.

349
00:10:30,160 --> 00:10:31,379
That's an organization whose main

350
00:10:31,380 --> 00:10:33,439
purpose is reducing traffic by

351
00:10:33,440 --> 00:10:34,839
convincing people not to drive

352
00:10:34,840 --> 00:10:35,389
alone.

353
00:10:35,390 --> 00:10:37,229
When people are stuck in traffic,

354
00:10:37,230 --> 00:10:38,609
they like to think it's the

355
00:10:38,610 --> 00:10:40,049
traffic's fault. But actually you

356
00:10:40,050 --> 00:10:41,029
are traffic.

357
00:10:41,030 --> 00:10:43,029
Lonnie Stern is MoveAbility's

358
00:10:43,030 --> 00:10:44,269
executive director.

359
00:10:44,270 --> 00:10:46,169
Their Austin area poll found about

360
00:10:46,170 --> 00:10:48,129
60% of Travis County

361
00:10:48,130 --> 00:10:49,689
respondents worked from home, at

362
00:10:49,690 --> 00:10:50,909
least occasionally.

363
00:10:50,910 --> 00:10:53,149
For Williamson County, it was 55%.

364
00:10:53,150 --> 00:10:55,589
For Hayes County, about 50%.

365
00:10:55,590 --> 00:10:57,529
The poll found remote work is an

366
00:10:57,530 --> 00:10:58,929
economic privilege.

367
00:10:58,930 --> 00:11:00,289
People allowed to work from home

368
00:11:00,290 --> 00:11:02,209
tended to have higher incomes,

369
00:11:02,210 --> 00:11:04,269
higher education, and were over 35

370
00:11:04,270 --> 00:11:05,369
years old.

371
00:11:05,370 --> 00:11:07,409
And remote work just is not possible

372
00:11:07,410 --> 00:11:08,889
for much of the workforce that's

373
00:11:08,890 --> 00:11:09,999
considered essential.

374
00:11:10,000 --> 00:11:12,059
Like those in retail, healthcare,

375
00:11:12,060 --> 00:11:13,019
construction, or hospita-

376
00:11:13,020 --> 00:11:14,859
Work from home isn't going to be

377
00:11:14,860 --> 00:11:15,799
a panacea.

378
00:11:15,800 --> 00:11:17,119
We find that people who work from

379
00:11:17,120 --> 00:11:18,959
home may then take extra

380
00:11:18,960 --> 00:11:21,379
trips during those off hours.

381
00:11:21,380 --> 00:11:22,699
So that's why we're starting to see

382
00:11:22,700 --> 00:11:24,739
the midday traffic spike

383
00:11:24,740 --> 00:11:26,659
where it used to be very

384
00:11:26,660 --> 00:11:28,539
predictable. Everyone drove in and

385
00:11:28,540 --> 00:11:30,499
everyone drove out for the workday.

386
00:11:30,500 --> 00:11:32,079
Now they're making all these trips

387
00:11:32,080 --> 00:11:33,080
in the middle of the day.

388
00:11:35,180 --> 00:11:37,019
Texas A&M's research found the

389
00:11:37,020 --> 00:11:38,119
same thing.

390
00:11:38,120 --> 00:11:40,079
Another factor is all the extra

391
00:11:40,080 --> 00:11:42,039
trips by delivery trucks because

392
00:11:42,040 --> 00:11:44,439
of more people shopping online.

393
00:11:44,440 --> 00:11:46,119
And more baby boomers have retired

394
00:11:46,120 --> 00:11:47,519
and now they're driving around

395
00:11:47,520 --> 00:11:49,119
during the middle of the day.

396
00:11:49,120 --> 00:11:51,179
So if Monday is the best day

397
00:11:51,180 --> 00:11:53,739
to commute, what's the worst day?

398
00:11:53,740 --> 00:11:55,599
On average, across all the roads

399
00:11:55,600 --> 00:11:58,819
measured in Austin, it was Thursday,

400
00:11:58,820 --> 00:12:00,739
especially afternoons between four

401
00:12:00,740 --> 00:12:03,139
and six p.m., in Austin anyway.

402
00:12:03,140 --> 00:12:05,059
In Houston, Dallas, and San

403
00:12:05,060 --> 00:12:07,079
Antonio, Fridays between 4

404
00:12:07,080 --> 00:12:09,059
and 5 is still the worst time

405
00:12:09,060 --> 00:12:10,599
to be on the roads.

406
00:12:10,600 --> 00:12:11,839
I'm Nathan Bernier in Austin.

407
00:12:22,930 --> 00:12:24,909
It's Austin Signal, thank you

408
00:12:24,910 --> 00:12:25,789
for being with us.

409
00:12:25,790 --> 00:12:27,829
We hope your Monday morning

410
00:12:27,830 --> 00:12:30,049
and Monday afternoons commute goes

411
00:12:30,050 --> 00:12:31,129
smooth.

412
00:12:31,130 --> 00:12:32,889
Something that didn't move very

413
00:12:32,890 --> 00:12:35,089
smooth this weekend was the Texas

414
00:12:35,090 --> 00:12:36,149
football team.

