Archives for May 2018

Niña Dioz: “Tambalea”

Carla Reyna, known better as Niña Dioz, has spent over a decade navigating the turbulence that comes with being a queer female emcee in an overwhelmingly male-and-hetero-dominated industry. Boasting a discography full of songs fueled by political injustice and razor-tongued feminist anthems, Dioz’s newest single epitomizes her unapologetic message and specifically notes her iron-willed resilience against communities bent on crushing her spirit and her career. (TRANSLATED: I am the drop that spilled the glass/A failure didn’t knock me down…You go and question me, point a finger/I move lightly, I do not give a damn/I do what I want, exceeding in style) Joining forces with Colombian artist Lido Pimienta and labelmate singer-songwriter Ceci Bastida, these women have created a bonafide canticle of female empowerment. The catchy cadence of the lyrics of “Tambalea” are laid over minimalist production engineered chiefly by drums both steel and machine. Even if you don’t speak Spanish, the flow alone will be stuck in your head through the weekend.

“Tambalea” appears on Reyna, out now via Nacional Records.

-Taylor Wallace// host, Thursdays 8-11P & Saturdays 2-6P; Producer, Eklektikos with John Aielli

In 15 Minutes, Barbara Jordan Built A Legacy

Andy Warhol summed up our modern, technology-driven world: “In the future, everyone will be world-famous for 15 minutes.” But Barbara Jordan turned this idea on its head. In 15 minutes, she delivered a speech that gave her lasting, worldwide fame.

She was only 38 when she, on national television, argued for the indictment of Richard M. Nixon for high crimes and misdemeanors. Surrounded by more senior members of the House Judiciary Committee, mostly men with far more experience in government and law, Jordan gave a speech that was so brilliant, she stunned the committee and mesmerized those watching on television.

Here is how she opened:

“Earlier today, we heard the beginning of the Preamble to the Constitution of the United States: ‘We, the people.’ It’s a very eloquent beginning. But when that document was completed on the seventeenth of September in 1787, I was not included in that ‘We, the people.’ I felt somehow for many years that George Washington and Alexander Hamilton just left me out by mistake. But through the process of amendment, interpretation, and court decision, I have finally been included in ‘We, the people.’ Today I am an inquisitor. An hyperbole would not be fictional and would not overstate the solemness that I feel right now. My faith in the Constitution is whole; it is complete; it is total. And I am not going to sit here and be an idle spectator to the diminution, the subversion, the destruction, of the Constitution.”

Jordan’s Watergate speech is flawless in its eloquence. Few people ever reach these persuasive heights – you find it in Lincoln, and Kennedy and Martin Luther King. And you find it here in Barbara Jordan, a rare talent for setting logic on fire.

She was persuasive because she was anchored in the Constitution rather than anger or political posturing. Many worried at the time that agreeing to file articles of impeachment was the same as throwing Richard Nixon out of the White House without due process. She opens the constitution and teaches:

“It is wrong, I suggest, it is a misreading of the Constitution for any member here to assert that for a member to vote for an article of impeachment means that that member must be convinced that the President should be removed from office. The Constitution doesn’t say that.”

Jordan had a beautiful blend of legal and common language, a style that the man on the street can follow and be moved by. She tried to allay these fears by explaining, in Constitutional terms, that all the House can do is vote for impeachment, which is an indictment. The Senate must have the trial and decide guilt or innocence – and punishment.

She again follows the technical explanation with a simpler one:

“The framers of this Constitution were very astute. They did not make the accusers and the judgers — and the judges the same person.”

She follows this razor-like rationale, guided only by the Constitution, to this conclusion:

“Has the President committed offenses, and planned, and directed, and acquiesced in a course of conduct which the Constitution will not tolerate? That’s the question. We know that. We know the question. We should now forthwith proceed to answer the question. It is reason, and not passion, which must guide our deliberations, guide our debate, and guide our decision.”

Nixon resigned a few days later. I don’t think he cared to face this inquisitor.

And it wasn’t just Jordan’s infallible logic that supporters admired and opponents feared. It was her divine voice and impeccable diction that animated that logic, seeming to place it beyond rebuttal.

I have a friend, Dr. Juliet Garcia, who served on a bank board with Jordan. She says Jordan “could read the agenda and make it sound profound.”

When Barbara died in 1996, having devoted her life to serving Texas, Ann Richards remembered her this way. “There was simply something about her that made you proud to be a part of the country that produced her. And she forever redefined what it meant to be a Texan in the eyes of this nation.”

