Don’t worry, it’s not a clip show! Confucius and Fresh recap moments from The Breaks that made this year one for the books.
Austin R&B
Is Drake going to be okay?
Confucius and Fresh talk about the implications of Drake’s latest lawsuit, what to expect from Austin hip-hop and R&B going into 2025, and an Unpopular Opinion on the status of regional hip-hop.
Who benefits more from the marriage: Jay-Z or Beyoncé?
Confucius and Fresh weigh who gains the most from their industry relationships: Jay-Z or Beyoncé and Young Thug or Gunna, plus an Unpopular Opinion on the future of white rappers.
Do celebrities respect Austin?
Inspired by a recent visit from T.I., Confucius and Fresh talk about how celebrities treat Austin before moving onto the role of Black celebrities in politics and an Unpopular Opinion on 50 Cent.
Has GloRilla overtaken Cardi B as hip-hop’s “it girl”?
Confucius and Fresh confer on GloRilla’s growing popularity, check the pulse on Austin’s hip-hop scene, and predict the state of Drill music’s foreseeable future.
Been There 3 Interview
Confucius and Fresh are joined by DAWA/Riders Against the Storm’s Chaka and Been There cofounder Aaron Brown to discuss Been There 3: A Party to Support Our Unhoused Neighbors happening November 2nd at Radio East to benefit The Other Ones Foundation. Hear that, a chat on the relationship between hip-hop and Halloween, and an Unpopular Opinion on Kendrick Lamar’s recent choice of media outlets.
The Gumbo SmackDown!
Confucius and Fresh cover both sides of the upcoming Gumbo SmackDown on October 26th through interviews with WWE Hall-of-Famer Mark Henry and Whip My Soul co-founders Antonio & Tia Echols. Hear that and an Unpopular Opinion on BET Hip-Hop Awards choice of venue in this episode.
Does Hip-Hop beget violence?
Confucius and Fresh follow up their Rap Beef series with discussions on hip-hop and violence, Jaguar Wright’s allegations against Jay-Z and Beyoncé, and Logic’s intrinsic objective merits as a lyricist.
Inesse: “On My Way”
Outside of theater, choir’s typically stereotyped as the vehicle for churning out stars of the next generation. Which makes sense, since it gives you all the essentials to become a singing sensation: allowing harmony to become a natural instinct, blending your voice convincingly alongside others (even in chorus), and most importantly for future potential, maximizing those big solo moments.
So we don’t exactly need to digress when introducing y’all to Austin-based vocalist Inesse Chichou, better known by her mononym Inesse (and that’s “E-ness” for uninitiated). Inesse began climbing the creative ladder through choir, and following a pivotal performance at Carnegie Hall under choral legend John Rutter, broke that focus to recenter on her solo prospects. In that realm, Inesse’s full-bodied, effervescent, and inherently feminine style falls somewhere between Jazmine Sullivan and Alicia Keys, all the while differentiating her voice from the rest by leaning on the exotic, traditional, and often dark Arabic elements of her Moroccan upbringing.
And after her October 2023 debut, Inesse has been putting the work in for 2024; following up four luscious standalone singles, Inesse dropped her freshman collection It Was Good…While It Lasted just a couple weeks back. Revolving through six cylinders of seductive originals (each produced by a different collaborator), It Was Good…tears down the gate between turn-of-the-millennium megastars and modern era heavyweights for a thoroughly unrestricted R&B-soul experience. Yeah, even though Latin R&B is a Goliath of the industry right now, the acoustic guitar-coated EP ender “On My Way” is a little less Latin American and a lot more south of the Mediterranean. “On My Way” instills a certain sense of sultry urgency, all anchored by GRAHAM.‘s gripping beat that drips with swagger, co-writer Elijah Ford‘s cohesive contributions, and of course, Inesse’s immaculate vocal intervals.
Thee Phantom Interview
Confucius and Fresh talk with Jeffrey McNeill of Thee Phanton and Illharmonic Orchestra ahead of an Austin appearance, do a little more prep leading up to the series on beefs, and unwrap an Unpopular Opinion on Vivica A. Fox’s stardom.
LARA’ Interview
Austin R&B singer LARA’ joins Confucius and Fresh in conversation on her new album Luvology and her upcoming tour with Rapsody. Then the fellas weigh why R&B isn’t as profitable as hip-hop and Meek Mill’s status as a top tier rapper.
BLK ODYSSY Interview
Confucius and Fresh sit down with August 2021 KUTX Artist of the Month BLK ODYSSY to talk about their newly released album 1-800 Fantasy before setting the stage for an upcoming series on beefs.
Marlei: “No Matter”
Ah, Bossa Nova. That jazzy genre so emblematic of playful times na praia, sandy sensuality, intimate sunsets, and overall just good ol’ fashioned summer fun. But whereas in the ’60s Bossa was the genre every pop artist had to try their hands at, these days you rarely get the fresh stuff outside of Brazil. So when you do hear that distinct South American shuffle, no matter what category it’s camouflaged against, it inspires something extra special.
And speaking of “extra special”, let’s make our way back north of the equator to Marlei. Having only introduced herself to the masses in late 2021, the tides are still rising for Houston-born, Austin-based singer Marlei Dismuke. But even with only four singles to her mononymous handle, Marlei’s eclectic respect for all kinds of sounds, infectiously bubbly personality that instantly translates over her recordings, and engrossingly gorgeous vocals, Marlei’s hooked listeners not just in Austin, Dallas, and San Antonio, but way down in Santiago and Buenos Aires. Clearly she’s doing something right to engage international audiences…
Which brings us to Marlei’s latest. Like a pisces leading a full school towards an ocean of infatuation, “No Matter” casts an Ariana Grande-esque trap-pop net over that classic Bossa guitar rhythm for a modern masterpiece of musical migrations. Rain or shine, “No Matter” sounds good in any circumstance. And concerning Marlei’s laughter through a cautious affirmation of that last take at the song’s final sunset? Yeah, girl. “That was it”, for sure.