415
00:12:36,150 --> 00:12:38,009
They came up short in a road game

416
00:12:38,010 --> 00:12:40,029
against Georgia, and joining me

417
00:12:40,030 --> 00:12:41,789
now to talk a little more about that

418
00:12:41,790 --> 00:12:43,109
is KUT's Jimmy Maas.

419
00:12:43,110 --> 00:12:44,428
Howdy, Jimmy.

420
00:12:44,429 --> 00:12:45,909
Good afternoon, Jerry.

421
00:12:45,910 --> 00:12:47,509
So Jimmy, a final score of the game

422
00:12:47,510 --> 00:12:49,729
against Georgia, 35 to 10,

423
00:12:49,730 --> 00:12:50,989
seems like a walloping.

424
00:12:50,990 --> 00:12:52,749
Was the game any closer than the

425
00:12:52,750 --> 00:12:53,279
score indicated?

426
00:12:53,280 --> 00:12:55,159
A score not indicative of

427
00:12:55,160 --> 00:12:56,419
the game.

428
00:12:56,420 --> 00:12:58,319
Although, man, the game and

429
00:12:58,320 --> 00:13:00,219
the season really did unravel quite

430
00:13:00,220 --> 00:13:02,219
quickly there in the fourth quarter.

431
00:13:02,220 --> 00:13:04,279
They were only down four points.

432
00:13:04,280 --> 00:13:05,399
Texas, I mean.

433
00:13:05,400 --> 00:13:07,079
Georgia was leading by four.

434
00:13:07,080 --> 00:13:09,159
And then on the ensuing drive,

435
00:13:09,160 --> 00:13:10,859
they had a fourth down, seemingly

436
00:13:10,860 --> 00:13:12,399
they stopped Georgia with a little

437
00:13:12,400 --> 00:13:13,339
momentum.

438
00:13:13,340 --> 00:13:15,759
And then a fake punt.

439
00:13:15,760 --> 00:13:17,879
And then four downs later,

440
00:13:17,880 --> 00:13:19,539
the costly penalty on another fourth

441
00:13:19,540 --> 00:13:21,519
down. And then, a quick touchdown,

442
00:13:21,520 --> 00:13:22,399
and then a quick.

443
00:13:22,400 --> 00:13:24,339
Onside kick that fooled Texas.

444
00:13:24,340 --> 00:13:25,359
It happened very fast.

445
00:13:25,360 --> 00:13:27,499
Next thing you know, it is, they're

446
00:13:27,500 --> 00:13:29,799
18 points down and they

447
00:13:29,800 --> 00:13:31,339
had nowhere to go.

448
00:13:31,340 --> 00:13:32,559
There was kind of a junk touchdown

449
00:13:32,560 --> 00:13:34,719
at the end, but with

450
00:13:34,720 --> 00:13:35,720
that,

451
00:13:37,140 --> 00:13:38,559
there were a lot of expectations on

452
00:13:38,560 --> 00:13:40,279
this Texas team and I think if you

453
00:13:40,280 --> 00:13:41,799
were trying to hold that team to

454
00:13:41,800 --> 00:13:43,659
that same standard the pre-season

455
00:13:43,660 --> 00:13:45,599
number one, that was a very

456
00:13:45,600 --> 00:13:46,699
disappointing game.

457
00:13:46,700 --> 00:13:48,519
Absolutely absolutely as like you

458
00:13:48,520 --> 00:13:49,999
said preseason number one this team

459
00:13:50,000 --> 00:13:51,619
had made the college football

460
00:13:51,620 --> 00:13:53,979
playoff two times in a row I'm

461
00:13:53,980 --> 00:13:55,719
If you are holding Texas to the

462
00:13:55,720 --> 00:13:57,439
standard that is the highest

463
00:13:57,440 --> 00:13:59,519
grossing athletic department

464
00:13:59,520 --> 00:14:01,459
in division one sports,

465
00:14:01,460 --> 00:14:03,399
it is a very disappointing game.

466
00:14:03,400 --> 00:14:06,119
If you have some sort of circumspect

467
00:14:06,120 --> 00:14:07,939
view that like, well, it's a

468
00:14:07,940 --> 00:14:09,879
young team, young quarterback read,

469
00:14:09,880 --> 00:14:10,879
you know, it s hard to make the

470
00:14:10,880 --> 00:14:12,719
playoffs for three years in a row

471
00:14:12,720 --> 00:14:14,699
and it's

472
00:14:14,700 --> 00:14:16,599
very even more difficult to come

473
00:14:16,600 --> 00:14:19,338
in with those kind of manning sized

474
00:14:19,339 --> 00:14:20,700
expectations and live up to them.

475
00:14:22,210 --> 00:14:24,069
This season may be right about where

476
00:14:24,070 --> 00:14:26,449
you'd expect and it's not over.

477
00:14:26,450 --> 00:14:28,249
It's there's still a little.

478
00:14:28,250 --> 00:14:30,229
Little bit to play there's a little

479
00:14:30,230 --> 00:14:32,129
bit of sliver of hope that the you

480
00:14:32,130 --> 00:14:33,489
have a game this weekend against

481
00:14:33,490 --> 00:14:35,669
Arkansas here I DKR Arkansas

482
00:14:35,670 --> 00:14:37,849
here closing out next Friday against

483
00:14:37,850 --> 00:14:38,969
Texas A&M and that

484
00:14:38,970 --> 00:14:40,209
That game will determine whether

485
00:14:40,210 --> 00:14:42,169
Texas A&M may get into the SEC

486
00:14:42,170 --> 00:14:42,559
Championship.

