Grunge

Sap: “Pickle Song”

There’s been a ton of new music trickling down the Live Music Capital’s trunk this summer, so fingers crossed that the laziness typically associated with these dog days doesn’t slow that flow down anytime soon. Because among that gradual deluge of easily-accessible inoffensive homegrown genres, there’s also some seriously thick high-octane shit oozing out of Austin as well. Say, for example, Sap a trio who extracts direct influence from the golden age of ’90s grunge for a viscous mix of pre-millennium alternative hard rock and modern sensibilities. These three crude dudes started sampling their sound with a string of studio singles back in February. Titles like “Kiss My Kitty Cat”, “Big Fat Macho Man”, and “Hairy Jerry” paired with tormented-yet-cartoonish pieces of artwork quickly clue you into the uncouth juvenility of Sap, but the Nirvana-esque sonics and concise, catchy structures assure you that these are in fact well-seasoned students of their favorite styles, with mad instrumental discipline and songwriting chops to boot. Well, tomorrow Sap’s standing solidifies with their debut studio album Lard Baby a real gooey bundle of revivalist grunge joy. The fellas celebrate with a release show next Friday at Hole in the Wall opening for Violent Vira and Max Diaz and today you can make like hungry grunge bugs on a sticky limb by lapping up the new Sap with Lard Baby‘s final lead single. Far from a sour slurp, “Pickle Song” goes down real easy thanks to a soft, xylophone-fueled buildup, but once the lid comes off out spills a sporadic, bloodthirsty sprint. Put simply? “Pickle Song” kicks ass.

on being an angel: “brit boy”

It’s a gloomy start to 2022’s final thirty-nine steps. And in embracing the wintertime blues, it’s the perfect time to indulge in a hazy, understated, all-lowercase aesthetic. Which, here in Austin, brings us to on being an angel. For the past three years this quartet sewn seeds of pop melodies across faint fields of fuzz and gritty landscapes of ’90s-style grunge. With an outspoken preference for the tried-and-true analogue sound over its precocious DAW descendants, the latest milestone in on being an angel’s ongoing mid-fi mission is on being a tape vol. ii. Issued last Friday, on being a tape is a beautifully-flawed four-track whose heart’ll never need any digital clarity to move you. The EP wraps up with an inventive Lucinda Williams cover, but perhaps its biggest standout is the record’s penultimate track and final original. For a fully immersive analogue-and-fisheye experience, “brit boy” begs to be enjoyed alongside its black-and-white VHS-style music video. If that’s not enough, you might even be able to see on being an angel in-person, opening for The Lemonheads, Bass Drum of Death, and Juliana Hatfield on tour over the next month!