What’s Up with Drake’s Big Dump?
The discussion kicks off with Drake’s massive data dump before moving onto a debate about the dysfunctional state of Fugees and an Unpopular Opinion on rappers billing themselves as “artists”.
ALLYSE.: “Cherry On Top”
Looking to cool off with something super tasty this summer? Austin locals are in luck with an opportunity to sate more than one sense in the same sitting!
And you can thank ALLYSE. for all that. A nomadic military brat and classically-trained singer, ALLYSE. turned ATX into her HQ seven years back, where she’s since lent her vocal and multi-instrumental talents to a pair of pop outfits plus former KUTX Artists of the Month Daniel Fears and promqueen. More recently though, ALLYSE. has spent the past year and a half cementing her solo status as a songwriter-producer in the high-demand pop-R&B sector, having blasted out Billboard-quality originals every few months beginning last January.
But as we mentioned before, ALLYSE.’s latest lists itself on the menu as a multi-sensory sensation. By that we mean at the single release party 4:30PM this Sunday at Jeni’s Ice Cream’s Triangle location, you can try ALLYSE.’s custom ice cream flavor “Sparkling Cherry Pie” while hearing her perform live. And since great taste isn’t limited to your tongue’s buds, and it’s near impossible to spoil an aural appetite, treat your ear’s sweet tooth to “Cherry On Top” – ALLYSE.’s sixth single that’d make Dua Lipa lick her lips and say, “delicious”. Because it’s got all the disco-funk retro-hip-pop sprinkles to make this summer an extra sugary one – each time it pops up on a new playlist.
What was the worst period in hip-hop?
Confucius and Fresh contemplate what Hip-Hop’s worst era was before moving onto a modern existential debate over the importance of record certifications, plus an Unpopular Opinion on Lil Keke’s impact on Houston rap and beyond.
Isis Destiny: “R U Mine ?” (feat. Opera Mauv)
Poetry. Painting. Tailoring. And that’s all in one audacious Austinite’s regular wheelhouse, without even accounting for their live performance pursuits. Like…save some media forms for the rest of us, sheesh!
While there’s assuredly a ton of people out there who fit that bill, today we’re talking about Austin’s Isis Destiny, formerly Amira Isis Destiny. Since being introducted to guitar and lyrical expression in her mid-tweens, Destiny’s done a damn fine job of drawing others into her multi-disciplinary triumphs – be it dancing, DJing, or anything else to help put on an unforgettable show. On the original music side of things, Isis Destiny’s shown a deep understanding of everything from ’90s neo soul to golden age disco, and weaved those lessons into her own inspiring originals, as heard on last September’s Scorpio Rising EP. And apparently Isis’ inspiration is near endless, since just after returning from her first ever tour, she’s already hopping on something new: an alt-jazz-pop project that goes by The Lover Girls Collective.
Yet once again, that’s not all; Isis Destiny is also embarking on a once-a-month collaborative single release, starting with last weekend’s “R U Mine ?”. Before we hand that off though, we gotta give y’all the scoop on ID’s upcoming gigs: Monday, August 5th at Volstead Lounge as part of the Underground Voices all-girl open mic showcase, Saturday, August 10th at Cozy Canna’s 4th street grand opening, and Sunday, August 11th at Wanderlust Wine Co.’s Barton Springs location. Back to “R U Mine ?”…this shimmering specimen of electro-pop (created in tandem with fellow Central Texan Opera Mauv), flirty synths set the mood for highly refined verse vocals, four-to-the-floor drums, and restless bass. Altogether they swell up to and cool off from the UK garage-style vocal chops and snare shuffle of the tune’s minimalist titular hook in such a way that each chorus drop just seems to go harder and harder.
So go ahead and grab it below; it’s all yours.
What’s next for The Breaks?
Confucius and Fresh reminisce on their journey so far over the past eight years and what to expect next before dissecting what makes LL Cool J such a significant figure in hip-hop history, plus an Unpopular Opinion on Drake’s status as a so called “culture vulture”.
arya: “USE ME”
It’s a twofer this Friday! We’ve got a brand new release alongside a weekend show recommendation. And both arrive on behalf of arya.
arya’s not just another dime a dozen bedroom pop Billie Eilish wannabe. No, this Belgrade-born bae is almost overqualified for saturated world of pop-hip-hop-R&B; after a decade in Serbia playing classical piano she received a formal jazz degree here in Austin. Still, even in this decidedly contemporary endeavor, arya retains her status as a one woman show – having scored her first ACL Fest appearance and official ACL Late Night Show last Fall.
And speaking of last Fall, following up last October’s “LOVE ME”, today arya shares the second installment from her upcoming EP Insides – a six-song visual album and narrative set for release later this year. In the immediate forecast, arya’s got a free performance midnight tomorrow night at Empire Control Room as part of Hot Summer Nights, where she’ll certainly perform her latest pop-R&B banger, “USE ME”. We wouldn’t be surprised if we heard a sped up/nightcore version of this new one pop up on TikTok, but for us personally, we love the tune’s relaxed tempo. Because it gives plenty of space to breathe between richly textured drums, fat-as-hell synth bass, and arya’s incredible vocals that could end up making Ariana Grande sound more like GoT series finale Arya Stark in comparison.
What’s going on with Cash Money?
Inspired by the recent “Cash Money Reunion” at Essence Music Fest, Confucius and Fresh break down what’s going on behind the scenes with the legendary record label, not to mention an Unpopular Opinion about rappers signing to other rappers.