487
00:14:42,560 --> 00:14:44,379
That's right, so lots to play for

488
00:14:44,380 --> 00:14:45,219
still.

489
00:14:45,220 --> 00:14:46,879
That's KUT's Jimmy Maas with a quick

490
00:14:46,880 --> 00:14:48,059
update on the Longhorns.

491
00:14:48,060 --> 00:14:49,279
Jimmy, thank you. Thank you.

492
00:14:49,280 --> 00:14:50,879
And thank you for tuning in to

493
00:14:50,880 --> 00:14:51,859
Austin Signal.

494
00:14:51,860 --> 00:14:53,360
We will be back in just a moment.

495
00:14:59,990 --> 00:15:01,549
You're tuned in to Austin Signal

496
00:15:01,550 --> 00:15:02,909
here on KUT News.

497
00:15:02,910 --> 00:15:03,949
Thank you for making this part of

498
00:15:03,950 --> 00:15:05,029
your Monday.

499
00:15:05,030 --> 00:15:06,309
You know that feeling when you wanna

500
00:15:06,310 --> 00:15:08,189
look up a favorite old local band

501
00:15:08,190 --> 00:15:10,009
or photos from a now shuttered

502
00:15:10,010 --> 00:15:11,729
venue, and once you've finally found

503
00:15:11,730 --> 00:15:13,429
an archived link that sends you down

504
00:15:13,430 --> 00:15:15,509
nostalgia lane, eeeek,

505
00:15:15,510 --> 00:15:17,349
a piece of the internet no longer

506
00:15:17,350 --> 00:15:18,429
exists.

507
00:15:18,430 --> 00:15:20,309
A fantastic alternative to that is

508
00:15:20,310 --> 00:15:22,269
a good old fashioned hold it in your

509
00:15:22,270 --> 00:15:24,509
hand book, a lasting testament to

510
00:15:24,510 --> 00:15:26,490
a sound and to a moment in time.

511
00:15:27,500 --> 00:15:29,279
Out now that's putting a new shine

512
00:15:29,280 --> 00:15:30,999
on the artist venues and stories

513
00:15:31,000 --> 00:15:32,839
right at the heart of our local

514
00:15:32,840 --> 00:15:34,779
community music community it's

515
00:15:34,780 --> 00:15:36,239
called austin's music scene your

516
00:15:36,240 --> 00:15:37,679
guide to the city's most iconic

517
00:15:37,680 --> 00:15:39,599
artists and venues and today

518
00:15:39,600 --> 00:15:40,799
we're joined by the book's

519
00:15:40,800 --> 00:15:42,919
editor-in-chief mitch baronowski and

520
00:15:42,920 --> 00:15:44,819
its photo editor david brendan hall

521
00:15:44,820 --> 00:15:46,079
uh gentlemen thank you for coming on

522
00:15:46,080 --> 00:15:46,889
Austin Signal.

523
00:15:46,890 --> 00:15:48,049
Thank you for having us.

524
00:15:48,050 --> 00:15:48,979
It's great to be here.

525
00:15:48,980 --> 00:15:49,779
Thank you.

526
00:15:49,780 --> 00:15:51,699
Well, Mitch, let me start with you.

527
00:15:51,700 --> 00:15:53,059
Why did you and your team, you know,

528
00:15:53,060 --> 00:15:53,859
why did you want to create this

529
00:15:53,860 --> 00:15:55,289
guidebook in the first place?

530
00:15:55,290 --> 00:15:57,269
You know, we are a

531
00:15:57,270 --> 00:15:59,089
team of fans and

532
00:15:59,090 --> 00:16:01,109
journalists and creatives,

533
00:16:01,110 --> 00:16:02,969
and we were

534
00:16:02,970 --> 00:16:04,549
chatting with the folks at HAM.

535
00:16:04,550 --> 00:16:06,149
It's their 20th anniversary at the

536
00:16:06,150 --> 00:16:06,989
Health Alliance for Austin

537
00:16:06,990 --> 00:16:08,669
Musicians, and wanted to do

538
00:16:08,670 --> 00:16:10,129
something special.

539
00:16:10,130 --> 00:16:11,949
And we, in taking a look at

540
00:16:11,950 --> 00:16:13,809
the landscape, we realized no

541
00:16:13,810 --> 00:16:15,749
one's ever really tried a book about

542
00:16:15,750 --> 00:16:17,689
the current live music scene.

543
00:16:17,690 --> 00:16:19,689
We have so much talent in this town.

544
00:16:19,690 --> 00:16:21,129
We've had our history books.

545
00:16:21,130 --> 00:16:23,069
We've our biographies

546
00:16:23,070 --> 00:16:24,249
and our memoirs.

547
00:16:24,250 --> 00:16:26,249
But we haven't had a snapshot of the

548
00:16:26,250 --> 00:16:27,129
scene today.

