Archives for September 2018

Texas Standard: September 13, 2018

Hurricane Florence bears down on the Carolinas. But closer to home, officials in south Texas claim after flooding there they got stiffed by FEMA, we’ll have the latest. Also, we thought there are big discrepancies in health care for minorities, but now the agency examining those inequities nixed. We’ll hear why and what it means. And a year after a major quake in Mexico city killing more than 300: a new report blames corruption for many of the buildings that toppled. We’ll have details of the investigation. Plus tighten those crash helmets: Texas cities on a collision course with electric scooters. Those stories and a whole lot more today on the Texas Standard:

Howard: “Oh Dear Brother”

The music of Brooklynite Howard Feibusch and his eponymous group Howard has come a long way since the 2015 debut album, Religion. Religion formed itself around bedroom recordings and samples but proved only to be the beginning for Howard’s sonics. By the time the band released their electronic-heavy EP Recycle, Howard had become a fully fledged four-piece, ready to tackle a new project in Feibusch’s brand new studio.

That project, (Howard’s second full-length) Together Alone takes shape as eleven genre-hopping tracks, rounded out with a full band sound and backed by some Daptone horns to boot. Together Alone comes out tomorrow and to tide you over the next twenty four hours, here’s “Oh Dear Brother”!

Photo: Sonya Kitchell

This Song: Israel Nash

Israel Nash describes how hearing the Hollies’ “Long Cool Woman in a Black Dress” inspired him to start writing songs and explains what role inspiration played in the writing and recording his latest record “Lifted.”

This interview was recorded live at Waterloo Records

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Watch the full interview recorded live at Waterloo records

Check out Israel Nash’s Tour Dates

Listen to Israel Nash’s new album Lifted

Listen to Israel Nash’s Studio 1A Set

Listen to Israel Nash’s My KUTX Guest DJ Set

Listen to Songs from this episode of This Song

Texas Standard: September 12, 2018

This time, it’s for real: the National GOP worried that Beto O’Rourke has a real shot at tipping the balance on Capitol Hill. We’ll take a look at the details. Also, Bob Woodward’s book just out this week details chaos in the Trump Administration, but there’s nothing chaotic about the systematic dismantling of environmental regulations. What’s happening, and what it means for Texas. And Harvey dumped 127 billion tons of water on Texas last year: help from FEMA? A mere trickle so far. What’s holding things up? Plus kids at the center of a culture war over remembering the Alamo and so much more, today on the Texas Standard:

Eleanor Friedberger: “Everything”

If you’re only familiar with Eleanor Friedberger as the subject of “Eleanor Put Your Boots On” by Franz Ferdinand and “Anything You Want” by Spoon, it’s time to catch up! After eleven years and nine albums alongside her brother in Brooklyn indie rock duo Fiery Furnaces, it only took two months for Friedberger to release her first solo record in 2011, and she’s been building up her brand ever since.
2018 witnessed the release of Friedberger’s fourth solo effort, Rebound – an album inspired by a recent immersive trip to Greece and arguably her finest work to date. Speaking of trips, Friedberger is waist deep in a multi-month international tour continuing next week in the Lone Star State! She’ll be playing at 3TEN ACL Live next Wednesday and warming up earlier that afternoon with a live Studio 1A performance. If you’ve got a few hours at hand, dive into Friedberger’s diverse discography, starting with Rebound‘s lead single, “Everything”!

Texas Standard: September 11, 2018

Public frustration boils over into the streets after manslaughter charges in the fatal shooting of an innocent man by a Dallas police officer. We’ll have the latest. Also, after 2016, do you trust political polls? With election day now just 8 weeks away, the horserace begins in earnest. We’ll explore how the polls became such a major institution in American politics. And a historic moment for the Boy Scouts as they start recruiting Texas girls. Why they’re doing this and how it’s going so far. Plus the race to save the Texas horny toad and so much more today on the Texas Standard:

Time

Time flies when you’re having fun, the old saying goes. But how can time – maybe the most fundamental concept of the universe – feel different under different conditions?

On this edition of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke – break down the factors influencing our perception of time.

¡Mayday!: “Time Is Up” (feat. Stige)

Despite the ever-changing ebb and flow of hip hop on the whole, Miami trio ¡Mayday! has maintained a hold over a sea of crowds for nearly a full decade now. First formed in 2009 the group has had the privilege of performing alongside the likes of Lil Wayne and Tech N9ne, always promising to bring a dedicated dance energy to the floor with them.

Just last week ¡Mayday! dropped their latest album South of 5th, a full-length tribute to their hometown, complete with sweaty summer vibes and reggae riddims. One day after the record release ¡Mayday! kicked off a two-month national tour, continuing this Saturday at Flamingo Cantina. Get warmed up for the weekend early with the penultimate song on South of 5th featuring fellow Miami lyricist Stige, “Time Is Up”!

