Song of the Day

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October 5, 2021

Riders Against the Storm: “Flowers For The Living” (feat. Clarence James)

By: Jack Anderson

Whether you’ve attended those legendary Body Rock ATX dance parties, celebrated the official RAS Day (August 29th), or seen their name pop-up on KUTX’s playlists, chances are you’ve heard of Riders Against the Storm. Since their 2013 eponymous EP, this eclectic hip-hop duo has continued to defy any expectations of the genre by incorporating a variety of worldly sounds, most recently on this year’s feature-stacked full-length Flowers For The Living.

These three-time Studio 1A performers and previous My KUTX hosts take the Tito’s Handmade Vodka Stage 1:30pm this Friday at Austin City Limits Music Festival, so in this proverbial calm before the storm, you can bloom alongside the boom on Flowers For The Living‘s title track!


Episodes

December 7, 2023

Honey Hideouts: “Goodbyes”

By nature, the id of a creative is often occupied by abstract fragments, waiting to be manifested. But sometimes the spark to bring something new to fruition only arrives with a change of scenery. And a recent case of such comes courtesy of Denmark’s Markus Artved. An accomplished producer who’s lent his ear to Lukas […]

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December 6, 2023

Uncle Lucius: “All the Angelenos”

If you missed out on some quality family time during Thanksgiving, we’ve got some musical kin for you who’ll help clean out any leftovers. We’re talking about our dear Uncle Lucius, an Americana rock endeavor spearheaded by Kevin Galloway. A beloved Austin institution since their 2006 debut Something They Ain’t, the fellas actually considered putting […]

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December 5, 2023

Gary Devlin: “Waves”

We’ll never deny the merits of lyrical therapy. Then again, the staying power and worldwide accessibility of meditative genres like classical and jazz has little to do with curated words. And more often than not with that universality, comes positivity. Cut to El Paso-born, Arlington-based songwriter-guitarist Gary Devlin. Sure, Gary’s got the makings of a great […]

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December 4, 2023

The Tibbs: “Ain’t It Funny”

We’ve said it once and we’ll say it again; the retro-soul renaissance of the last 10-15 years has been one of the most refreshing trends to break into the mainstream. And it’s been especially intriguing to hear countries outside of the U.S. tackle that classic Motown/Stax sound with their own takes on those brassy, upbeat, […]

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December 1, 2023

Chief Cleopatra: “December All Year” (Live in Studio 1A)

Apologies in advance to all the Scrooges out there, but the winter holidays are on our doorstep. So if you haven’t already, prepare for in-store speaker systems, radio spots, TV commercials, and hell even carolers to give us our annual fill of festive favorites. And while the Bing Crosbys and Brenda Lees of generations past […]

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November 30, 2023

Cinnamontal: “P.R.P.P.P.”

If the corporate powers that be haven’t already ushered in the official start of Christmastime, December 1st will certainly flip the switch. So might as well ignite the yule log early with some new, locally-sourced aural ornaments, starting today with Denise Murray. Better known by her nickname Cinnamon, and by extension, her creative handle Cinnamontal, […]

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November 29, 2023

Olivia Nowadays: “Damn This Is Real Bad”

In the era of the phonograph, when sound quality was essentially nonexistent, whatever got cut to the cylinder is whatever crackled out. Nowadays, there’s a huge divide in listener tastes when it comes to fidelity. On one side of the spectrum you’ve got audiophiles who demand nothing less than ultra-refined digital masters that make it […]

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November 28, 2023

Parker Woodland: “True Love Will Find You In The End”

First thing’s first. Parker Woodland isn’t a person; it’s a band. More accurately, it’s an Austin-based indie rock collective captained by activist/singer-songwriter Erin Walter. And although Walter, guitarist Andrew Solin, and drummer Keri Cinquina comprise the group’s core trio, Parker Woodland always welcomes a revolving cast of contributors both in-studio and on-stage for inclusive arrangements […]

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