549
00:16:27,130 --> 00:16:28,929
And so we really set out to create a

550
00:16:28,930 --> 00:16:30,309
love letter, if you will, because

551
00:16:30,310 --> 00:16:32,989
let's face it for a lot of

552
00:16:32,990 --> 00:16:34,829
musicians, a lot artists, it's

553
00:16:34,830 --> 00:16:35,669
a labor of love.

554
00:16:35,670 --> 00:16:37,429
And this project was for us a labor

555
00:16:37,430 --> 00:16:37,799
love.

556
00:16:37,800 --> 00:16:38,800
Yeah, absolutely.

557
00:16:40,120 --> 00:16:42,879
I think that one

558
00:16:42,880 --> 00:16:45,159
of the challenges was

559
00:16:45,160 --> 00:16:47,099
figuring out how we create

560
00:16:47,100 --> 00:16:49,059
this snapshot.

561
00:16:49,060 --> 00:16:50,719
And one thing we wanted to do, just

562
00:16:50,720 --> 00:16:52,699
to clarify that a little bit,

563
00:16:52,700 --> 00:16:53,999
was make it so that all the artists

564
00:16:54,000 --> 00:16:56,199
that you see in the book are active

565
00:16:56,200 --> 00:16:57,839
right now. The idea that you can

566
00:16:57,840 --> 00:16:59,579
pick up the book, read about an

567
00:16:59,580 --> 00:17:01,539
artist, check out the photos, and go

568
00:17:01,540 --> 00:17:02,739
see them. Find out when they're

569
00:17:02,740 --> 00:17:04,279
playing something. Yeah, exactly.

570
00:17:04,280 --> 00:17:06,299
So There is an

571
00:17:06,300 --> 00:17:08,239
immediacy to the concept of the book

572
00:17:08,240 --> 00:17:10,019
also, which is the difference that

573
00:17:10,020 --> 00:17:11,818
Mitch was talking about, you know,

574
00:17:11,819 --> 00:17:14,039
rather than a Retrospective

575
00:17:14,040 --> 00:17:15,358
or something like that.

576
00:17:15,359 --> 00:17:16,719
Of course, it may turn into that

577
00:17:16,720 --> 00:17:17,200
over time. Yeah

578
00:17:17,201 --> 00:17:19,098
Yeah, but it's starting out at this

579
00:17:19,099 --> 00:17:19,999
at this stage, right?

580
00:17:20,000 --> 00:17:21,159
You mentioned that immediacy.

581
00:17:21,160 --> 00:17:22,919
I love that You know, there's an

582
00:17:22,920 --> 00:17:24,519
index of artists. You can actually

583
00:17:24,520 --> 00:17:26,539
fold through the pages and see

584
00:17:26,540 --> 00:17:28,358
Everything photos look beautiful

585
00:17:28,359 --> 00:17:30,199
How important was it for this thing

586
00:17:30,200 --> 00:17:31,819
to actually be like a tangible book

587
00:17:31,820 --> 00:17:33,639
and not just an online guide?

588
00:17:33,640 --> 00:17:34,579
Not that there's anything wrong with

589
00:17:34,580 --> 00:17:35,899
that. But how important was for this

590
00:17:35,900 --> 00:17:37,439
to be a real thing that people could

591
00:17:37,440 --> 00:17:38,440
hold?

592
00:17:38,780 --> 00:17:39,779
Super important.

593
00:17:39,780 --> 00:17:41,139
I mean, we have, we have a digital

594
00:17:41,140 --> 00:17:43,179
companion to the book as well,

595
00:17:43,180 --> 00:17:44,759
where we're, we'll be sharing

596
00:17:44,760 --> 00:17:46,559
exclusive content, bonus content

597
00:17:46,560 --> 00:17:48,599
that you can't find on the page.

598
00:17:48,600 --> 00:17:50,499
But, um, how awesome, uh,

599
00:17:50,500 --> 00:17:52,479
to have something that feels like

600
00:17:52,480 --> 00:17:53,939
a coffee table book, but also has

601
00:17:53,940 --> 00:17:55,839
the practicality of a field guide,

602
00:17:55,840 --> 00:17:57,579
if you will, and our friend Emma

603
00:17:57,580 --> 00:17:59,399
Schmidt, just to call out one of the

604
00:17:59,400 --> 00:18:01,019
many talented folks who worked on

605
00:18:01,020 --> 00:18:02,779
the, on the book with us, uh did

606
00:18:02,780 --> 00:18:04,199
these amazing hand-drawn

607
00:18:04,200 --> 00:18:06,339
illustrations of venues across

608
00:18:06,340 --> 00:18:07,139
town.

609
00:18:07,140 --> 00:18:09,259
Inside the back cover, it folds out

610
00:18:09,260 --> 00:18:11,499
to this great hand-drawn map of

611
00:18:11,500 --> 00:18:13,199
the venues across town, and you can

612
00:18:13,200 --> 00:18:14,739
really use that to plan your live

613
00:18:14,740 --> 00:18:16,079
music experience.

614
00:18:16,080 --> 00:18:17,499
So I kind of described the creative

615
00:18:17,500 --> 00:18:18,919
strategy as a reverse mullet.

