Song of the Day

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July 23, 2019

Delbert McClinton: “Let’s Get Down Like We Used To”

By: Jack Anderson

With more than six decades of experience under his belt, it’s no easy task to sum up Delbert McClinton‘s accomplishments. The three-time Grammy winner has toured with The Beatles, supported Howlin’ Wolf and Bo Diddley, has had his tunes covered by Garth Brooks, Waylon Jennings, Bonnie Raitt, and Buddy Guy and has continued to earn well-deserved praise, everywhere from Rolling Stone to Lyle Lovett.

This inherently Texan songwriter and so-called “Godfather of Americana” had a ball writing and recording the newest album alongside his backing band Self-Made Men + Dana, who provide an essential backdrop of horns, fiddle, accordion, and everything else you’d want behind McClinton’s raspy vocals. Tall, Dark, & Handsome is a huge achievement in Texas blues and roots music, and before you catch Delbert on the road, enjoy the first single out of these fourteen new tunes, “Let’s Get Down Like We Used To”!


Episodes

February 10, 2025

Middle Satre: “Corrupted (Uncorrupted)”

Welcome! Today’s theme is vision and reimagining. After spending a childhood in Salt Lake City, Hunter Preuger moved to Austin to sow oats with his project Middle Sattre. The project quickly expanded into a six-piece…and then an eight-piece, and a year after the release of their debut album Tendencies, the experimental folk outfit returned to […]

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February 7, 2025

Death Palmz: “IL2H2LU”

I’ve heard your week’s woes, I know it’s been one, so Aunt Tay is here to deliver a little Friday elixir to shift you into weekend mode as you get ready to burn rubber in the parking garage. Austin’s Death Palmz is another project from Exotic Frutica, and if you’re familiar with the punk band, […]

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February 6, 2025

Scott Collins: “Aphophenia”

Austin singer-songwriter Scott Collins has been ever-evolving in both songwriting and sound and now he’s started leaning in more to letting himself define his sound, branching out and seeing what feels right. His 9th EP And All This Happened serves on the title’s promise: it’s all happening. But the early 00’s indie sound is still […]

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February 5, 2025

Small Engine Fire: “Good Old Day”

Who said that energy and introspection can’t co-exist? It wasn’t me. And it certainly wasn’t Small Engine Fire. The new Austin band is made up of members of Lola Tried and Quiet Company, and together they create something a little nostalgic, like taking a ride out to Wilco with your Grandaddy. Small Engine Fire throws […]

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February 4, 2025

Her Mana: “Oh This Moment” (ft. Sarita and Gene Evaro Jr.)

We love a side project, don’t we? Especially when ace collaborations are involved. For a couple of years, Ley Line’s Emilie Basez and Kate Robberson have been creating music as a Her Mana, honing an even earthier and more ethereal sound with the same incredible complex guitar noodling, harmonies, and wide range of world instruments […]

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February 3, 2025

Gus Baldwin & the Sketch: “(She’s Gone) Arigato”

After many years of winning the hearts and ears of Austin music lovers both as a solo artist and as a member of the psych outfit Acid Carousel, Gus Baldwin’s name has been in the mouths of bookers and promoters for years, and more recently, he formed Gus Baldwin & the Sketch. And while it […]

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January 31, 2025

Glassreel: “Myself Included” [PREMIERE]

Winnepeg’s Glassreel is a masterclass on the hard-to-nail trifecta of layers, technique, and breathing space. Nothing is simple, but everything is effortless. Following their 2022 debut Lustre, the group returns with “Myself Instead,” a song that shows the further fine-tuning, cohesion, and boldness the quartet has been building on. While the Belle & Sebastian and […]

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January 30, 2025

Lola Tried: “Degrader”

If Mama tried to steer you right, Lola Tried is here to steer you wrong. So very, very wrong. Known for masterfully blending the emo hooks of teenage Millennial yore with garage and power-pop sensibilities, the group has always been like the adult charcuterie board to pop-punk’s Lunchable. After nearly a decade under those influences, […]

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