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March 26, 2020

This Song: Thao and The Get Down Stay Down

By: Elizabeth McQueen

On March 10th, Thao and the Get Down Stay Down released a new single called, “Temple” along with an accompanying video. 6 days later residents in the San Francisco Bay Area, where lead singer, songwriter and guitar player Thao Nguyen lives, were ordered to shelter in place. In this episode, Thao talks to host Elizabeth McQueen about the inspiration behind the new song and what it was like to release music during a pandemic. She also shares how making her upcoming record, also called Temple, helped prepare her to address her sexuality publicly and to create a safe space in her life where she could exist as her full self.

Listen to this episode of This Song

Listen to Thao and the Get Down Stay Down’s new song “Temple.”

Find out where you can Pre-Order “Temple

Check out Thao and the Get Down Stay Down’s Tour Dates

Watch the Video for “Temple”

 


Episodes

April 3, 2019

This Song: Patty Griffin on “Secret World” by Peter Gabriel

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March 29, 2019

This Song: Jenny Lewis on “Govinda Jai Jai” by Alice Coltrane

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March 27, 2019

This Song: Warren Hood on “High Hill” by Uncle Walt’s Band

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March 20, 2019

This Song: Amanda Palmer on Nick Cave’s “Magneto”

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March 6, 2019

This Song: Moving Panoramas Return

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March 2, 2019

This Song: Allison Moorer

Allison Moorer Moorer describes how “Every Breath You Take”  by the Police gave her a window into an entire other world of music, and helped her define herself apart from her family.

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March 2, 2019

This Song: Meredith Goldstein

Meredith Goldstein is host of the Love Letters podcast, the love advice columnist and entertainment writer for the Boston Globe and one of host Elizabeth McQueen’s oldest and dearest friends.  In this episode she explores all the reasons she loves the sexy, pleading desperation of “Father Figure” by George Michael.

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February 27, 2019

This Song: Jungle

On this episode, Josh Lloyd-Watson and Tom McFarland of British electronic pop outfit Jungle, tell us about the Jai Paul’s “Jasmine,” and how it helped their band get comfortable with sonic experimentation.

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