616
00:18:18,920 --> 00:18:20,799
It's sort of, you know, party

617
00:18:20,800 --> 00:18:22,119
in the front with all the great

618
00:18:22,120 --> 00:18:24,439
photos from, from David Brendan

619
00:18:24,440 --> 00:18:25,440
hall and others,

620
00:18:26,300 --> 00:18:27,319
and a business in the back with all

621
00:18:27,320 --> 00:18:28,619
the nuts and bolts that you need to

622
00:18:28,620 --> 00:18:30,029
really take advantage of this town.

623
00:18:30,030 --> 00:18:31,049
Yeah, well, as Mitch was saying

624
00:18:31,050 --> 00:18:32,469
there, David, most of the photos in

625
00:18:32,470 --> 00:18:34,589
this book belong to you, and

626
00:18:34,590 --> 00:18:35,829
you were talking a little bit about

627
00:18:35,830 --> 00:18:37,149
you, you were born and raised here,

628
00:18:37,150 --> 00:18:38,269
I believe you said, and so you've

629
00:18:38,270 --> 00:18:40,089
been on the scene for a long time.

630
00:18:40,090 --> 00:18:42,089
How many years of work did you,

631
00:18:42,090 --> 00:18:43,929
were you able to kind of amass into

632
00:18:43,930 --> 00:18:44,669
this book?

633
00:18:44,670 --> 00:18:47,129
Well, we wanted to

634
00:18:47,130 --> 00:18:49,029
pull from photos from my

635
00:18:49,030 --> 00:18:50,969
archive that was as current as

636
00:18:50,970 --> 00:18:52,429
we possibly could.

637
00:18:52,430 --> 00:18:54,149
Now, I have some photos that go, you

638
00:18:54,150 --> 00:18:56,069
know, back 15 years, but

639
00:18:56,070 --> 00:18:57,389
we tried to keep it within the last

640
00:18:57,390 --> 00:18:59,529
decade, and even then made

641
00:18:59,530 --> 00:19:01,369
some choices. Well, this is an old

642
00:19:01,370 --> 00:19:04,209
photo of this band or this artist.

643
00:19:04,210 --> 00:19:05,529
They have a different vibe or the

644
00:19:05,530 --> 00:19:06,629
band members have changed.

645
00:19:06,630 --> 00:19:08,759
Yeah. And those were cases where.

646
00:19:08,760 --> 00:19:10,739
Really needed to reach out to other

647
00:19:10,740 --> 00:19:12,419
photographers or the artists and get

648
00:19:12,420 --> 00:19:13,519
updated photos.

649
00:19:13,520 --> 00:19:15,239
And a goal of mine was to include as

650
00:19:15,240 --> 00:19:17,319
many other photographers as possible

651
00:19:17,320 --> 00:19:19,559
within the restrictions

652
00:19:19,560 --> 00:19:21,619
of our modest

653
00:19:21,620 --> 00:19:24,139
budget, but also tried

654
00:19:24,140 --> 00:19:26,259
to be generous in that sense to

655
00:19:26,260 --> 00:19:28,179
as many perspectives

656
00:19:28,180 --> 00:19:29,679
as we could get.

657
00:19:29,680 --> 00:19:31,519
And so about maybe to answer your

658
00:19:31,520 --> 00:19:33,739
question, 10 years of

659
00:19:33,740 --> 00:19:35,739
coming through my archive and

660
00:19:35,740 --> 00:19:37,649
a lot of that thanks to

661
00:19:37,650 --> 00:19:39,769
working with the Austin Chronicle,

662
00:19:39,770 --> 00:19:41,249
who opened a lot of doors for me, so

663
00:19:41,250 --> 00:19:42,369
shout out to them.

664
00:19:42,370 --> 00:19:42,370
Absolutely.

665
00:19:42,371 --> 00:19:43,439
Absolutely.

666
00:19:43,440 --> 00:19:44,639
Absolutely. And then KUTX.

667
00:19:44,640 --> 00:19:46,779
NKUTX for

668
00:19:46,780 --> 00:19:47,679
everything.

669
00:19:47,680 --> 00:19:49,499
Education on the

670
00:19:49,500 --> 00:19:51,359
music scene, commitment to

671
00:19:51,360 --> 00:19:52,360
it,

672
00:19:53,660 --> 00:19:55,759
to spotlighting that for

673
00:19:55,760 --> 00:19:56,760
people every day.

674
00:19:58,060 --> 00:19:59,939
And I think that

675
00:19:59,940 --> 00:20:02,519
with the

676
00:20:02,520 --> 00:20:04,479
choices that we made,

677
00:20:04,480 --> 00:20:07,499
it was a difficult process.

678
00:20:07,500 --> 00:20:08,519
An editorial process.

679
00:20:08,520 --> 00:20:11,219
Yeah, and the difficult

680
00:20:11,220 --> 00:20:13,119
editorial process and it came

681
00:20:13,120 --> 00:20:15,079
together in such a short

682
00:20:15,080 --> 00:20:16,099
amount of time.

683
00:20:16,100 --> 00:20:18,219
I think we pulled all these photos

684
00:20:18,220 --> 00:20:20,059
in a matter of two and a half,

685
00:20:20,060 --> 00:20:21,499
three months. So it was quite the

686
00:20:21,500 --> 00:20:23,129
trip down memory lane.

