Goth

Soft Bones: “Let the Sun In”

Bassist and singer Anastasia Wright has long been a part of the Austin music tradition of being part of about a dozen bands you’ve seen and heard of. Hong Kong Wigs, Tyler Jordan and the Negative Space, Black Basements, and the B-52’s cover band Mock Lobster. Additionally, she’s been running her own vegan catering and personal chef business Temptress Meals for years.

Now, Wright’s turned her sights toward her latest solo project, Soft Bones. Pooling together wonderful artists like Big Bill drummer Jeff Olson and Wright’s own husband Joe Olmstead. While Anastasia is an extraordinary bassist, her vocals are siren-like and showstopping. Both instruments are put front and center on the new EP Return Your Experience.

There’s a lot of air and space throughout the EP, but it’s not stripped down; it’s an essential and well-executed layer to the sound. Truly, it’s gothic beauty. On “Let the Sun In,” her bassline sets the dark tone before her vocals come in like a mysterious draft from an old, castle tower window. Soon, the windstorm picks up, and you’re enraptured in her vocal gusts. And yes, this would perfectly soundtrack your next tarot reading.

Along with the release of Return Your Experience is a bittersweet departure. Anastasia gifts Austin this EP as she moves on to new pastures and new projects. But, not without a proper sendoff in the form of a release show tonight at Radio East.

You can see Soft Bones’ EP release show and farewell to Austin tonight at Radio East with Alex Riegelman and Feeling Small.

Dusty Gannon: Fangoria Fan

Dusty Gannon of Vision Video talks with Laurie about how the darkness of goth music inspires him and how horror films help him deal with his own fears.

(SPF 1000) Vampire Sunscreen is a listener-supported production of KUT & KUTX Studios in Austin, Texas. You can support this podcast at supportthispodcast.org.

Credits:
Host, Creator, Producer: Laurie Gallardo
Producer: Elizabeth McQueen
Editing and Mixing: Jack Anderson
Original Music: Rene Chavez
Photo and Video: Michael Minasi
Art: Dave McClinton

Cara Van Thorn: “Rage”

Lookin’ to rage this Memorial Day? Well we’ve got something that you might not’ve expected but’ll definitely do the trick.

And that’s in reference to Austin’s Cara Van Thorn, initially born from Donkey Island ex-pats Adam Donovan and Carrie Stephens who continue to spearhead what is now a six-person wagon train. Since Fall 2019, this whimsical, bristly cavalcade’s become a common sight in modern swing circles, but their penchant for upbeat prohibition-era Jazz has always been leveled out with starker styles of rock, specifically ’90s Alternative and ’80s Goth.

And boy did the latter sound steal the show on Cara Van Thorn’s latest single, “Rage”, that just swept through last Friday. Between a menacing theremin, some absolutely disgusting synth bass, simplistic-yet-sinister percussion, subtly tense horn chords, and ominous lyrics that effortless shift between first and second person (further enhanced by additional vocals from A Good Rogering’s Skunk Manhattan), “Rage” sounds like Frankenstein’s monster ripped the bolts out and unleashed all the emotions bottled up beneath to an unsuspecting village. In other words, Cara Van Thorn totally went beast mode on this one.