Ben Carrington

The Documentary (EP. 8)

Stuart Hall: In Conversations revisits the life and work of the Jamaican-born cultural theorist, Stuart Hall, a key figure in the foundation of the field of Cultural Studies. Through interviews, music, and audio archives, this program examines the political and historical context that shaped Stuart Hall’s ideas.

From the 1950s until his death in 2014, Hall was a world renowned black public intellectual, known for his role in establishing the New Left in Britain, his groundbreaking analyses of Thatcherism, and his dialogical understanding of culture and representation.

Hall saw politics in a range of human formations, from the mundane and everyday to the global expansion of free market capitalism.He argued that culture should be understood both as a site for the reproduction of dominant ideologies as well as a location for resisting power and claiming new identities.

Stuart Hall’s visionary understandings of neoliberalism and what he called “authoritarian populism” are worth revisiting today in an era of racially charged nationalism, evidenced in the 2016 Brexit vote in the United Kingdom, Marine Le Pen’s rise in popularity in France, and the election of Donald Trump to the presidency of the United States.

Stuart Hall Live (Ep. 7)

Listen back to our Views and Brews discussion from December 13, 2016 with KUT’s Rebecca McInroy, along with sociologist Ben Carrington, art historian Cherise Smith, and journalist Steven Thrasher of The Guardian.
They talk about the life and legacy of Stuart Hall and take audience questions.
Who was Stuart Hall? What can his ideas teach us about populist politics, the importance of the visual arts, and the role of the media in our current social and political moment?

V&B: Stuart Hall

Listen back to our Views and Brews discussion from December 13, 2016 with KUT’s Rebecca McInroy, along with sociologist Ben Carrington, art historian Cherise Smith, and journalist Steven Thrasher of The Guardian.
They talk about the life and legacy of Stuart Hall and take audience questions.
Who was Stuart Hall? What can his ideas teach us about populist politics, the importance of the visual arts, and the role of the media in our current social and political moment?

Roderick Ferguson (Ep. 6)

In this interview, Ben Carrington, Professor of Sociology at the University of Texas at Austin, interviews Roderick Ferguson, Professor of African American and Gender and Women’s Studies at the University of Illinois at Chicago, about his relationship to the work of Stuart Hall.

In the words of Ferguson, he was introduced to Stuart and Catherine Hall when he was 22 under the advisement of George Lipsitz at UC San Diego. During this meeting, Ferguson was struck by Hall’s openness to what cultural studies could be; that Hall was not a patriarch “trying to lay down the law and determine the discipline” but was instead able to separate his ego from doing his scholarly work.

Ferguson’s commitment to treat culture as something important to study – in relation to both race and capital – was something that Hall’s work inspired him to do despite the lack of reception that this kind of work had within the field of American sociology.

That the discipline is painfully far removed from the influence of Stuart Hall was evidenced for Ferguson by his failure to be accepted to the annual American Sociological Association meeting with a panel that was intended to honor Stuart Hall.

This rejection speaks not just about the relationship between American sociology and the work of Hall, but also about the discipline’s marginalization of scholars of color more generally. The loss for sociology in not incorporating the influence of Hall is that the discipline is practiced as “one-dimensional sociology” where neither culture nor race are given the attention they deserve.

While Hall understood all analytical categories to be complex and historically contingent, Ferguson argues that American sociology focuses on an illusion of one-dimensional objectivity at the expense of having real political stakes.

Ferguson pays gratitude to Hall by claiming that his book, The Reorder of Things: The University and Its Pedagogies of Minority Difference (2012) would not have been possible without Hall’s influence.

 

Imani Perry (Ep. 4).

Imani Perry is a Professor of African American Studies at Princeton University. In this conversation with University of Texas Sociology Professor Ben Carrington, Perry discusses Hall’s work as foundational for her own intellectual trajectory as a cultural theorist.

Likewise, Perry addresses Hall’s relevance for understanding a U.S. context by noting that the questions Hall asks around political economy, the rise of neoliberalism, race, class, and culture are important for making sense of what is happening in the United States because “we are all grappling with legacies of empire and capitalism and racialization.”

Perry argues that although we see different iterations of these issues as they move around the world, Hall’s theorizing is prescient for making sense of questions of globalization. The conversation also addresses Hall as a model for being a public intellectual who neither postures nor self-aggrandizes but rather is about conversation and engagement with and a responsibility to different public.

Carrington and Perry discuss how Hall’s work is useful for understanding not only Brexit, but also the rise of Donald Trump in the U.S. Perry explains that she understands these issues as part of an “anxiety about the growth of precarity, globalization, and neoliberalism, and the kind of vulnerability that [these issues] produce for whiteness,” as well as an appeal for a return to conventional imperial relations. Hall’s work, which addresses the intersection of historical forces that produce these anxieties, helps us to think about these issues, although he does not necessarily give us the answers. Hall provides a model for how to read the world around us ethically.

-Maggie Tate

Gary Younge (Ep. 2)

In his interview with Gary Younge, editor at large for The Guardian, UT Austin Professor Ben Carrington begins with a reflection on Younge’s article following Stuart Hall’s passing entitled, “Stuart Hall: A Class Warrior and a Class Act.” Younge praises Hall for not being interested in sounding clever or performing academic stardom.

This is particularly notable because, according to Younge, it is common for academic stars in the current era to say things that are catchy, “like dangling baubles that make people sit up and think you’re clever.”  On the contrary, Hall had a “soft and nurturing presence” and wanted to be useful rather than dominating.

This was evidenced in the way that Hall would “almost appear without a trace when he came into a room.” Younge first became aware of Stuart Hall when he was 7 or 8 through Hall’s position at the Open University, but then became more familiar with his work reading Marxism Today, especially “New Times.”

In addition to the relevance of his ideas, Younge reflects on how meaningful it was to see a black man as an intellectual who could say what he had to say but also keep his integrity intact. For Younge, it was significant that Hall did not appear embittered or insecure, that he “seemed happy in his skin” and that “he didn’t have to put someone else down in order to build himself up.”

Younge remembers his last communication with Hall, which was an exchange over Younge’s “Ethical World Cup.” Commenting on the loss of Hall, Younge states that while “there was never a time where we didn’t need him… arguably we need him now more than ever, though I guess that was always true.”

-Maggie Tate

Les Back (Ep. 1)

Situated on Goldsmiths, University of London campus, this conversation between Ben Carrington, Professor of Sociology at the University of Texas at Austin and Les Back, Professor of Sociology at Goldsmith’s, University of London, considers the contributions that Stuart Hall made to the field of cultural studies and the loss that has been felt since his passing.

The discussion between Carrington and Back touches on topics such as the complimentary relationship between Stuart Hall and Richard Hoggart, Hall’s role as an interpreter of British culture and Back’s experience in the making of “At Home and Not at Home: Stuart Hall in Conversation with Les Back.”

Back emphasizes Hall’s intellectual generosity, his practice of collaboration, and his ability to engage the big issues through both commonplace cultural practices and extraordinary political events. Ending in front of the New Cross Inn, the conversation turns to why Hall remains a relevant intellectual figure both for cultural studies and for the increasingly limited possibilities within academia to do critical work.

The interview draws to a close with Back’s thoughts on what he misses most about Stuart Hall, including his understated sense of humor.

-Maggie Tate