687
00:20:23,130 --> 00:20:24,989
A perfectly imperfect process.

688
00:20:24,990 --> 00:20:26,609
I mean, no, no one book can do

689
00:20:26,610 --> 00:20:28,629
justice to the, to the broad,

690
00:20:28,630 --> 00:20:30,149
deep talent that's in this town.

691
00:20:30,150 --> 00:20:32,189
And so this is a start and we just,

692
00:20:32,190 --> 00:20:34,809
we're trying to give the readers a

693
00:20:34,810 --> 00:20:35,629
cross section.

694
00:20:35,630 --> 00:20:37,249
And that's why we, you know, we

695
00:20:37,250 --> 00:20:39,129
decided to use genres to sort

696
00:20:39,130 --> 00:20:42,229
of organize, organize

697
00:20:42,230 --> 00:20:44,169
discovery of artists, if you will.

698
00:20:44,170 --> 00:20:46,049
And we have country Americana,

699
00:20:46,050 --> 00:20:47,949
blues and soul, Latin and

700
00:20:47,950 --> 00:20:50,649
world, hip hop and R and jazz

701
00:20:50,650 --> 00:20:52,629
electronic and experimental

702
00:20:52,630 --> 00:20:54,529
There's so much to discover.

703
00:20:54,530 --> 00:20:56,089
I learned a lot, David learned a

704
00:20:56,090 --> 00:20:56,359
lot.

705
00:20:56,360 --> 00:20:57,879
Yeah that was that was one of the

706
00:20:57,880 --> 00:20:59,139
fun things is that you know of

707
00:20:59,140 --> 00:21:01,039
course Mitch and I both have our

708
00:21:01,040 --> 00:21:02,719
segments our niches in the scene

709
00:21:02,720 --> 00:21:04,719
that we know but you know

710
00:21:04,720 --> 00:21:06,799
I there was stuff like particularly

711
00:21:06,800 --> 00:21:08,799
jazz that I don't

712
00:21:08,800 --> 00:21:10,639
know a whole lot about and so

713
00:21:10,640 --> 00:21:13,019
really learned about artists that

714
00:21:13,020 --> 00:21:14,959
haven't been on my radar the entire

715
00:21:14,960 --> 00:21:16,479
time I've been in the seen and

716
00:21:16,480 --> 00:21:18,739
connected with photographers also

717
00:21:18,740 --> 00:21:20,579
who were really involved in that

718
00:21:20,580 --> 00:21:22,579
and people that came in to consult

719
00:21:22,580 --> 00:21:24,319
with us and educate us.

720
00:21:24,320 --> 00:21:25,939
On on some of these so it was that

721
00:21:25,940 --> 00:21:27,879
it was a process of discovery for us

722
00:21:27,880 --> 00:21:29,799
and we hope that you know it's

723
00:21:29,800 --> 00:21:31,419
uh... Vehicle for discovery for

724
00:21:31,420 --> 00:21:31,900
others and it's

725
00:21:31,901 --> 00:21:33,299
And did y'all expect it to be a

726
00:21:33,300 --> 00:21:34,399
source of discovery, because I

727
00:21:34,400 --> 00:21:35,499
assume, like, you know, you write a

728
00:21:35,500 --> 00:21:36,959
book, you're perceived as, like an

729
00:21:36,960 --> 00:21:38,759
authority on that topic, right, but

730
00:21:38,760 --> 00:21:40,579
was that rewarding to be

731
00:21:40,580 --> 00:21:42,079
able to be enlightened as you're

732
00:21:42,080 --> 00:21:43,409
going along in this process?

733
00:21:43,410 --> 00:21:44,909
Well, you know, it's interesting

734
00:21:44,910 --> 00:21:46,749
because we often talk about the

735
00:21:46,750 --> 00:21:48,609
Austin music scene as if it's

736
00:21:48,610 --> 00:21:50,309
some monolithic entity.

737
00:21:50,310 --> 00:21:51,829
And when you go down this path, what

738
00:21:51,830 --> 00:21:53,369
you quickly discover is this great

739
00:21:53,370 --> 00:21:55,149
insight that there is not just one

740
00:21:55,150 --> 00:21:57,149
scene. You know, that holds space

741
00:21:57,150 --> 00:21:59,089
for all of these great scenes,

742
00:21:59,090 --> 00:22:00,389
all these micro scenes.

743
00:22:00,390 --> 00:22:02,369
And so you can go to Africa night

744
00:22:02,370 --> 00:22:04,349
at the Sahara Lounge on, on

745
00:22:04,350 --> 00:22:06,589
Saturday night, or you can dip in

746
00:22:06,590 --> 00:22:08,689
to the white horse for Armadillo

747
00:22:08,690 --> 00:22:10,659
Road on a Sunday night, or You

748
00:22:10,660 --> 00:22:12,619
know, you can go to ABGB

749
00:22:12,620 --> 00:22:13,459
on Sunday afternoon.

750
00:22:13,460 --> 00:22:14,819
You can do all these great things in

751
00:22:14,820 --> 00:22:16,539
this town. Chickensh, bingo, at

752
00:22:16,540 --> 00:22:17,479
Little Longhorn, right?

753
00:22:17,480 --> 00:22:18,319
Thank you for that.