Jordan’s life was truly a succession of firsts: first African-American woman to serve in the Texas State Senate, first African-American Texan elected to Congress, first woman to deliver a keynote address at the Democratic National Convention, first woman to have a statue erected in her honor at UT Austin, and – this makes me smile – even in death she achieved another first. She was the first African American to be buried in the Texas State Cemetery. I do miss her. We sure could use her voice, and her logic, today.

Texas Standard: May 15, 2018

the US Supreme Court’s decision on sports betting: what are the odds things will change in the Lone Star State? We’ll explore. Also, what’s the best and worst price for gasoline you’ve seen? Tweet us @TexasStandard because this hour we’re exploring the rise to $3 bucks per gallon, and how that could affect us way beyond the pumps. Also, more and more states moving away from hypnosis as a tool in law enforcement. Some officials calling it junk science, though in Texas, in can be a matter of life and death. Lauren McGauhey of the Dallas Morning News explains. And the attempt to hear what your ears can-not. A new idea to combat killer twisters before they strike. Those stories and so much more today on the Texas Standard:

El Dusty: “La Cumbia” feat. Boogat

Latin Grammy-nominated producer and turntablist El Dusty just met a bold milestone in his already burgeoning career. Known in the live music realm for his mainstream festival appearances and garnering acclaim from the likes of Rolling Stone and Billboard, El Dusty’s natural sense of sampling, chopping and just plain moving the crowd is undeniable.

Last Friday El Dusty released the full-length Cumbia City, fourteen fresh collaborative songs of bass bumpin’ and booty shakin’, all ripe for replayin’. El Dusty celebrates Cumbia City with a release party this Friday at the North Door along with Peligrosa. but hop in right now with a tune featuring Montreal-born Latin musician Boogat – “La Cumbia”.

Jack Anderson (Host, Monday-Wednesday 8-11pm, Saturday 6-10am)

ATLYS: “Apples And Apricots”

Encompassing a world of orchestral performance and arrangement knowledge, local string quartet ATLYS is nothing short of spectacular. As the original violist for Mother Falcon, Rita Andrade formed ATLYS in Chicago alongside violinist Jinty McTavish and twin sisters Sabrina and Genevieve Tabby, on violin and cello respectively. The result is a tranquil but powerful sound that catches the listener off-guard with how each musician effortlessly lends their solo performance to lush arrangements.

ATLYS performs alongside Mother Falcon this Wednesday at Spiderhouse. Enjoy a track recorded in the great Alaskan outdoors and featuring collaboration with former Mother Falcon fronting member Claire Puckett – “Apples And Apricots”.

Jack Anderson (Host Monday-Wednesday 8-11pm, Saturday 6-10am)

Texas Standard: May 14, 2018

Who won the first gubernatorial debate of the year? Though it was a one party affair, some pretty hard punches were landed. We’ll talk with the moderator of the Friday night fight, Gromer Jeffers of the Dallas Morning News. Also, well-heeled Texans are re-opening their wallets for the GOP, we’ll show you the money. And liftoff in Houston for a basketball matchup that could be hotter than the NBA finals themselves. And is summer already over at the Oasis called Balmorhea? We’ll dive in to that story and so much more today on the Texas Standard:

Higher Ed: How Assumptions Impact Learning

Remember that old adage about what happens when we assume something? (Hint: break the word down into smaller parts and you’ll get it!). Seriously, making assumptions can impact how we approach and learn information. Southwestern University President Dr. Ed Burger and I spend this episode of KUT’s podcast “Higher Ed” exploring why we make assumptions; how they affect learning and problem-solving; and how we can approach education with a more open mind. A “Higher Ed” podcast listener wrote in expressing frustration with the fact that she often gets the puzzler wrong because she makes assumptions – that turn out to be incorrect – about the parameters of the puzzler. She asked Ed and me to discuss why people are so quick to make assumptions, and what mental cues or habits we could employ to stop making them.

Listen on to find out how to lean less on assumptions and to hear the newest puzzler. It is actually a “classic” that definitely requires fresh thinking.

This episode was recorded on April 20, 2018.

Joseph Rosenbloom, pt. 1 (Ep. 23, 2018)

This week, In Black America producer and host John L. Hanson, Jr. speaks with Joseph Rosenbloom, author of Redemption: Martin Luther King’s Last 31 Hours, about the events and circumstances that led to Dr. King’s assassination in Memphis on April 4, 1968.

