Over the past 40 years R&B’s only gotten more electronic, more reliant on post-production “studio magic”. And for the more recent half of that period, R&B’s also become so intertwined with hip-hop that the two genres are now almost inseparable. Thankfully, just like the recent retro-soul renaissance, there are still purveyors of real “rhythm & blues” who ascend past contemporary commercial trends and instead blend the best of classic and modern.
And that includes Austin acts like Autumn Cymone, who draws just as much from Prince and Erykah Badu as she does Betty Davis and Astrud Gilberto. But seemingly impervious to a bad hair day and ever equipped with her trusty six-string, a quick listen to this “Queen of the vibe”‘s catalogue tells you that she’s much more than just another Janelle Monáe wannabe. And in the half decade since the straightforward rock arrangement paired with R&B drums of Cymone’s debut single “Silence”, we’ve heard a really impressive progression into the nuanced songwriting and authentic acoustics she’s blessed us with this side of the pandemic.
This Thursday Autumn Cymone shares her EP …all my surprises, followed by a show 10PM Friday night at Busy Signal and what may very well be her final unofficial SXSW performance 5PM next Saturday at New Bloom. So as Autumn Cymone slides towards superstardom, try not to get hot and bothered by the new album’s latest lip-biter, “Slippery”. Between a voracious back-and-forth lyrical structure with James Barmore that catalyzes sexual chemistry and the infectious complexities of its overall arrangement, “Slippery” feels like a modernized Motown duet overflowing with hormones and rock overtones.