754
00:22:18,320 --> 00:22:20,039
It's all here.

755
00:22:20,040 --> 00:22:22,479
Anyway, scenes are personal.

756
00:22:22,480 --> 00:22:24,309
They are highly personal.

757
00:22:24,310 --> 00:22:26,689
Just to highlight something that you

758
00:22:26,690 --> 00:22:28,689
sort of did there inadvertently

759
00:22:28,690 --> 00:22:29,889
that the book is more than just

760
00:22:29,890 --> 00:22:30,909
artists. That's right.

761
00:22:30,910 --> 00:22:32,969
It's the venues, it's the festivals,

762
00:22:32,970 --> 00:22:35,089
it is the nonprofits that are

763
00:22:35,090 --> 00:22:36,749
giving back to the scene also.

764
00:22:36,750 --> 00:22:37,989
Absolutely. So all that is included

765
00:22:37,990 --> 00:22:40,429
in there as part of the guide.

766
00:22:40,430 --> 00:22:42,349
And then to backtrack a little bit,

767
00:22:42,350 --> 00:22:44,169
I mean, you were asking about,

768
00:22:44,170 --> 00:22:46,009
did we expect it to, you

769
00:22:46,010 --> 00:22:47,529
know... To learn and to be

770
00:22:47,530 --> 00:22:48,369
enlightened by that.

771
00:22:48,370 --> 00:22:50,389
Well, I think that you have

772
00:22:50,390 --> 00:22:52,209
to when you're creating a project

773
00:22:52,210 --> 00:22:53,069
like this.

774
00:22:53,070 --> 00:22:55,229
Or even when you're

775
00:22:55,230 --> 00:22:57,109
conversing with people about the

776
00:22:57,110 --> 00:22:58,449
scene or any music scene.

777
00:22:58,450 --> 00:22:59,809
And I was talking to Mitch about it.

778
00:22:59,810 --> 00:23:01,329
And I think one of the most exciting

779
00:23:01,330 --> 00:23:03,189
things about music in general

780
00:23:03,190 --> 00:23:04,969
is that one person cannot know

781
00:23:04,970 --> 00:23:05,829
everything.

782
00:23:05,830 --> 00:23:07,229
There is always something to

783
00:23:07,230 --> 00:23:08,989
discover. Even if someone comes to

784
00:23:08,990 --> 00:23:10,209
me and says, you've probably

785
00:23:10,210 --> 00:23:11,169
photographed everything.

786
00:23:11,170 --> 00:23:12,169
You've seen everything. I'm like,

787
00:23:12,170 --> 00:23:13,629
absolutely not. There's no way, try

788
00:23:13,630 --> 00:23:15,669
me. And so through this

789
00:23:15,670 --> 00:23:17,549
and even just all the time, you got

790
00:23:17,550 --> 00:23:19,009
so many chances to discover music.

791
00:23:19,010 --> 00:23:20,769
And that's part of the magic of it.

792
00:23:20,770 --> 00:23:21,829
And it was part of magic of this

793
00:23:21,830 --> 00:23:23,249
project. Can help please.

794
00:23:23,250 --> 00:23:24,729
Translates to other people picking

795
00:23:24,730 --> 00:23:26,929
up the book in Austin and beyond.

796
00:23:26,930 --> 00:23:28,369
I think there's reach beyond here,

797
00:23:28,370 --> 00:23:28,589
too

798
00:23:28,590 --> 00:23:29,509
Absolutely.

799
00:23:29,510 --> 00:23:31,389
It's a way to be

800
00:23:31,390 --> 00:23:32,769
welcomed into the Austin music scene

801
00:23:32,770 --> 00:23:34,429
and have a good knowledge.

802
00:23:34,430 --> 00:23:35,849
We got about two minutes left and

803
00:23:35,850 --> 00:23:37,569
you mentioned Ham earlier.

804
00:23:37,570 --> 00:23:38,949
Some proceeds from the sale of your

805
00:23:38,950 --> 00:23:40,129
book are benefiting Ham.

806
00:23:40,130 --> 00:23:41,029
Again, that's the Health Alliance

807
00:23:41,030 --> 00:23:42,469
for Austin musicians.

808
00:23:42,470 --> 00:23:44,289
How important was it to use this

809
00:23:44,290 --> 00:23:45,709
project as a way to give back to

810
00:23:45,710 --> 00:23:47,199
those musicians, to the community?

811
00:23:47,200 --> 00:23:48,659
Super important.

812
00:23:48,660 --> 00:23:49,819
I mean, it's open enrollment right

813
00:23:49,820 --> 00:23:52,659
now for Ham.

814
00:23:52,660 --> 00:23:54,119
Most of the artists we interviewed

815
00:23:54,120 --> 00:23:55,479
and talked to, and we must have done

816
00:23:55,480 --> 00:23:56,919
at least 70 interviews for this

817
00:23:56,920 --> 00:23:57,920
project,

818
00:23:58,820 --> 00:24:00,999
they're not opposed to

819
00:24:01,000 --> 00:24:02,099
change or growth.

820
00:24:02,100 --> 00:24:03,239
Austin has changed a lot over the

821
00:24:03,240 --> 00:24:04,240
last decades.