Texas Standard: September 30, 2018

Latinos tipping the scales this election year? Turns out its not just the Democrats who stand to gain from a get out the vote effort, we’ll look at the numbers. Also, a Texas city now topping the nation as the most dangerous place to drive in the U.S. A combination of high speed, heavy congestion and infrastructure to blame. We’ll have more. Plus oil prices rising, but why? We’ll look at the good the bad and the ugly. Also a photo of an emaciated Texas horse goes viral sparking questions about the real definition of animal cruelty. We’ll explore and a whole lot more on todays Texas Standard:

79.5: “Boy Don’t Be Afraid”

Fronted by keyboardist-vocalist Kate Mattison (but clocking in at three lead singers), the music of New York-based sextet 79.5 is hard to categorize, other than “high energy”. Bouncing between jazz, soul, funk, disco, house and everywhere in between, 79.5 has been moving crowds and shaking foundations since their first days in 2012.

79.5 translates their live concert energy to the studio with their debut album Predictions coming out September 28th. Predictions features production work from Leon Michels (Lana Del Ray, Lee Fields, The Arcs) and eleven new songs that’ll make you sweat, jump and maybe even holler! The record doesn’t drop for another couple weeks but fear not, two of the album’s tracks are ready for your listening pleasure, including the second single, “Boy Don’t Be Afraid”!

Higher Ed: Instructional Media Then And Now

Remember those old film strips in school that would advance frame by frame, fueled by an annoying beep? Instructional media has certainly improved quite a bit since those days. In this episode of KUT’s podcast “Higher Ed,” Southwestern University President Dr. Ed Burger and KUT’s Jennifer Stayton discuss if better videos make for better learning.

Ed spent much of his summer “vacation” taping a new round of instructional math videos, complete with updated graphics and special effects. But how do videos impact learning? Ed says technology alone will not make for better educational outcomes. Listen to the episode to get his thoughts on whether educational videos can be entertaining and educational or if the two should never mix.

A new season of “Higher Ed” also means a new puzzler. This one is more about logic and less about math.

This episode was recorded on August 9, 2018.

Dr. Patrice A. Harris (Ep. 40, 2018)

In Black America producer and host John L. Hanson, Jr. speaks with Dr. Patrice A. Harris, an Atlanta, Georgia psychiatrist and President-elect of the American Medical Association. Dr. Harris is the first African American woman to lead the AMA.

KUT Weekend – September 7, 2018

Reaching out to Latino voters to turn Texas blue, a conversation with the new director of the LBJ Presidential Library and a look at the diversity of KUT’s sources for news stories.

A Poem Of Hope For A Sad Kid

Sometimes, a kid needs permission to feel sad for awhile. That was the inspiration for this Typewriter Rodeo poem.

Gilberto Rodriguez y Los Intocables: “Sentimiento Azulejo”

Guitarist-vocalist Gilberto Rodriguez has become somewhat of an authority figure on contemporary Chicano soul, beginning with his 2015 debut LP. These days he’s backed by a Bay Area four-piece and joined by a couple guest vocalists, who bill themselves collectively as Gilberto Rodriguez y Los Intocables.

With Rodriguez at the helm, Los Intocables hold their own with prominent Afro-Latin percussion, lush trumpet arrangements and bold bass lines. Gilberto Rodriguez y Los Intocables just released their first full-length as a band, Sabor Maracuyá Desnuda, a record sizzling with Afro-Caribbean ambiance. Check out one of the album’s more ethereal numbers and sink into the weekend with “Sentimiento Azulejo”.

Texas Standard: September 7, 2018

The Trump Administration wants changes to a long-held agreement affecting young immigrants held in detention. We’ll take a look at what that would mean here in Texas. Also, it’s been quite a week in Brazil. An attack on a political candidate, a major fire, and now it’s Independence Day. We’ll talk to a Brazilian with a Texas perspective. And do you know what a gun is? It’s actually a lot more complicated than you might think. Why the question may be more important than the debate over 3D printing weapons. Plus we’ll question some of the common narratives about Texas history. And we’ll take a little escape to the movies. All that, politics, the Typewriter Rodeo and so much more on today’s Texas Standard:

Texas Standard: September 6, 2018

A federal judge struck down another Texas abortion law. We’ll take a look at what this ruling means and what’s next for the ongoing fight. Also- have you been paying attention at all to what’s happening in Venezuela? It’s bad. But what should the U.S. do about it? We’ll get one perspective. Plus Texas is trying address the impacts of denying hundreds of thousands of students special education. Unraveling the challenge. And the next time you go to a live concert your experience could be enhanced by some new technology. We’ll explore. Plus… why you may want to take a trip to Mount Vernon, Texas and what you’re really smelling when you think you smell rain. All that and a whole lot more today on the Texas Standard:

Sometimes A Legend: “Adrenaline”

With groups like Mother Falcon and Sip Sip on unofficial hiatus, suckers for stage-filling acts might feel a hair unfulfilled. Thankfully the local “fresh pop” group Sometimes A Legend is here to to toe the line between horn-heavy, semi-sensual and ridiculously raucous. Founded in 2015 by keyboardist-vocalist Bowman Maze, the members of Sometimes A Legend (AKA SAL or SALCORP) rank between six and eight onstage, each filling out the harmonics and dynamics of Maze’s intricate arrangements.

