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Here’s the biggest understatement you’ll read today: creativity is an incredible human asset. We reach into the aether and pull out something that previously didn’t exist. But in the eyes of consumers and curators alike, that’s only half the battle. For them, bringing the abstract into fruition as a tangible, easily-accessible document is what separates the thinkers from the makers, the hypotheticals versus the heard treefalls. At the end of that discourse, though, we all know that you simply can’t rush greatness. Which brings us to Bill Mullarky.
For the past half decade Mullarky’s tinkered around town with a few different versions of his full band project RLTVS (pronounced “relatives”). Yet in light of an ample track record of live shows, RLTVS hasn’t ever put anything “on wax”. Until now. After years of careful retooling, RLTVS released their debut studio single “New Orleans” at the start of August. Just like the pidgin melting pot to which it pays tribute, “New Orleans” boils spices of dance, folk, funk, electronic, and avant-garde together into an intricately affectionate piece of correspondence from the “Live Music Capital” straight to “The Paris of the South”.
