Passiflora

Passiflora: “Backyard Birds”

Feeling the heat and humidity outside for just thirty seconds confirms it: we’re well past the season of birds and bees. Yet even as cicadas steal the atmospheric spotlight with that iconic, steamy soundscape of theirs, birdsongs never really go out of style – Cindy, ornithological vocalizations, or otherwise.

So let’s talk Passiflora. Having only released their debut EP eponymous last March, this Austin three-piece (who performs live as four with the addition of bass) is still only a nestling with a handful of tracks to their name. But their jazzy juxtapositions of neo-soul and alt-R&B (not to mention, all around just great hair) have made Passiflora into sensuous Central Texas vibe – one that we could easily see Erykah Badu getting behind.

And as we endure this summer’s early trials, Passiflora have teamed up with producer Rafi Rosenthal to incorporate something new into their aural aviary: synth. Passiflora’s resting up from last night’s release show at Community Garden, but their latest single, “Backyard Birds”, is only just now spreading its wings. And boy oh boy does it sure beat the raucous squawks of H-E-B Hancock’s ever-growing grackle plague. Over the course of this new tune’s four-and-a-half minutes, you might just dissociate enough to confuse the ground with the sky, thanks to subtle shifts from muffled MIDI programming to airtight physical drums, featherweight vocals (complete with some surprise processing), and guitar grooves that carry this musical migration all the way to the horizon.

Passiflora: “SOMS”

Next week is South By South West, which means it’s been three whole years since SXSW 2020’s abrupt cancellation marked the beginning of our ongoing COVID climate. Of course, we now recognize several silver linings, mainly the sudden abundance of free time to follow through with unrealized creative projects, some of which haven’t been heard until now.

Take for example Austin trio Passiflora. Passiflora’s first root came from a cross-pollination of genre interests between guitarist Rudy Durham, singer Lauren Harris, and drummer Raul Luevano sometime under the veil of the pandemic. What sprouted as an experiment in hybridizing indie, R&B, and jazz has since bloomed into a collective one-of-a-kind passion project. Their style reminds us of turn-of-the-millennium neo-soul innovators like Jill Scott and Erykah Badu, albeit with an extra jazzy sense of adventure, manifested as time signature changes, enthralling chord progressions, and killer polyrhythms.

For their appropriately-named debut EP eponymous, Passiflora brought The Point bassist Jack Montesinos into the mix, and dang does he fit right in the pocket. eponymous is out this Friday, Passiflora performs at Continental Club Saturday, March 25th, and today they pass along the album’s final lead single. Acronymized as “SOMS”, “Sun on my Skin” begs to be enjoyed under brighter skies by basking in dreamy keys, breezy drum brushes, and, of course, Harris’ siren singing that heralds the start of spring and’ll subconsciously make you want to put this “f***ing record on repeat”.