Texas Standard: May 11, 2018

Bitter rivals have started launching rockets at each other, raising concerns among experts about the world’s next big war, we’ll explore. Also, as investigations continue into possible presidential collusion with Kremlin insiders, we’ll hear how the Russians tried to turn Houston’s Beyonce into a weapon of mass distraction. Plus the self taught scientist who gather more data from inside a tornado than anyone else before or since, but in the chase for data lost his life. Also, what could keep a new oil boom from taking hold in west Texas? Would you believe a sand lizard? Those stories and a whole lot more today on the Texas Standard:

Theatre Kids

This Typewriter Rodeo poem was requested in memory of a school theatre teacher.

KUT Weekend – May 11, 2018

Austin police can no longer sell used guns to the public. Plus, why UT Austin is rethinking a program aimed at expanding ideas of masculinity. And we’ll hear about some of the best sandwiches in Austin. Those stories and more in this edition of KUT Weekend!

Subscribe at https://weekend.kut.org

Kassin: “Momento De Clareza”

At the age of 44, Rio De Janeiro bassist-producer extraordinaire Alexandre Kassin has worked on about a hundred records over the course of his nearly three-decade spanning career, but is still relatively unknown to many English-speaking music lovers. The native Carioca first got his start in the local Rio scene performing in Acabou La Tequila and later in the more production-experimental trio X+2. Kassin was the one to conceptualize the internationally-renowned big band Orchestra Imperial, who he continues to perform with but today Kassin plants another seed in his solo career.

Finding inspiration in dreams and the surreal but anchoring itself with trusty production techniques, Kassin’s full-length Relax features eleven new tunes that sonically flow between traditional Brazilian pop, soul and classic Latin rhythms while lyrically addressing issues like politics, substance abuse, and mortality. Relax was released just today, so wrap up the work week by streaming the whole album but start off right now with a deceptively upbeat arrangement coupled with Kassin’s haunting tale of dodging fate by missing a flight on a plane that crashed in 1996 with “Momento De Clareza”.

Jack Anderson (Host, Monday-Wednesday 8-11pm, Saturday 6-10am)

Texas Standard: May 10, 2018

Even before the Democrats have their runoff, a new ad campaign from Governor Abbott suggests he already knows the outcome, we’ll have the latest. Also- the two Democrats in the gubernatorial runoff set a time date and place for their one and only debate, although it won’t be televised. How that might hint at what’s happening behind the scenes. And behind the scenes to win freedom for Americans. Ambassador Ryan Crocker of Texas A&M on what you didn’t see with today’s hostage release. Plus the technology that doing for a night at the movie theatre what Uber did for taxis, we’ll take a look. Those stories and so much more today on the Texas Standard:

Jake Bugg: “Lightning Bolt” (Live In Studio 1A)

Nottingham’s Jake Bugg exploded onto the UK music scene in 2011 after an invitation to perform on Glastonbury’s “BBC Introducing Stage” swiftly led to a contract with the illustrious Mercury Records (Elton John, the Killers, Bon Jovi). Since then, Bugg’s released four albums, toured the world, and worked with some of music’s most notable influencers including Mike D, Rick Ruben, and most recently, Dan Auerbach who Bugg had gotten to know when he opened for the Black Keys on a handful of shows during their 2014 tour. Auerbach produced Bugg’s latest album Hearts That Strain, which Bugg is currently supporting with an acoustic tour. He brought his stripped-down Britpop sound to our Studio 1A during his Austin stop, and in addition to a new tune, he treated our audience to a couple of Bugg staples. Cheers!

Check out the rest of the Studio 1A here.

-Taylor Wallace// host, Thursdays 8-11P & Saturdays 2-6P; Producer, Eklektikos with John Aielli

Texas Standard: May 9, 2018

The go it alone strategy: as North Korea returns three American hostages, a new test for Trumpian diplomacy, we’ll explore. Also, it’s being touted as an historic deal between inmates and the Texas prison system over air conditioning. What could be a lifesaver nationwide. And more cracked windows and more plane diversions: should there be age limits on commercial aircraft? We’ll explore. Also, Senator Ted Cruz’s Democratic challenger Beto O’Rourke says there’s never been a connection between the border and terrorism. A Politifact check on that claim. And losing the plot: officials try to identify who owns a mystery cemetery. Those stories and more today on the Texas Standard:

This Song: Shakey Graves

For an artist who got his start as a one-man band, it may come as a surprise that one of Shakey Graves favorite pieces of music comes from one of the most famous musicals of all time. On this episode, Austin’s Shakey Graves talks about his childhood love of the “Overture” from Phantom of the Opera and how it helped him explore his own theatricality on his latest album, Can’t Wake Up.

📸 Julia Reihs/KUTX

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Listen to Shakey Grave’s new record “Can’t Wake Up.”

Check out Shakey Grave’s Tour Dates

Listen to Songs from Episode 130 of This Song