Sometimes A Legend has recently undergone some slight lineup changes, but that hasn’t done anything to their charming spirit and camaraderie! The band just shared It Is Physical, an EP of live recordings topped off with a new single that brings their live energy to the studio. You can expect that same passion from SAL on their debut full-length, tentatively set for a January 2019 release. In the meantime, prepare yourself for a counterpart music video for the aforementioned new single, “Adrenaline”.

Defenders Of The Alamo

They other day I was looking over a list of those who died at the Alamo. The one thing that struck me about the list was that the men who gave their lives there were, collectively, incredibly young.

I saw John Wayne’s film, “The Alamo,” when I was a kid and for years I had in my mind that the men who fought there were mostly in their 40s and 50s. Legends like Crockett and Bowie who dominated the film, and dominated the actual siege, too, were rightfully played by actors who were about their age. Crockett was 50 in his last days at the Alamo and John Wayne was 52 when he played him. Bowie was 39 and Richard Widmark was 46. And many of the other actors who surrounded them on screen were also over 40.

But the reality was something quite different. Well over half of the defenders of the Alamo were under 30. Fourteen were teenagers. 14! Two 16-year-olds died for Texas’ liberty there. The typical Alamo fighter was 26 years old, which was the age of their commander. That’s right, William Barret Travis was just 26 years old and the sole commander of the Alamo, at least in the last days. Bowie was originally a co-commander but he was so very sick – bedridden from typhoid or pneumonia – and that left Travis fully in charge.

Eighty percent of the men at the Alamo were 34 and under. Today we would consider folks their age millennials. And the gift they gave was all the more precious because they knew in the last days, when Santa Anna raised the pirate flag, that no surrender would be accepted. They had to win or die. And as they looked across the prairie at a force ten times their size, they knew these were likely their last days. They could have left. There were chances to get out under the cover of darkness. But they stayed, knowing that they were giving up not just their lives, but all the long years that generally awaited young men. There were even men from Gonzales who actually fought through the Mexican lines to join their brothers in arms in the Alamo. Astonishing.

And the Alamo men came from all over. Numbers can be tricky with this history, but here’s what we know based on the Alamo’s official website, 32 were from Tennessee, 15 each came from Pennsylvania and Virginia, and 14 were from Kentucky. Eight were Hispanic -– born in Mexican Texas. And Europe was involved, too: ten came from England, ten from Ireland, four from Scotland, two from Germany.

Santa Anna was enraged that the Texans were rebelling. His plan was to launch a massive military campaign to crush the rebellion and make the Texans pay for it. I’m not making this up. The great historian T. R. Fehrenbach pointed out that Santa Anna planned to make the Texans pay for the military operation they caused by taking all of their lands and giving it to his soldiers and other Santanistas.

Meanwhile, William Barret Travis, though very young, wrote the most famous letters of the revolution. One letter, addressed ‘To the People of Texas and All Americans in the World,” asked for immediate reinforcements. He specified that his situation was dire. If they were not victorious, they would all be “put to the sword.” But he vowed he would “never surrender or retreat.” The letter was signed, “Victory or Death.”

Another that Travis wrote to the Texas government, which was more significant for what it prophesied, said this: “the victory will cost the enemy so dear, that it will be worse for him than a defeat.” And indeed, Santa Anna lost a third of his troops, about 600, which greatly demoralized the rest. This was followed by a forced march of 300 miles to San Jacinto, which so exhausted Mexican soldiers that they were actually caught napping when General Sam Houston attacked.

The Texans’ victory over Santa Anna after the fall of the Alamo and Goliad was so unlikely that it was similar to the odds of a baseball game in which the home team is down 29 runs to nothing. It’s the bottom of the 9th. Two outs. It’s a full count. Houston at bat.

Against those kinds of odds, the Texans rallied and crushed Santa Anna’s forces so decisively that it was all over in 18 minutes. Some say ten.

Without the men at the Alamo softening up, demoralizing and exhausting Santa Anna’s forces, it is unlikely that Houston’s army would have enjoyed such a resounding victory at San Jacinto. That is why we should always “Remember the Alamo,” and the mostly very young men who gave their lives for Texas’ freedom.