822
00:24:05,500 --> 00:24:07,499
One common hope is that

823
00:24:07,500 --> 00:24:09,559
the scene remains affordable

824
00:24:09,560 --> 00:24:11,459
for them to stay here

825
00:24:11,460 --> 00:24:13,479
and perform here and make their

826
00:24:13,480 --> 00:24:14,519
art here.

827
00:24:14,520 --> 00:24:16,519
Uh, we, we heard that

828
00:24:16,520 --> 00:24:18,201
routinely and, you know,

829
00:24:21,680 --> 00:24:23,559
You know, working with Ham made it

830
00:24:23,560 --> 00:24:25,079
abundantly clear that we have to

831
00:24:25,080 --> 00:24:26,279
support these artists in this

832
00:24:26,280 --> 00:24:27,539
community if we want the scene to

833
00:24:27,540 --> 00:24:28,439
thrive.

834
00:24:28,440 --> 00:24:30,319
And so I'd say that's another great

835
00:24:30,320 --> 00:24:32,259
note. We have an impact section in

836
00:24:32,260 --> 00:24:33,339
the back of the book.

837
00:24:33,340 --> 00:24:34,219
We recognize all of the great

838
00:24:34,220 --> 00:24:36,259
nonprofits beyond Ham who

839
00:24:36,260 --> 00:24:37,579
are working to sustain the scene.

840
00:24:37,580 --> 00:24:39,199
And we give readers tips on how they

841
00:24:39,200 --> 00:24:41,079
can amplify these nonprofits in

842
00:24:41,080 --> 00:24:42,059
their.

843
00:24:42,060 --> 00:24:43,719
We have been chatting with David

844
00:24:43,720 --> 00:24:45,539
Brendan Hall and Mitch Baranowski.

845
00:24:45,540 --> 00:24:46,479
They're a couple of the members of

846
00:24:46,480 --> 00:24:48,119
the team behind the book.

847
00:24:48,120 --> 00:24:49,619
Austin's music scene, your guide to

848
00:24:49,620 --> 00:24:51,619
the city's most iconic artists and

849
00:24:51,620 --> 00:24:52,419
venues.

850
00:24:52,420 --> 00:24:53,839
I did notice that it says first

851
00:24:53,840 --> 00:24:55,919
edition and you mentioned, uh,

852
00:24:55,920 --> 00:24:57,139
you know, that maybe there will be

853
00:24:57,140 --> 00:24:58,599
future ones. We only have about 30

854
00:24:58,600 --> 00:24:59,379
seconds left.

855
00:24:59,380 --> 00:25:00,739
Uh, but you said there's going to be

856
00:25:00,740 --> 00:25:02,639
like a little bit of supplementary,

857
00:25:02,640 --> 00:25:04,569
uh, information available online.

858
00:25:04,570 --> 00:25:06,929
Yeah, we'll be launching an online

859
00:25:06,930 --> 00:25:08,809
companion component and

860
00:25:08,810 --> 00:25:10,489
stuff we couldn't fit in the book in

861
00:25:10,490 --> 00:25:11,909
the very limited amount of pages

862
00:25:11,910 --> 00:25:13,009
that we had.

863
00:25:13,010 --> 00:25:15,289
So hopefully many more photos,

864
00:25:15,290 --> 00:25:17,329
interviews, profiles,

865
00:25:17,330 --> 00:25:19,129
the scene will continue to change

866
00:25:19,130 --> 00:25:21,049
within a few months, within,

867
00:25:21,050 --> 00:25:22,909
it could be next

868
00:25:22,910 --> 00:25:24,749
week, another artist

869
00:25:24,750 --> 00:25:26,869
or band forms or another venue

870
00:25:26,870 --> 00:25:28,689
opens and then things will change

871
00:25:28,690 --> 00:25:30,609
and we can update that in real time.

872
00:25:32,790 --> 00:25:34,529
Reflects how this scene is

873
00:25:34,530 --> 00:25:35,469
ever-evolving.

874
00:25:35,470 --> 00:25:36,429
It's it's never gonna stop about

875
00:25:36,430 --> 00:25:37,669
Thank you for going out and

876
00:25:37,670 --> 00:25:38,789
supporting live music.

877
00:25:38,790 --> 00:25:39,790
Yeah. Keep going.

878
00:25:40,230 --> 00:25:41,889
This is David Brendan Hall and Mitch

879
00:25:41,890 --> 00:25:42,669
Baranowski.

880
00:25:42,670 --> 00:25:44,049
Thank you for being with us here on

881
00:25:44,050 --> 00:25:45,449
Austin Signal.

882
00:25:45,450 --> 00:25:46,449
Thank you.

883
00:25:46,450 --> 00:25:48,189
And thank you out there for being us

884
00:25:48,190 --> 00:25:50,309
on this Monday afternoon

885
00:25:50,310 --> 00:25:52,109
or whenever you're tuning in.

886
00:25:52,110 --> 00:25:54,009
This is Austin Signal, I'm your host

887
00:25:54,010 --> 00:25:55,209
Jerry Quijano.

888
00:25:55,210 --> 00:25:58,249
We have more information at kut.org

889
00:25:58,250 --> 00:25:59,370
slash signal.

